Its time for critiques again! In this lesson, I’ll look over your sketches from observation and address the common mistakes.
These two critique episodes took a bit longer to edit, so Level 2 critique coming out next week.
Newest
Neo Diamond
11d
After watching this and the demo I didn't feel like I'd let myself be loose enough in the original exercise so I decided to do another one. I chose this squirrel and focused much more on the gestural lines and overall shape rather than just the contour.
Dylan Jagiello
1mo
Some more drawings from observation. I'm trying to improve my loose line quality.
Dylan Jagiello
1mo
Tried to be looser with my lines

@markplewis
1mo
I’m still trying to loosen up.

@markplewis
1mo
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1mo
Looks great!

@berzerkerh
2mo
i struggled a ton with this and forgot to photograph my first attempts but i did pull this penguin off later in the week
Radu Rentea
2mo
Some extra work
Minerva D
2mo
Here is my exercise!
@hobodios
2mo
more practice!

Dante Diaz Jr
2mo
My sketch. I did what I can hopefully I get some Critique. Thanks

@jdennis
3mo
I had trouble with proportions, but I made sure to start the sketch using only straight lines then I went over them using CSI lines while also making sure not to use "messy" searching lines. I had more trouble with the robot.
Darth Illustrator
4mo
I’ve trouble achieving looseness and accuracy at same time.

@samuva
5mo
The drawings you are reviewing are better than level one! mine are awful. Proportions of people sketches are perfect
WilIiam tanuji
5mo
Hello, I need critiques or comments from someone about my lines in this drawing.Please let me know if you find some of the lines stiff or awkward to see. Thank you!

@mathtry2draw
6mo
Homework + bonus
Pakorn Kaewmijeen
6mo
I tried sketching something of my own. First, I tried sketching the big overall subject, and then I tunneled down into smaller parts in my second sketch. (I drew over the first by erasing some parts and adding just some positions.) I found that during my sketching, I tend to worry about getting the lines right on the first try and not explore (then double down on the existing lines) + with smaller parts, I tend not to explore and draw loosely at all. Resulting in no energy at all in the sketch. I spent around 30 minutes+ during the first sketch and second sketch each. (Seems kind of too long for the first sketch). The result isn't too bad, but I'm not satisfied yet. Any tips for sketching more loosely & faster with more energy?
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6mo
Try increasing the length of your stokes -- from what I can see you are making a lot of little strokes which give your lines a "hairy" appearance. Challenge yourself to make light, loose stroke and only darken your lines when you feel that you have found the right ones.
Pakorn Kaewmijeen
6mo
During this sketch I just drew the second sketch almost on top of the first one and erase some lines.(I know it's not the best idea but I kinda get lazy & impatient at the end - should have take breaks)

Catherina Petersen
7mo
After watching the demo and critique videos I tried this challenge again, this time more loose and confident with my lines.

Gabriel Kaiser
7mo
I attached a try before and after the demo for the penguin and the arm. I feel like I could have done more exploration especially with the second penguin even though it looks better. I am sorry to say that I couldn't do the arm. I abandoned my first try and did it again after watching the demo but it was terrible. I tried the same technique with a picture of some whales where I think I was doing more searching and more confident lines, maybe because it was easier.

Dominicque Arceo
8mo
I’ll admit, this assignment was one I probably didn’t approach it the way I should have. I’ll probably figure it out when I get a chance to view all the critiques.
@angelic_garbage
8mo
2nd attempt at observation sketching (ty Jack, I sniped your reference pics)

@apollon
8mo
I think the spider looks the best with the most confident lines although the line darkness feels too random. The car and the hand have good big lines indicating the larger shape but the lines get less confident and more fuzzy in the smaller details.
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About instructor
Founder of Proko, artist and teacher of drawing, painting, and anatomy. I try to make my lessons fun and ultra packed with information.