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Gloria Wickman
Gloria Wickman
Earth
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@cameronlee
I've learned so much from Michael over the past year! here are my week 1 drawings
Gloria Wickman
I love these and you did a great job catching the essence with just a few lines on the one minute ones.
Gloria Wickman
It took awhile for me to work though things and overall I found the animals with fur a lot more difficult to simplify as I had a harder time of deciding how to break it down into more concrete shapes. I experiments some early on with doing both super geometric and organic shapes to get a feel for it. Now that I'm posting it I realized I should have played around with showing the animals from different angles but I guess I will handle that next time lol. Thanks for taking a look!
Rachel Dawn Owens
These are great! I think the gecko drawings are my favorite. They have a lot of personality.
Gloria Wickman
This was my first time trying gesture drawing ever and it was way more fun than I anticipated. Here are my Week 1 1 minute and 5 minute sketches.
Gloria Wickman
Link to Week 2 submissions: https://www.proko.com/s/CaUM
Gloria Wickman
Week 2 12 5 minute poses. Week 1 poses: https://www.proko.com/s/R1gs
Stepka
Changing a frame into a star. The objects are, in order, possible - impossible - possible - impossible - possible.
Gloria Wickman
This looks really awesome!
Gloria Wickman
Gosh this was definitely the most challenging assignment for me so far. I did a couple studies of Bernie Wrightson but I'm only uploading the one I thought was more successful. I really admire how much he's able to convey with line weight and had a lot of fun trying to copy it for the cloudy sky. I also did a study of Glen Keane which was fun though I still struggle to get the confident loose energy of his work. I think this assignment was both humbling and inspiring in equal measure.
Martha Muniz
Great examples chosen, as well as observations! I think with the Glen Keane study, the imitation of his confident strokes definitely is on the right track. Besides aiming with a full sweep for a line, I also think the softness and thickness of his line adds to the volume and weight of his drawing. The softness also helps when making mistakes, as you can just draw over them without them showing too much.
Lost 247365
I saw this picture of the squirrel with the messy hair a while back and once I got to this assignment I knew exactly what I was going to try and draw: A squirrel getting the shock of his life from an electric cord! ;)
Gloria Wickman
Oh I love the squirrel and you put such great character in his eyes. Great work!
Gloria Wickman
These assignments were really fun. Line weight is honestly something I had never given any thought to before so seeing how drastically it can change the same base drawing was a revelation for me. Please excuse the janky perspective on the last drawing but I tried my best to emphasize hierarchy of importance on the lines for that sketch.
Lost 247365
Awesome work! I like how your lines very clearly illustrate the ones you are trying to emphasize. My one suggestion (for what it is worth since I’m a learner too) is maybe to include one more level of hierarchy to indicate lines that are important but not the most important lines in the drawing!
Gloria Wickman
This really had me stretching my muscles and was a lot of fun even if everything didn't turn out right. My big goal on this was to see what I could do to make the vampire bat cuter through simplification while still keeping it batty.
Melanie Scearce
Nice work!
Gloria Wickman
I'm really excited to start this course as perspective is something I really struggle with at the moment. The cartoon in the introduction pretty much exactly summed up where I am in drawing skills which is that I'm decent at copying from a reference but when it comes to creating and manipulating things I don't know how to do it. I started the drawing basics course about a month ago and that is already helping me improve a lot and I know I'll get a lot from this course as well which I'm hoping to do concurrently. 1. For my perspective masters I was helped a lot by reading the other comments in the course here and since I'm drawn to kind of fantasy-like environments with intricate architecture I've chosen works by Charles Michel Ange Challe (1-2), Charle-Louis Clerisseau (3-4) , and Giovanni Battista Piranesi (5-6) for my favorite perspective drawings (I guess I'd better learn how to make a good archway). 2. My big picture goals are being able to draw objects and characters from angles/perspectives other than my reference photos and creating realistic environments that feel like a character/object is believably inside of and feels grounded in, even if the environment itself is quite fantastical. I can't wait for October and the official start of class!
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