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WilIiam tanuji
WilIiam tanuji
Earth
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WilIiam tanuji
Hello, I need critiques or comments from someone about my lines in this drawing.Please let me know if you find some of the lines stiff or awkward to see. Thank you!
WilIiam tanuji
It doesn't look right, but I can't point it out lol. I left a few searching lines. Feedback and critique are welcomed.
Rachel Dawn Owens
This is a wonderful drawing! Thanks for sharing! The searching lines are a great way to add life to a drawing. The only thing I notice is that the spotty values make the hand feel flat. Find ways to design the lines to wrap around the form and maybe that will help. Keep it up!
WilIiam tanuji
Here are my attampts. I did not add any shading, tried to emphasize on line confidence, and simplified the reference. Feel free to leave feedback or critiques. Thank you.
WilIiam tanuji
Thank you Rachel for the feedback. that is my fourth attempt drawing the camel. I will continue practicing.
WilIiam tanuji
Tried my best to create the so-called confident lines. But fell short of the expectation sometimes because I was impulsively thinking too hard about the 3D dimensions lol, I should've focused more on the lines instead. And I couldn't help but tried to hide the messy shoelaces with some shading. Regardless, it is very great practice for me. Feel free to leave feedbacks or suggestions. Thank you!
WilIiam tanuji
My first attempt. I try to blend the left side of the pear with the shadow. Critique and comments are thoroughly welcomed as I am still a beginner. Thank you.
Martha Muniz
Good toning! I would recommend lightly drawing out simple borders for the value groups beforehand, limiting yourself to straight edges. That can help find sharper edges and more defined groups, to really practice an eye for shape simplification. You already have the value simplification down, and it's overall a strong start -- keep up the good work! :)
pforero
Not sure why I did it with colored pencil instead of graphite… light values are a bit of a mess.
WilIiam tanuji
great! I really like the contrasts,
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