Looking good! Just watch that the curvature around the edges doesn't get too flattened, especially around the goat's face. Otherwise, very good work, and superb line quality too! :)

Nice practice! I think you have a good eye for placing the cross contour lines, though there is a tendency to flatten the lines a bit. Try drawing some cross contour lines all the way around, as if the subject were transparent, to get a feeling for what the full mass would look like, especially in rounded areas like the squirrel's tail or the puppy's legs where an ellipse can really demonstrate the curvature. It's also helpful to keep an eye on the curvature of the cross contour lines by the edges, where the curve would be the steepest but risks being flattened. Hope this helps, keep up the good work!

You've got it! Nice work :)

It's alright if you need more time, especially when starting out! There's a lot of different parts of the figure to break down, but once you get more familiarity with the subject, speed will be less of an issue. I do think you still keep fluidity throughout the poses with rhythms in mind, which is excellent. Do however watch out for the tendency to elongate and make the limbs, especially the arms, too fluid, almost into noodle arm territory. Adding structure by finding hard edges to incorporate as straight lines can help. Also, keep an eye out for the shoulder area as a transitional rhythm between the torso and arm that still holds it own mass, so it can be more fleshed out and developed in the drawings. I think this will also help with keeping the arms proportional, as the arm's starting point will be further away from the torso thus shorter. Hope this helps!

Great shape explorations! Love how different each one is from one another.

Nice work! :D

These are really fun ideas, and you pulled from great inspirations! If you want to keep pushing it, I think a fun place to hone on would be the size relationships, especially with the massive chin/belly and horns vs everything else. Even just making other areas as tiny as possible, like the tail, fins, and head/eye area could really change how the belly is perceived. There's a lot of room for experimentation too just on the principle of size: large vs small horns, long vs short tail, big vs small eyes, and so forth. I'd love to see what you can come up with, it's definitely a fun challenge! :)

I think you definitely got the spirit! The idea of sketchy linework is to not be tied down into the smallest detail, but instead approach each line with confidence, intention, but also the ability to redo it if necessary. I think you definitely show those qualities, though if you would like a cleaner drawing, a tip would be to first start with very light lines and only place in a final, darker line once you figured out exactly where you want your lines to be.

You did really well! Everything is very clear and simple without losing the description of the subject matter.

Great progress! Try giving each ellipse a couple more rounds -- that will really push your arm to get loose in no time.