Part 2 of a step by step workflow for drawing figures. This lesson goes through the step by step thought process for drawing figures.
Newest
S. Batson
2mo
I split the process into two drawings so I could remember how each step addresses the figure. Slowing down to analyze the same picture from different steps is a lot easier than trying to get it right on the first pass. Really enjoying the class.
@lightsdesu
2mo
enjoying Michael’s videos and his process breakdowns. Any feedback is welcomed.
@jvuozzo
3mo
I am finding the gesture very difficult. I watch the demos and I Michael Hampton does it effortlessly. I can somewhat mimic him but when I go to a pose that’s similar and attempt it on my own, I get overwhelmed. I can’t figure out if the thoracic gesture line is the contour or somewhere approximate. Same with the limbs: is it the edge of the arm or the middle?
Anyone else struggling and can give some advice? Am I overthinking it? Thanks
Eyes of Lamia
4mo
Loving the course so far! Spent a long time deliberating which one to go with for figure drawing, so many great teachers here, think I made the best choice. Love your style of teaching and how everything builds on top of previous knowledge. Hope you will do a course on anatomy too some day.
@jvuozzo
4mo
First attempt at following along with instructor on step-by-step lesson. One can see my pelvis and egg and box do not align properly but I was pleased with the length proportion.
@lucastoonz86
4mo
hello, choosing the right directions for wrapping lines trip me up a bit and proportions and perspective but I’m learning
@bumatehewok
4mo
Going to start using color pencils for each step when practicing on paper. Becomes a mess pretty quick!
@tap3werm
4mo
@lucastoonz86
5mo
Hello apologies for lack of reference but I feel like I’m really struggling in most areas especially perspective and proper form intersection, so I will share my studies of the day
maciek szczech
7mo
240317 Sakura sketchbook. Mechanical pencil HB.
Nia Kovalevski
7mo
@amaka45
8mo
Tried this assignment with two different mediums (Charcoal & Graphite). Thought maybe I would branch out a little. Still think I need to work on gesture and finding the shapes within the figure. What do you guys think?
@boltart48
8mo
Followed the process, then immediately went to do one with a different pose. It's still pretty difficult especially the cylinders and ellipses for the body.
@gabemartini
8mo
I followed along and then tried applying what we’ve learned so far on another pose. I think I somewhat got the shapes (maybe?) but it is definitely really hard when you’re not pointing out all the stuff like in the first pose lol one big thing I’m noticing is the thickness of the extremities is somewhat larger in my drawings and it’s because I’m not sure if the cylinders should be incorporating the width of the muscle or is it more just to denote direction/perspective and not the actual leg? Thanks! (photo credit @ the pose archives)
Riley Booth
9mo
This lesson cleared up a lot of the questions I had from the last, though I still feel like I’m smooshing the lower legs. Any feedback is appreciated.
Adam Blake
9mo
I had 9 lines from head to toe at first - that threw me for a loop!
nayla
9mo
This was hard, I almost gave up, but I kept going. Where do I need to improve? Any feedback is greatly appreciated!
John Patten
9mo
First attempt. A little sloppy :( but will keep at it. (Might try practice on computer where I can use layers for each step and lighten previous marks.)
@facebookmine2110
9mo
I really struggle when drawing this (1) and (2), i can't find their proportions. Besides, i find it hard to find the tilt line, like where does it connect from the head to the body. Can you check it for me? Thank you very much!
@spug74
9mo
First attempt without following along. got a little lost around the legs/knees. Need to work on that bowling pin element. Loving the course and I have since ordered the book as this is exactly what I've been looking for to help me with construction. Also tried working from a clothed figure/dog
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About instructor
Educator, painter, writer, and art historian. Author of Figure Drawing: Design and Invention.