Figure Drawing Fundamentals
Gesture
The Bean
Structure
Landmarks
Robo Bean
Mannequinization
Balance
Exaggeration
Proportions
Measuring
Shading
Figure Drawing Demo
Closing Thoughts
Newest
Marco Sordi
7d
2024/12/12. Good morning everybody. Here's a digital postcard for Christmas greetings. Thanks for any comment or critique. Have a good day!!
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3d
Awesome work Marco! I especially love the stylization, it feels very lively and cheerful! :)
Marco Sordi
11d
2024/12/8. Good morning everybody. Here's a new illustration I painted last week. Thanks for any comment or critique! Have a good Sunday!
"Last Line of Defense" (acrylics and acrylic gouache on Fabriano watercolor paper, 12" x 18")
Dave S
26d
This is my long study for the figure drawing course. Made some critical errors, mainly I worked way too small, he’s like 7” tall. But learned a lot and was good to work traditional for a change. Critiques would be super helpful. Thanks!
Marco Sordi
2mo
2024/11/2. Good morning everybody. Here's my latest illustration: "The Showdown" (acrylics on Fabriano watercolors paper, 30.5x 45.5 cm). Thanks for any comment or critique. Have a nice weekend!!
Kelly
1mo
Love the atmospheric quality and the depths you have worked on, only thing I would perhaps finesse is the buttocks, I think anatomically the cheeks may be more pronounced. Perhaps just the shading as the underside of them looks a bit contrasted. Great work!
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1mo
Really love how you mapped out the values, great composition!
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2mo
That’s a really cool demon!
Marco Sordi
2mo
2024/10/23. Good morning everybody. Here's another acrylic painting I realized for the incoming Halloween.
"Welcome to the Hotel Transylvania" (acrylics on Fabriano watercolors paper, 35 x 45 cm).
I wish you all a fantastic Halloween!!
Vue Thao
2mo
Whoa! Amazing.
Marco Sordi
2mo
2024/10/13. Good morning everybody. Here I am again with a new illustration (acrylics, acrylic gouache on Fabriano watercolors paper 30.5 x 45.5 cm). Thanks for your comment or critique.
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2mo
So cool! I really like the reddish light bouncing around the bottom of the painting and the wings are sick!
Marco Sordi
3mo
2024/10/2. Good morning everybody. I've finished the course "Fantasy Figure Drawing Wizardry" by @Patrick Jones. Drawing along with Patrick listening his comments, stories and advices has a great experience. If you are a fantasy art fan you can't miss it. In the same time I started to study from his "The Anatomy of Style 2" after I spent almost a year copying his "The Anatomy of Style Revisited" during 2022/2023. Now there's no section for assignment so since the course is about figure drawing I hope you don't mind if I post here my "homework". Thanks for any comment or critique.
Sara G
3mo
These are gorgeous! Your minimal shading adds just enough without it going overboard, and your figures are so fluid.
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3mo
Beautiful work! Patrick is incredible.
Marco Sordi
3mo
2024/9/27. Good evening everybody. Here's some preliminary studies I realized for my new incoming artwork. They are not intended to be refined works but if u find something about gesture or anatomy that really looks strange feel free to leave a comment or a suggestion. Thanks!
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3mo
Beautiful drawings @Marco Sordi! On your female figure, I would move the iliac crest/connection of the sartorius muscle over a bit to fit the perspective, which would slightly rotate her left leg. See the drawover. Hope that helps :)
Marco Sordi
3mo
2024/9/25. Good afternoon everybody. Here's again a fantasy illustration I made in the last two weeks. Thanks for any comment or critique!
"Silent Consoler" (30.5 x 45.5 cm, acrylics and acrylic gouache on 300 gr Fabriano watercolor paper).
Kiara Aldana
3mo
um, her boobs look like boulders.
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3mo
The blues are very beautiful with that orange moon!
Marco Sordi
3mo
2024/9/8. Good morning everybody. I've just finished this long drawing after watched the course from @Jeffrey Watts and @Watts Atelier instructors. The course provides some general information about Reilly figure drawing method but honestly is too short compared to the price. For those who are thinking to buy it keep in mind that is just an introduction: interesting but not enough to learn how to apply the method to different poses. Also there's no section where you can upload your assignment and, apparently, there are no feedback or critique. Anyway I'd like to have the opportunity to study at Watts Atelier from life someday so I had an idea about the environment and the course contents. Fair enough.
@rgale
3mo
Taking this course on here and watching their YouTube channel is what led me to taking online classes at Watts Atelier. You learn way more on there than the short classes on here. Another thing, look at other Reilly method sources like Ron Lemen (he has a YouTube channel) and his old Imagine FX articles from 2008 which explain way more on the Reilly method. Some other good sources are books like "Mastering Drawing the Human Figure" by Jack Faraggaso. He was a student of Frank Reilly. One thing I will say is, I personally believe the Reilly method needs a decent knowledge of anatomy to fully understand it since you are drawing the figure using bony landmarks and muscles rhythms and connecting them like a gps. If you know anatomy well, the Reilly method acts like a gps for the human body where you can never get lost. I love it.
Lizzy Thompson
3mo
fantastic!!!
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3mo
His left arm feels a little small but it’s hardly noticeable. This is another beautiful drawing Marco. Thanks for sharing.
Marco Sordi
4mo
2028/8/31. Hello everyone. It's been a while since I posted my work but only because I'm studying a lot. I just finished one of the two artworks that I will exhibit in the September exhibition that will be held in one of the two schools where I started working as a drawing teacher. As always I would like to have your opinions, advice or criticisms. Thank you and have a nice day.
