Warmup - Clean Shading

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Course In Progress

Warmup - Clean Shading

1K
Course In Progress

Warmup - Clean Tone

Let's practice shading with clean tone and develop our dexterity for better pressure sensitivity.

Begin by drawing a rectangle or square, around 2-4 inches in size. The goal is to fill this shape with a consistent tone. Use strokes at any angle comfortable for you.

Don't limit yourself to one value. Practice shading light, medium, and dark tones in separate squares. Before you start, try choosing a specific value to target, like matching the value of a nearby object. This gives you a goal, and helps improve your ability to execute the value you intended..

Try to keep the tone consistent throughout:

  • Consistent pressure: Try not to change how hard you press with the pencil.
  • Overlapping Strokes: Ensure each stroke overlaps the previous one the same amount to avoid gaps.
  • Circular Motions: Instead of lifting the pencil, use small circular motions. This helps create a smoother tone without visible lines.
  • Layering: Build up the value in layers. Start lighter and add multiple layers to achieve the desired darkness. Changing the angle slightly with each layer can help fill in gaps and even out the tone. Be mindful of areas that may have become too dark, and adjust your pressure accordingly in subsequent layers.

Check out the Lesson Notes for more details.

Newest
Menriv
8d
Warmup - Clean Tone
@aakerhus
2mo
@mstefan
2mo
@mstefan
2mo
My submission for clean shading.
Vue Thao
2mo
Two days ago, I bought woodless graphite pencils. I wanted to try these types of pencils for the first time. I guess these are for sketching instead of rendering. lol
@mcminnjesse
Hi Vue, I just wanted to say I was inspired by your next-level shading skills and used your work as a reference to create my own exercise page. Thanks so much for sharing! I have a question about edges. How do you get the edges of your shapes so precise while keeping the shading so uniform? For me, when I wanted to sculpt the edge of one of my shapes, I found I often had to change the direction of my pencil strokes, which sometimes messed up the shading. In your shapes the shading is so uniform, it doesn't look like you're changing the direction of your pencil at all - or am I wrong? Thanks again!
Samuel Cusick-Riley
It looks textured, kind of like pointillism. Is that just the texture of the paper coming through?
Samuel Cusick-Riley
How did you get the lighter effect?
@lieseldraws
New to shading, I wasn't quite sure if I was on the right track with this exercise. Sometimes it almost felt like coloring (?) which I don't think it should be...especially when working with darker values. Anyways, here is my attempt. I drew some boxes and planes from life and 3D models to get a bit of perspective practice in too.
Dermot
2mo
I've been practicing with a 2B Pencil. The paper I'm using has a texture which shows through. Getting lighter values seems difficult as I have always leaned hard when writing. Lighter values I find difficult to achieve. Even with the putty eraser, getting straight transition between the values look uneven ( Not a rectangle of each value !). I'll keep at it. :)
Lynn Fang
2mo
It's been a long time since I came back to post my homework. Seeing my classmates' homework still fills me with surprise. I used Photoshop more before. It's not easy to make clean shading by graphite for me.
Vue Thao
2mo
Yours is alright. You just need some patience. You'll be fine.
Vue Thao
3mo
Lynn Fang
2mo
Oh they are so beautiful!
Tori Blade
2mo
that looks amazing! Wonderful work, the shading is clean and even
Melanie Scearce
So nice!
Niklas Nilsson
Some first warmups
@mcminnjesse
I know this lesson was intended mostly for traditional materials, but I thought it would be an interesting challenge to see how much of it I could apply digitally. The first page is me experimenting with the round mixing brush in CSP. I discovered that it does not blend very smoothly - you can decent results if you go over and over and over the same area, but it's very time-consuming. The second page is me trying out a bunch of different brushes, most of them CSP default brushes. I tried messing with the brush settings as well as my pen's pressure sensitivity. My biggest takeaway was that digital brushes are absolutely not born equal when it comes to blending. Some of them blend really nicely, but most of them just overlay the second stroke on top of the first, making it basically impossible to fill an area evenly. Thankfully I did discover a few good brushes. Gouache was my favorite! Page 3 is me making boxes and torsos with the Gouache brush. After all my practice I feel like I still have a hard time making things feel 3D. Further research is needed.
