Step by Step Workflow for Figures: Side View
Step by Step Workflow for Figures: Side View
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20:48

Introduction to Figure Construction

Step by Step Workflow

Step by Step Workflow for Figures: Side View

754

Step by Step Workflow for Figures: Side View

754
Michael Hampton
Part 3 of a step by step workflow for drawing figures. This lesson emphasizes using the concepts from the previous lesson on a different view of the body.
Newest
Mehmet Eralp
Just drew along. I think i am more used to drawing the whole mass. Many times i found myself drawing the stylized bones much shorter than they should be.
Eyes of Lamia
Here's my go. Sorry for the gesture studies all around it, should have taken the picture before I went on to fill the page. One thing I struggle with - it's how messy and confusing things start to become once I go through all the steps. It feels a bit like a tangle of overlapping lines fighting for attention. In Photoshop it's great that you can turn down the layer's visibility. Is there some trick for traditional drawing? Or I just need to learn to control the thickness of my lines and start very softly?
@bumatehewok
Trying to break up the steps a bit more clearly this time.
@tap3werm
4mo
Michael Hampton
Nice movement!
@casildius
4mo
Here's my attempt, at first I was just being loose and unfocused, but I decided to focus a bit more towards the end. I'm gonna assume the chest portion is wrong, especially the end points of the ribcage. My main concern is the distance between the hip and ribcage, length of the legs, and that they are appropriately sized. Also another question, do you have a lesson or YouTube video where you show how to draw a front view of the figure? I have an idea of how the S C and straight lines can be used to draw from the front but I'd like to see if you tackled it. Plus I've heard from other artists that even from from neutral positions (without directionality) bodies still have gesture to them, do you tackle this as well in some other video? Much appreciated Prof, Cas.
Michael Hampton
Hey, nicely done! And yes. I do have one for the front. Here's a link https://youtu.be/a21_BFl2n14
@gcreate
6mo
Hi Michael, Here are some side views of the figure. Do I show the legs in the right place?
@deweyart
7mo
Hello Michael, it is really a pleasure for me to have enrolled in this course. I have been following your methodologies for figure drawing for years now and I found them extremely effective. In any case, there is one aspect of your method I am not sure I can really grasp, either from your original book or within your current course. It seems to me that the list of steps you use for building anatomy out of gesture does not follow a strict order. In some cases you first start adding directions and tilts to your gesture, then you create cylinders and boxes with perspectives, you assess the proportions of the volumes through landmarks. At that point, you superimpose more realistic volumes on the basic ones, and ultimately you refine the anatomy. In this video you seem to do something slightly different. You first create some anatomical "drafts" on your gesture, then you add landmarks on your construction and use the basic volumes to assess the perspective. If you have nailed the perspective, you keep refining the anatomy. Would it make sense to claim that the list of points do not really follow an order and changes in relation to your level of expertise? Many thanks. Dewey
Michael Hampton
Hi, To answer your question, no, I don't think it necessary that you follow a strict order every time. I guess I'm not really seeing the anatomical "drafts" included in the gesture which you're referring to. At least in my mind, these lessons track with my consistent workflow. While, I'm not opposed to these types of variations to an approach I don't remember it being conscious lol. In any event, you're super perceptive! Good for you for noticing such subtlety. Very impressive :)
Nia Kovalevski
Melanie Scearce
Great job capturing the gesture in this pose!
@amaka45
8mo
@purpleart
8mo
Had a go at the side view. The more I do the more I understand the process but I don't think I am getting the most from the gestural stage at the moment.
Melanie Scearce
I understand that feeling. Challenge yourself to push the gestural curve more than you think is necessary and see if that helps! Good luck :)
@boltart48
8mo
Side view completed, I'm still having a hard time with applying ellipses to the ribcage and pelvis, but other than that I'm slowly understanding the 5 step process from gesture to form. I'm just happy to even attempt this stuff.
@amaka45
8mo
Just curious why you decided to use cylinders instead of rectangles/boxes for the rib and pelvic section? Either way it looks good!
Gannon Beck
Very nice!
Alberto Pardina
Hi Micheal I am confused on the landmarks of the pelvis, on the proportion video you showed the box being broken into 1/3s, placing the ASIS on the on the first 1/3 and the pubic line on the 2/3 line. However on here you show the ASIS on the top corner of the box and the pubic line lower/close to the bottom of the box. I wanted to know if there was a difference in placing these landmarks, is there a more accurate placement or is it personal preference?
Michael Hampton
Hey Alberto, the difference is really the translation of the stricter skeleton proportion chart into the practical stage of drawing it as volumes. I'm using the ASIS as the top of the box and pubic bone as the bottom as its all I'll see when looking at a figure. Ultimately though yes, its a matter of preference.
Gannon Beck
Following along with the video.
Michael Hampton
Looking good!
John Patten
Switched to mechanical pencil for practice, easier to see lines, also used all the page real estate to help keep things from getting too muddy.
Joseph Cicero
Hey Everyone, here is my first attempt, outside of doing some draw along ones. The hardest part is certainly the shapes/tilt step as that is where everything is built from and getting the position of the ribcage is especially hard. This one I had made the torso too long in my gesture step so I had to shorten it during my connections/landmark steps, not sure if its correct but closer than it was. Loving this process so far but going to take a lot of practice to get it down.
Michael Hampton
That's great for a first attempt. Here's a drawing I did of the same pose so you can compare. The good is you have all of the steps down and have made clear sense of the workflow. From here on out it's just practicing and working out some bugs here and there. Things to double check - proportions, make sure you make the rib cage and pelvis touch. I know there's one third of a head there but it always seems easier to just make them kiss. - connections, be sure you're using the "S" and "C" curves in the neck and midsection as well as the "T" overlaps and wraps. It helps keep these areas dynamic and with perspective. - landmarks, just make sure the landmark designs travel around the forms. These should basically be wrapping curves or surfacing lines. Ok. Hope this helps. Awesome start.
@violadm
9mo
Hello! My first attempt. I surely need more practice on line quality (CSI) and cylinders and boxes in general. The hardest steps where the tilt-shapes (second image) and perspective (last image). Place the main ovals and the boxes was very hard. Anyway, I look for feedback
Michael Hampton
Great starts! I'm noticing a little too much distance between the rib cage and pelvis. Maybe try making the rib cage a bit longer? Also, try tying those connections (neck and midsection) to the forms with T's and wraps. Boxes look great. Here's an example seeing the pelvis as a box as well. Hope this helps.
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About instructor
Educator, painter, writer, and art historian. Author of Figure Drawing: Design and Invention.
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