@hobodios
@hobodios
Earth
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@hobodios
I tried to combine all 3 of the line weight methods but mainly light & shadow because I love that one! I'd love to get some advise also I'm sorry for the bad picture
@hobodios
Is it okay to use a lighter pencil to do the layering first since it's too hard for me to stay light with a 2B without being able to rest my arm on the paper (because if I do I smudge the lines and it looks bad). Also I'm used to drawing with a pen that's why it's hard for me to stay light with a pencil :d
@hobodios
So I'm kinda confused about the contrast concept I put an example (2nd image) I'm not sure if that would also be an okay thing to do. It's basically the opposite of what Proko did (I choose to emphasize the shadow of the body in the head and the light of the background in the leg). This might be a dumb question :d other than that I think I understood everything and I would love to get some advise!
@hobodios
I feel like this might be a bit of a dumb question but I'm confused about this contrast concept. Would this also be okay? (it's the opposite of what Proko did) Idk if that's how it works but I choose to emphasize the shadow of the body in the head. And the light of the background in the leg.
@androida
10d
I did something similar. After the demo think that's OK. The contrast between the leg and the background was not as striking as the contrast between the head and the body. It looked a bit off to me looking at my version, probably because there's otherwise missing overall shading in the image --- if I understood that right.
@hobodios
Are my lines loose enough xd?
Melanie Scearce
I see you paying a lot of attention to detail here -- which is very good for a finished drawing, but can get in the way of exploring shapes and ideas quickly and efficiently when you're starting out sketching. The tertiary details such as the scales, and bumps -- think superficial details -- can wait until after the more important shapes are defined. Focus on the primary forms first. These are shapes that can be made with cubes, spheres, and cylinders. Keeping things as simple as possible in the beginning, you are free to experiment as many times as you like without feeling invested in any one idea. Your first idea will not typically be your best one, so your goal starting out should be to get a bunch of sketches on the page. After you've explored and experimented, you can pick a design or combine elements from multiple successful designs to flesh out more by incorporating anatomy, refining the simple shapes you created. You have a really interesting idea with the fish jumping into the gators mouth! I'd love to see a few more sketches with simple shapes. See how you can explore that idea further.
@hobodios
I got carried away but I like this second attempt more (pre demo).
@hobodios
I'm a level one student and I attempted to draw from imagination (it didn't go well). I'll definitely try this again, I'm going to study my subject a lot more next time.
@hobodios
I had a lot of fun trying out the red ink. I feel like I'm improving!
@hobodios
Honestly I'm struggling with ''imaginating the whole thing'' as Proko says in 37:24. I just can't tell the diference between that and just doing the outlines. And maybe I'm doing it correctly but I don't even notice -_-.
Guillaume Beaulieu
I really like the Celeste image. It’s very dynamic. The characters have a lot much movement and your sketch of it is nice. it’s motivated me to try drawing it myself!
Rachel Dawn Owens
I think youre on the right track. ‘Design don’t copy’ is a mantra i like to keep in my head when drawing from reference.
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