Nick Quason
Great job! My only suggestion would be to try and be more uniform with the pencil strokes (fewer overlaps and blank spaces), you can try to lock your value with minimal opacity pressure to still get that organic pressure hatching.
@ethereal1988
Nice shading! Airbrush would be the best if used properly, you need to acquire technique. (8 years professional airbrush experience here) Those torsos look amazing though, keep it up!
ANX804U
3mo
amazing
Krisztina Eperjesi
My natural motion to achieve the correct value is the overlapping strokes method. I tried to reproduce the same value with different pencils.
Tuija Kuismin
I explored with HB pencil, full graphite pencils and charcoal. I find the full graphite pencil achieves the smoothest result and it was also the fastest. I like a little grainy texture, though, so the result I get with regurlar pencil makes me happy. I love the charcoal pencil, it's so rough compared to full graphite and gives a truly grainy texture. I tried both the over hand grip and tripond hold, and a curious thing... I found myself holding the pencil right at the end of it, just holding the end between three fingertips like I was about to drop it. This felt very light and more controlled than when I hold the pen near the tip, and put more pressure on it. Lovely assignment and nice experimenting. This is meditative :D.
@mariabygrove
Love the deep black of the charcoal and you managed to keep it clean! Whenever I tried drawing with charcoal, I had a lot of smudges all over.
onigi *pronunce [on-ie-gee]*
6 values with graphite and there values with charcoal. Making value with charcoal is always hard!
@mariabygrove
Nice! Very even shading :)
@breakfast
3mo
I didn’t do a ton of clean up because I’d like to see how I improve throughout this section! There is quite a bit of noise, and I think I was pushing my 2B a bit far for the darkest value! Good information to learn though!
@bumatehewok
Last page in my study sketch book! Woooo. Kinda nervous going into tone :o
Melanie Scearce
Don't be nervous! These look good, take your time with it and enjoy :)
Rose Bernatovich
My paper is really rough, so I did the best I could. Fun assignment!
Leonardo Flores
they look nice
Martin M
3mo
I tried to create a scale now that I have two extra pencils and I have some new learnings! I created two scales. Top one with 3 pencils (4B, 2B and HB) and a bottom scale with 5 pencils (4B, 2B, HB, 2H and 4H) It's really hard to get the value gradient smooth for 9 values. The pencils are different in hardness, but they have huge value overlaps. Meaning the lightest tone of 4B can still be lighter than normal pressure 2B. So to create the scale I had to apply a lot more pressure on the pencils in the darker end of the scale to push them further out. And at the same time use minimal pressure on the pencils in the lighter side of the scale to push them away in that direction. Only then was there enough "breathing room" in the center of the scale for the middle tone pencils. My previous presumption was that light pressure on 4B would still be darker than normal pressure 2B, but this is not the case. A lot of overlap in value ranges. What does it mean for me? I can't rely on my muscle memory of pressure and switching pencils if I am going to use 10 values. I will have to judge this by vision. Or I will have to just get more pencils and broaden the range of values I have available.
Gannon Beck
Very nice!
Tuija Kuismin
Inspiring, that looks great!
Juice
3mo
Nice and thorough study! 💪🏼
@mariabygrove
I think my 7B pencil wasn't sharpened well enough and so I instead of a smooth value I got a bit of a melange pattern, but at least it's fairly uniform ;)
Dermot
2mo
Nice smooth transitions. How did you manage your value transitions so tidy?
Tuija Kuismin
Wow, the texture looks awesome and the value scale very smooth. Nice!
Leonardo Flores
wow, well done!
Jeremiah A
3mo
I find the middle values to be the hardest/longest to get clean.
Melanie Scearce
Nice work!
Jeremiah A
3mo
Used 2H and 2B
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Founder of Proko, artist and teacher of drawing, painting, and anatomy. I try to make my lessons fun and ultra packed with information.
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