Part 3 of a step by step workflow for drawing figures. This lesson emphasizes using the concepts from the previous lesson on a different view of the body.
Newest
Mehmet Eralp
2mo
Just drew along. I think i am more used to drawing the whole mass. Many times i found myself drawing the stylized bones much shorter than they should be.
Eyes of Lamia
3mo
Here's my go. Sorry for the gesture studies all around it, should have taken the picture before I went on to fill the page. One thing I struggle with - it's how messy and confusing things start to become once I go through all the steps. It feels a bit like a tangle of overlapping lines fighting for attention. In Photoshop it's great that you can turn down the layer's visibility. Is there some trick for traditional drawing? Or I just need to learn to control the thickness of my lines and start very softly?
@bumatehewok
4mo
Trying to break up the steps a bit more clearly this time.
@tap3werm
4mo
@casildius
4mo
Here's my attempt, at first I was just being loose and unfocused, but I decided to focus a bit more towards the end. I'm gonna assume the chest portion is wrong, especially the end points of the ribcage. My main concern is the distance between the hip and ribcage, length of the legs, and that they are appropriately sized.
Also another question, do you have a lesson or YouTube video where you show how to draw a front view of the figure? I have an idea of how the S C and straight lines can be used to draw from the front but I'd like to see if you tackled it. Plus I've heard from other artists that even from from neutral positions (without directionality) bodies still have gesture to them, do you tackle this as well in some other video?
Much appreciated Prof,
Cas.
@gcreate
6mo
Hi Michael, Here are some side views of the figure. Do I show the legs in the right place?
@deweyart
7mo
Hello Michael, it is really a pleasure for me to have enrolled in this course. I have been following your methodologies for figure drawing for years now and I found them extremely effective. In any case, there is one aspect of your method I am not sure I can really grasp, either from your original book or within your current course. It seems to me that the list of steps you use for building anatomy out of gesture does not follow a strict order.
In some cases you first start adding directions and tilts to your gesture, then you create cylinders and boxes with perspectives, you assess the proportions of the volumes through landmarks. At that point, you superimpose more realistic volumes on the basic ones, and ultimately you refine the anatomy.
In this video you seem to do something slightly different. You first create some anatomical "drafts" on your gesture, then you add landmarks on your construction and use the basic volumes to assess the perspective. If you have nailed the perspective, you keep refining the anatomy.
Would it make sense to claim that the list of points do not really follow an order and changes in relation to your level of expertise?
Many thanks.
Dewey
Nia Kovalevski
7mo
@amaka45
8mo
@purpleart
8mo
Had a go at the side view. The more I do the more I understand the process but I don't think I am getting the most from the gestural stage at the moment.
@boltart48
8mo
Side view completed, I'm still having a hard time with applying ellipses to the ribcage and pelvis, but other than that I'm slowly understanding the 5 step process from gesture to form. I'm just happy to even attempt this stuff.
Alberto Pardina
9mo
Hi Micheal I am confused on the landmarks of the pelvis, on the proportion video you showed the box being broken into 1/3s, placing the ASIS on the on the first 1/3 and the pubic line on the 2/3 line. However on here you show the ASIS on the top corner of the box and the pubic line lower/close to the bottom of the box. I wanted to know if there was a difference in placing these landmarks, is there a more accurate placement or is it personal preference?
Gannon Beck
9mo
Following along with the video.
John Patten
9mo
Switched to mechanical pencil for practice, easier to see lines, also used all the page real estate to help keep things from getting too muddy.
Joseph Cicero
9mo
Hey Everyone, here is my first attempt, outside of doing some draw along ones. The hardest part is certainly the shapes/tilt step as that is where everything is built from and getting the position of the ribcage is especially hard. This one I had made the torso too long in my gesture step so I had to shorten it during my connections/landmark steps, not sure if its correct but closer than it was. Loving this process so far but going to take a lot of practice to get it down.
@violadm
9mo
Hello! My first attempt. I surely need more practice on line quality (CSI) and cylinders and boxes in general. The hardest steps where the tilt-shapes (second image) and perspective (last image). Place the main ovals and the boxes was very hard. Anyway, I look for feedback
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About instructor
Educator, painter, writer, and art historian. Author of Figure Drawing: Design and Invention.