Project - Portraits in Perspective

138K
Mark as Completed
Course In Progress

Project - Portraits in Perspective

138K
Mark as Completed
Course In Progress

In this project we'll practice applying perspective to organic forms. Heads, while organic, adhere to the rules of perspective similar to boxy objects, so we'll start by constructing 3D heads. Look for clues of the angle of each axis such as angles from brow to ear, the vertical center line of the face, and the horizontal side to side angles of the features.

I've prepared a range of portrait photos for you to work with, that you could find in the downloads tab under the video. You'll notice each photo is numbered. Please label your drawings with the corresponding photo you're drawing to help me and the community give you a critique. Otherwise it would be very difficult to know which box matches each photo.

Level 1: Basic Box Construction

Draw a box representing a simplified version of each head.

  • Try to match the orientation and dimensions of the head in the photo
  • Rely on your intuition to imagine each head's rotation and dimensions
  • Iterative process: Redo and refine as needed

Level 2: Head Construction

Start with a small box representation of the head, same as Level 1. Then add linear head construction with accurate perspective.

  • Use primarily straight lines to draw, emphasizing plane changes
  • Find angles in the organic shape that correlate with the simple box (ex: top and back of the head)
  • Observe, analyze, then draw
  • Avoid drawing tiny heads; aim for at least 4 inches in height

Deadline: Submit by 1/15/2024 for a chance to be in the critique video!

