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Benjamin Roseman
Benjamin Roseman
Earth
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Benjamin Roseman
The top are 1 min and the bottom 5.
Benjamin Roseman
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Benjamin Roseman
A figure study I did. Open to any criticism
Benjamin Roseman
Asked for help
I've been sort struggling when it comes to drawing these obliques in the assignment part one. Even after watching the video demonstrations and studying those 3d muscle images it's not seeming to click for me.
Benjamin Roseman
Asked for help
I'm not sure if there is a watercolor course hear, but I have a question. I'm sort of a beginner in watercolor and I've noticed as I'm Starting a master study of a Frazzetta Painting that there are hard paint edges when the watercolor dries. How am I supposed to prevent that as I'm painting?
Marco Sordi
2024/6/22. Good morning everybody. Here's my latest portrait. ("Incarnato e Panneggio_studio", Carbothello pastel pencils on Pastelmat paper, 21x29.7 cm). It's a study about fabric and skin rendering. My apologies for the low quality of the photo. Thanks for any comment or critique.
Benjamin Roseman
cool
Benjamin Roseman
Benjamin Roseman
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A portrait I did using mainly copic markers, along with a tiny bit of pen, and color pencil to touch up fine details. I'm not sure if I'm lacking markers or its purely skill cause this woman is pretty pale, I sort of gave her a tan. I wonder if this is a sign that I should go ahead and start really painting more. Instead of just pencil and grey scale.
Benjamin Roseman
Martha Muniz
Nice! This captures great volume and texture. Something that could help add more realism is thinking about the light source in the reference and drawing. I notice some hairstyles, especially in the bottom row, with more evenly distributed highlights throughout all the hair sections. Pinpointing the specific direction the light is coming from and how softly/harshly it distributes across the hair as a whole can make the hair more believable, as if it were actually affected by a real life environment. After capturing the general distribution of light & shadow, you can start adding the smaller hair section divisions to really make it pop. You have great work so far -- keep up the good practice! :)
Benjamin Roseman
Melanie Scearce
Great practice! You have a good understanding of gesture. I can tell you are thinking about the pull of gravity on the breasts in these drawings. Moving forward, I think you can incorporate the pull of the arm position to emphasize the weight even more. Using the egg shape of the ribcage as an anchor point, try to feel the pull upwards of an overhead arm against the pull downwards of gravity. When the model has her shoulder blades pinched together, think about how the chest opens up and the breasts are pulled past the 45 degree angle at resting position.
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