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I've been wanting to put some more time into painting with gouache lately so I'm starting a study thread, feel free to join in! Here are two pieces from this weekend's attempts. The first is a Dean Cornwell study done along with a livestream from Jeff Watts. Clear reference was tough to find, so I just went along with the process I saw Jeff work though in the video. I spent about 3 hours on the Cornwell study and then applied the same process to an original sketch I did of Norman Rockwell from a black and white photo, which also took about 3 hours. Still getting the hang of organizing values on the palette, I feel like my palette gets crazy and disorganized quickly, so by the end of the Rockwell piece I was hunting and mixing a lot more to get back to the appropriate values. I'd love any feedback, suggestions, notes or revelations you've had during your own gouache adventures! Tools- Palette - Winsor & Newton Permanent White, and Ivory Black, Holbein Permanent Yellow Deep, and Flame Red Robert Simmons 785 Round #4 Arches Aquarelle Watercolor Cold Pressed Paper Livestream- https://www.youtube.com/live/gsTAsfjR_uk?si=l8BQy83zXAEOzYwk

I am looking to improve my painting skills and capturing textures might be my best bet

Hi guys! I am working on this painting of my brother's cat and I would like some feedback. I feel like I am having a hard time capturing his likeness and the color/texture of the fur. The painting photo is a bit squashed and in person the proportions match better. Any critique and feedback is welcome! Feel free to add your own painting you would like critiques on in this post chain!

Hi! This is my first attempt at the first project. Not sure if I like the result or not. Please feel free to butcher the drawing with any critique and advice you can give me

DAY 1 I finally convinced myself to start a challenge of painting everyday from life for about a month (We'll see how consistent I'll be) This is the first painting - oil painting on paper - 'simple' still life. I'll be posting the other paintings here aswell. I would like to get any critique (color, composition, etc.) so that I can improve.

Sometimes there's a 'line' of higher saturation just by the terminator, does anybody know why that happens? Thanks

Been focusing on painting portraits for the last month. My goal is to try to go for a more painterly style, working from big to small and attempting to design my shapes. Any feedback to help me improve is always appreciated. Thank you.

I painted this little still life (not that little.. it's actually about 100cm x 70cm). It's tempera/gouache on paper. I would like to get some critique on it. My intention wasn't to make it that much realistic because it's really hard to paint with tempera.

hi i am new in the plataform, I´ve been practicing my watercolor technique, and I´d like if someone could give me some feedback about it, every comment it is welcome I want to know your point of view :)

Hi, I think this is my last post here, just wanted to show some of my paintings (based on photo references). These were done on canvas in quite big sizes (from 80x60 cm to 40x40 cm). I found painting portraits really challenging, and always include some trial and error during the process. I'm a little bit afraid of putting more detail in painting, because of danger to 'draw' instead of finding colour and value. Do not have any specific inspiration for doing these, just realism, but trying to do it in a good way. (Maybe I found something painted similar, there are some old novel covers painted in guache that looks similar) Would like to thank for such a nice welcome on the platform under other posts, these gave some boost to keep doing art :)

Would like some critique on this oil painting study. I personally think it looks kind of flat so far and some of the objects are unrecognisable. It’s not finished and some parts are obviously missing but I hope I can get some tips before I continue. Thanks!

Going to create a large oil painting soon, do you think that this digital study looks good. i think that the compostition is fine, and the values are ok (might need to change), but im over all conserned on the colors of the peice. any tips before i go onto a large oil painting

Would just like to get some general feedback on this still life in terms of color, value, shape, edges, etc. Or just any advice when it comes to the medium of oil painting since i'm sort of new to it. I painted it from life and unfortunately (and stupidly) decided disassemble the subject before I had a chance to take a photo of it. So the reference photo of the re-arranged still life I've attached isn't completely accurate in terms of proportions. Thanks!

I did this piece for a graphic design class I'm taking, before i submitted it, what do you think about it? Is the composition ok, what about the lighting on the form, I think the anatomy of the main characters looks fine but what do you think? Also i was wondering if I should detail all of the other background characters, or should I let them bleed out of the focus and leave them roughly? any thoughts would be great, thanks.

My name is markus and I'm just finishing school this year, here are some paintings that I've done recently. If you have suggestions or critiques on these pieces feel free to do so. I wish to improve my illustration, for example, characters interacting in environments. Some artists I admire are Craig Mulls and Devin Korwin. I love their use of brushwork and composition. Besides studies, what should I focus on practicing? Color, composition, or anatomy? I think I need to improve on all 3 areas, but based on the images below, what do you think I should target my practice on? below are some landscape, illustration, and portrait paintings. i would especialy like critiques on the ilustrative paintings (characters acting with environments). thank you, feel free to check out my other work or reach out to me personaly on instagram @markus_does_art

I'm trying to find the right colors and to blend them together. I'm using procreate program

I been out of commission due to an arm injury. but finally back to work