Newest
Evan Wray
First four attempts pre-demo. Sort of level 1.5, just for fun.
Evan Wray
@sknight
9d
Totally blanked on uploading these. When I check them against the photos it seems that I will get the proportions right for the face and head individually, but sometimes the face will be too big for the head, or the angle will be slightly off, etc. Any other critiques welcome.
Thien Minh Pham
here is mine little attempt pre demo. What can I improve? I especially have problem with picture 3 the line is blurry I dont understand it any help would be great. I have a little critic for myself too, but i don't know if the critic is right.
Melanie Scearce
I think the issue with #3 is that we see the top of the head instead of the bottom of the chin, which is more visible in this pose. This is how I would draw it. Hope that helps!
Amu Noor
19d
Lvl 2 project with demo. Any feedback appreciated!
Rachel Dawn Owens
Wow!!
Melanie Scearce
Agreed with @Brandon. These are amazing, keep it up 👍
Brandon
19d
not much to say, your line quality and shapes have their own charm, glad that u re keep improving, same comment for your yesterday post, keep it up
@solobo
19d
Level 1, started to get the hang of these about half way through after watching the demo.
Amu Noor
20d
lvl 2 project. Any critique would be appreciated! This was fun but I really struggled with the back angles.
@savagenomad
Luke
22d
This exercise was great, I feel like I have a much better grasp of how to put a portrait into perspective.
Melanie Scearce
Wow, great work!
Rachel Dawn Owens
Attempted my own version of this assignment. Was really great practice for perspective, which is not my strongest skill. Learning a ton.
Martha Muniz
Awesome!
I did not Want to see that
Alright, this was a pretty mixed project for me, I liked it, but at the same time it also gave me a little frustration. All in all, I am not sure how I did for this project. The first image is prior to the demo and the one following is after, so that concludes level one. The level 2 assignments following those are all prior to the demo, and I will be doing some more after watching that. I threw a digital one in there, because I am actually drawing more since I got my wacom. When I study I usually go to the library. So I would do 5 hours of japanese and like 3-4 hours of drawing. Usually I go home after I am done and since my wacom is at home I do a little more, but just some passion projects/ all the warm ups from this course for now. I am still of the opinion that traditional drawing is a wise thing to master as well. But letting go of all of that, if there are any point of improvements or something I could have done better, or should keep doing letting me know does not go unappreciated!
Rachel Dawn Owens
These look great! Especially the traditional drawings.
@julia52
1mo
Here's my attempt. Went alright struggled quite a bit, especially with 3,6,9 and 12. Any advice would be appreciated.
Amu Noor
10d
Your perspective looks great! As @Melanie Scearce mentioned, I think using some lighter, looser strokes would improve your line quality and make these even better. Try using that tapered stroke that Stan describes in the line section and try to ghost in your strokes before executing them. Overall, beautiful work!
Melanie Scearce
I think you nailed it. I did notice that you seem to be pressing pretty hard on the pencil (can see indents from the opposite pages). Try to lighten up -- drawing tense like that can lead to unnecessary difficulty. Don't be afraid to use a few light searching lines to find the right angle before you commit fully to a line. Stay loose and keep doing these perspective studies, it will get easier :)
ANX804U
1mo
noicceee, I think you did well, only critique would be draw more frequent and post more frerquent.....
Sean H
1mo
Here's my level 2 attempt! I like portraits so I'll for sure continue doing these with more references. Most of these I did before watching the level 2 demo so I perhaps was thinking too mathematical with trying to fit the head into an actual box. While some forms do match well, it gets tougher around the face since the head tends to taper a bit toward the front. I was also trying to map in planes I learned from one of Andrew Loomis' books. Maybe a good exercise but I realized I wasn't really observing the actual model sometimes! As with my level 1 drawings, I mapped the box to just the height of the face as it's easy to split into thirds that way. However, going forward I think I'll map it to the entire head as blocking in the whole shape seems like it'll be more useful, especially when moving on to full figures. That way I can also use the info that the head is (on average) as wide from the side as it is tall (going by Loomis). Again though, that may be being too mathematical instead of relying on observation/intuition haha Anyway, the last four here were done after watching the demo. For these I tried to draw more organically while still adhering to the perspective of a box. I think they came out better as a result :)
Rachel Dawn Owens
Looking great! I think you did really well with the portraits. The faces look solid. I know this assignment isn’t about necks, but maybe you will find this demo I made helpful for understanding a bit about the under plane of the chin. You did great. Keep it up!
Vili
1mo
Hi ! Something looks weird but i cant figure out what is making them weird 😭
Vili
1mo
I tried lvl 2 during almost 1 hour, starting with the box and on a second layer draw inside to keep proportions in the cube I think my initial box was a bit off...
Melanie Scearce
Since you're working digitally, once you finish a box you can check your work by overlaying the box over the reference image. Some of your boxes are a bit too long or too short for the head, but overall you found the right angles!
Jack H
1mo
This project really was quite the step up from the one-point perspective project! For level 1, I found it hard to determine the proper relative proportions for the box for its front and side plane. For level 2, it was rather difficult to convert the box into a decent portrait. I wasn't sure how to exactly use the box to build the head, especially the jawline where it transitions from front to side. Any critiques or feedback will be greatly appreciated! Thanks!
@writedrawface
I'd really appreciate some feedback on these if anyone has time. I feel like I did something wrong and none of them represent the aim of the assignment.
Melanie Scearce
You want to "map" the box to landmarks of the face. Here is what a profile view looks like within the box. You can see that the top cross contour matches with the brow line, and the bottom cross contour matches up with the bottom of the nose. The bottom of the box hits the chin, and the top of the box hits the top of the head, and the corner of the front of the box is about a 45 degree angle from the hairline. The key is to find the correct angles between the landmarks. It is a lot to keep track of, but with practice you'll get it!
@savagenomad
comment on my potrait as well as my line quality, por favor.
@savagenomad
@osa
2mo
Here are my attempts. I tried to keep them in 2 point perspective but, I know some of the police’s look overly parallel. All constructive criticism is welcome!
Christina Unger
Tough... 😒
@josephl
2mo
I still have a long way to go but I probably just need to keep consistently doing them for improvement.
Melanie Scearce
Consistency is key. You're on the right track, keep it up :)
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Founder of Proko, artist and teacher of drawing, painting, and anatomy. I try to make my lessons fun and ultra packed with information.
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