Painting With Color Part Four
Painting With Color Part Four
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20:54

Portrait Painting in Oil Without a Brain

Painting with Color

Painting With Color Part Four

80

Painting With Color Part Four

80

This is part four of a long demonstration breaking down adding color and subtle shapes.

The assignment will be to follow along and post your work here.

Reference in the "Grid drawing" lesson of this course.

Newest
Michèle Girard
Forgot to post the stages, wonderful class. Thank you.
Rachel Dawn Owens
I love seeing the process!
Michèle Girard
Learning to work with oils, especially the brushwork and how to handle the multiple brushes has been a big challenge. I do enjoy mixing the colors. This is my first oil portrait. It's not really painterly, I am struggling to make little brushmarks and leaving the marks alone. I'm really enjoying the class and learning a lot.
Morgan Weistling
I think you are doing really great. You should feel very proud that this is your first oil.
@aboulabs
Morgan Weistling
@stewedveg
Thanks Morgan, I think I learned a lot, especially about edges and also about the warm and cool tones which were applied towards the end of the process. The paint colours are more vibrant in real life. Struggled to get a good photo on an overcast winters day in Britain!
Morgan Weistling
Riku H
8d
I'll post this again because I think it got lost in the replies of my last post. Here is the finished one. The color notes started to mess me up because at first they didnt match the underlying value. That started to create muddy colors everywhere because I tried to wipe/blend my mistakes. Also started to blend all around way too much and lost the mosaic feel it had before. Overlayed this with the reference photo and saw that the eyes are indeed one of the things that kills the likeness. But I will call this ready and will pay more attention to the drawing on the next one!
Morgan Weistling
I still think you did great
@szokebarnabas
Painting With Color Finish
Morgan Weistling
It's good but your highlight values are too light and making him look sweaty. Tone down the value on them.Notice on my demo how I then try to incorporate a little smoother transition on a highlight, like the forehead. It needs to not attract to much attention.
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Award winning fine artist represented by @legacygalleryart in Scottsdale AZ
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