Josh Drummond
Josh Drummond
Earth
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Josh Drummond
Notes from the lesson. I feel like it's starting to come together and lessons from books I've drawn through are being reinforced/tweaked. I can't wait to get into seated and lying poses because I really struggle with that when reading Figure Drawing for All It's Worth.
Michael Hampton
Great job!
Josh Drummond
Notes from the lesson. I learned similar steps from Figure Drawing for All It's Worth but it's very helpful to have a teacher guide you through them.
Josh Drummond
Notes from the lesson. I really took notice of how the torso box starts at the top of the scapula and ends at the bottom of the floating ribs. I couldn't find this specific information in figure drawing books I've studied.
Josh Drummond
Notes from the lessons and suggested exercises. This information is helping me draw through the Loomis books and other classes as well.
Josh Drummond
Notes from the lesson. I really enjoyed combining form intersections to create the arm.
Josh Drummond
Notes from the lesson. It's always good to go back to the fundamentals.
Josh Drummond
Peter Han is my favorite living artist so I had to draw along. Per usual to his live streams, I was humbled.
Josh Drummond
Some line practice with the degrees of the circle and Peter Han's exercise from a few lessons ago.
Josh Drummond
A little late to posting but here are the notes I took from the critique. Some roughing out to understand the figures and then some more complete sketches. These type of illusions turned out to be pretty fun and addicting to figure out.
Josh Drummond
My reason for taking this course is to get a better grasp on perspective as a whole. I've read (and drawn along with) Perspective Made Easy by Ernest Norling and Space Drawing: Perspective by Dong Ho Kim. This was a good start but more in-depth practice is needed so I can create the scenes that envision in my art. I continue to study and practice so that my imagination can be fully realized on paper. My favorite artists that exemplify this are Kim Jung Gi, Peter Han, Dong Ho Kim, Karl Kopinski, and Rembert Montald (works pictured below). I believe it is their mastery of the fundamentals that allows them to be as creative as they desire to be. To me, that is freedom.
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