"Iron Lady", 30.5 x 45.5 cm (acrylics on 300 gr Fabriano watercolor paper).
@j4e8a16n
4mo
On my opinion the blue is too intense... Sorry.
Marco Sordi
5mo
2024/7/8. Good morning everybody. This illustration it's a master study from a painting of a great illustrator, one of my favorite: Scott M. Fischer. In particular I like his fantasy characters and his angelic creatures. As you can see from the photo of the original (right) that his touch is extremely powerful and rough and this gives greater expressiveness of the character's strength. I, however, opted for a more regular and fluid touch, especially in the drapery and details of the armor. I had a great time. I used acrylic colors on 300 g Fabriano watercolor paper 45.5 cm x 30.5. Thanks to everyone and have a good day.
Aaron Smith
5mo
Nice study, Marco! I know it's not the focal point, but I love the way you've painted the clouds!
Marco Sordi
6mo
2024/6/25. Good morning everybody. This is a drawing I've just finished few days ago (graphite pencils on Kent paper A3 size). Thanks for your comments or critique. Have a good day.
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6mo
Love seeing your posts! This is glorious.
@amaka45
6mo
NICE!
Marco Sordi
6mo
2024/6/11. Good afternoon everybody. Here's another attempt with acrylics (on Fabriano watercolor paper 300gr, 30,5 x45,5). Once again I've verified how acrylics are a complex medium: perfect for textures, very difficult to create shades and color transitions. Thanks for any comment or critique.
Aaron Smith
6mo
Love the intense composition! Great work!
Gannon Beck
6mo
Beautiful work, Marco!
William Montalvo
6mo
This looks really good
Marco Sordi
8mo
2024/4/23. Good morning everybody. Here's another tribute to my favorite Disney movie ever: "Clash of Spirits" (acrylics and acrylic gouache on Fabriano watercolors smooth paper, 30.5 x 45.5 cm, 300gr). Thanks for your comment or critique. Have a good day!
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8mo
Wow. I love these colors
Marco Sordi
8mo
2024/4/21. Good evening everybody. Here's my latest figure drawing. "Young Novice in Prayer" (pencil, pure graphite and charcoal pencil on Kent paper A4 size).
This time I arranged and fixed an AI generated image. It has been the first time to me and I have to say that I had to work a lot for fixing anatomical mistakes and the face was a little bit too idealized. That's why the final result looks more an illustration than a realistic figure drawing. Anyway, on the other hand the lighting was very believable. I also redesigned the folds and the wrinkles of the fabric. Thanks for any comment or suggestion. Good night!
Elmari Van Zyl
8mo
great work.
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8mo
The face is my favorite part. Looks really nice!
Marco Sordi
8mo
2024/4/6. Good morning everybody. Here's my latest long drawing: "Girls Just Wanna Have Devilish Fun". Pencils (Hi-Uni, Faber Castell Pure Graphite 2900, Staedtler Mars Lumograph Black) on Kent Paper A3 size. Thanks for any comment or critique. Have a good day.
Ron Kempke
8mo
Fine example of a slick, photographic impression but I prefer an image that expresses more of the individual who drew it.
Tony Sandell
8mo
Excellent
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8mo
WOW.
This is incredible. Everything about it is terrific. You are very very good and drawing hands. That’s my favorite part.
The expression is perfect. The rendering of the midtones looks professional. There’s really not much I can say for critique except her right wrist looks a little awkward next to the hair.
I cant draw as delicately as you but I attempted a draw over anyway. Maybe this helps, maybe it’s already perfect.
Keep it up. This is so good!
Marco Sordi
9mo
4/3/2024. Good morning everybody. Here's my latest painting. "Aurora" (30,5 x 45,5 cm)
(Holbein acrylics, acrylic gouache, Faber-Castell and Pigma ink pen on Fabriano "Artistico" watercolor paper "grana satinata" 300gr). Thanks for any comment or critique.
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8mo
Hey there Marco! It's a lovely piece, and especially impressive given the medium used. I think you really captured the elegant simplicity of the original animation's linework.
Something to keep in mind as you create compositions is to think about the organization of your values, checking that the picture still reads clearly. I think this scene in particular from the movie showcases great examples of this as well, which you can test with a (de)saturation filter. Anything important (the characters) will stand out against the value of their backgrounds. I mention this because it seems to start steering away from that here, with Aurora's hair/face about to match the background when it should have the highest contrast instead, so it's something to keep an eye on going forward.
Overall, awesome work as usual, Marco -- keep up the great work!
Marco Sordi
9mo
2023/3/5. Good evening everybody. Here's my latest long drawing/master study. This time I've chosen a painting of one of my favorite painter. "The Touch of the Angel" by Roberto Ferri (detail). Pencils and pure graphite on Kent paper (A4 size). Sorry for the pic's quality. Thanks for any comment or critique.
Marco Sordi
10mo
2023/2/12. Good morning everybody. Here's my latest long drawing: "Big Horn" (pencil and pure graphite on Kent paper A4 size). Thanks for any comment or critique. Have a good week!
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10mo
Lovely work! This is a minor detail suggestion, but can also be useful in the future-- I would consider pushing the values slightly on the horns, so that there is more contrast between the front section and the section in the back that is overlapped. This could add more depth and organization as a result. It makes me think back to this article written by James Gurney I highly recommend on the Windmill Principle when arranging values: https://gurneyjourney.blogspot.com/2008/04/windmill-principle.html
Either way, great work as always :)
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About instructor
Founder of Proko, artist and teacher of drawing, painting, and anatomy. I try to make my lessons fun and ultra packed with information.
