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Iman
•
1mo
added comment inAssignment - The Secret of Simple Forms
Asked for help
Image one (pencil box):
The top left drawing was my first attempt at copying the picture. The one on the right was my second attempt as I was not happy with the first; I felt I hadn't pushed the foreshortening quality of it enough. The bottom three were made up. I notice I didn't keep the proportion of where the lid and the bottom meet consistent. On some it seems to be directly halfway along the box (when in real life it's not).
Image two (tissue box):
The ellipses were drawn freehand and I struggled to imagine how the tissue paper on the bottom right one would look.
Image three (figurine):
Maybe I got a bit ahead of myself here. Lots of round shapes instead of keeping it more boxy... for the far right one I found myself forgetting of thinking about the figure as "contained in a box", which lead to me thinking of the platform it stands on as something separate instead of as a part of the box in which the figure would be contained... so I couldn't quite figure out how the beveled edges would look.

@mcminnjesse
7d
Very clean! Love how the Thing looks like he's in a trophy case. I feel like that's a great way to visualize drawing a humanoid figure from different angles.
@mcminnjesse
•
7d
Asked for help
Phew! Well, I'm about a million days late after taking a break from art, but I was pleased to see my skills haven't atrophied too much.
This was a great exercise to start drawing again. I'm tempted to say it feels like one of the most fundamental / important exercises of them all? I feel like if all you did was this one exercise, you could eventually learn how to draw pretty much anything by working your way up to more and more complex forms.
Attempt 1 (fireplace): I based this one off of real-world reference, a little model fireplace I have. I think I did a pretty good job overall, though I messed up the proportions of the fireplace in both angles (my drawing is too long / squat), plus I messed up the angles of the lines in the below shot - the lines should be getting more horizontal as they approach the horizon line, not less! I used line width and darkness to add some atmospheric perspective.
Attempt 2 (bunny): This took FOREVER. I think I tried about 3 or 4 different ways of breaking the rabbit into forms, trying to hit on something that was boxy enough to replicate without being too robotic. I'm pretty happy with it overall, especially how the line weight came out.
Attempt 3 (lizard): I tried 2 new things for this one: first, I didn't use an outer (containing) box, and second, I tried changing the lizard's pose for the second image, not just the viewing angle. I don't know if lizards sit like that, but whatever. This was a lot of small, narrow boxes and I don't know if I got all the angles right, but I think the overall impression is pretty effective. This also took ages... basically an entire day!
Overall, this was a great exercise and I hope to revisit it again in the future once I'm caught up. I'd also like to revisit this once I've learned a little more about shading - I think this would be a good shading exercise once I know what I'm doing in that area.
•
7d
Welcome back! I think this level of finish is perfect for this exercise. Marshall made a great point in the video that spending a lot of time on finishing these with detail doesn't help you progress very fast when it comes to understanding the form in 3D space; doing lots of iterations with this level of detail is the way to go when you're starting out.
Your linework is looking good; I agree that the variations in line weight you used look awesome. Good luck with the course!
@mcminnjesse
•
6mo
Asked for help
Well it's about a thousand years late, but here's my practice! This is a good exercise. I'm going to add it to my rotation.
This is a great exercise for figuring out which directions you have trouble pulling lines in! As a righty, I was not at all surprised to find that my best lines are bottom-left to top-right, and my worst lines are top-left to bottom-right.
@mcminnjesse
•
7mo
Asked for help
Week 3, attempt 2 - twelve more hands and feet!
This was a great challenge. I've got a long way to go, but seeing how much I can improve in just 3 weeks is really encouraging. I can only imagine the gains if you did this daily for a year or two.
Fantastic submissions everyone, and good luck!!
I felt exactly the same. I had the exact same thoughts. Glad you also felt like you leveled up going through this challenge. I hope a lot of us did. These look pretty nice. Nice job.
Fantastic gesture! Love how dark your lines get in the occlusion shadows between the fingers and toes.
@mcminnjesse
•
7mo
Asked for help
Week 3, attempt 1!
I was NOT expecting to have to draw hands and feet for this challenge! This was fun but very difficult. I haven't put in my hours studying hands and feet and hands in particular are still really tough for me. There are just so many forms and plane changes and overlaps that I just can't keep track of them all, even as I'm telling myself, "it's just a box with some cylinders attached, how hard can it be?"
That being said, I recognize at least one of these hands (bottom-right!) from the drawing basics course. Last time I drew that hand, it took me an evening - this time it took me 5 minutes! In other words... I'm improving! And hey, that's what it's all about, right?
Anthony Hernandez
•
7mo
Asked for help
My submission for the Gesture Drawing Challenge:
1. Week 1 - Dynamic Movement
16 1-minute poses
10 5-minute poses
2. Week 2 - Static Poses
12 5-minute poses
3. Week 3 - Hands and Feet
12 5-minute poses
4. Bonus - Expressions
17 5-minute poses
Great challenge! Thanks for the sample reference images and for considering my submission.
Your hands and feet look incredible. It's also really impressive that you can capture those expressions in such a short amount of time. It doesn't look like you do any construction!?
@mcminnjesse
•
7mo
Asked for help
Week 2, attempt 3!
Sometimes I feel like all the different techniques I've learned for figure drawing are competing in my brain to be the approach I take for any given drawing. I guess part of figuring out your own unique workflow is determining which blend of techniques works for you.