Painting With Color Part Four
Painting With Color Part Four
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lesson video
Painting With Color Part Four
coursePortrait Painting in OilFull course (83 lessons)
$145
assignments 122 submissions
Riku H
I'll post this again because I think it got lost in the replies of my last post. Here is the finished one. The color notes started to mess me up because at first they didnt match the underlying value. That started to create muddy colors everywhere because I tried to wipe/blend my mistakes. Also started to blend all around way too much and lost the mosaic feel it had before. Overlayed this with the reference photo and saw that the eyes are indeed one of the things that kills the likeness. But I will call this ready and will pay more attention to the drawing on the next one!
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ASSIGNMENTS

This is part four of a long demonstration breaking down adding color and subtle shapes.

The assignment will be to follow along and post your work here.

Reference in the "Grid drawing" lesson of this course.

@matthewd
Thanks Morgan for sharing your knowledge, I love your finished painting. I have a long way to go but learnt so much so far. I think my half tones not dark enough ( maybe stopped squinting so much at the end) and need some practise mixing my greys into the skin tone. What's the best lighting set up, I seem to have a lot of glare on my pallet and canvas? I struggle with long periods due to chronic pain need to work out best way to paint in short session any tips?
@sculptorgreg
Thanks Morgan,,did the adjustments you mentioned. Much appreciate your feedback as i know you are busy with your career. Your course is great as its the next best thing to being in a classroom and you leave no stone unturned..On to the next assignment and hope you do more courses and with Gouache.!
@sculptorgreg
Did a couple touch ups from the last post...Looks like our fearless leader disappeared..!
Morgan Weistling
There’s a lot of good things going on here and all I will say is that the Haire highlights are too cold and make him look old. Try to warm them up. And the scarf around his neck has lost its feeling of light because you did not separate light from shadow like you did on the Head.
@sculptorgreg
Finish my first project and looking forward to the next..Morgan's tutorials are very informative..Feedback would help..Thanks!
Morgan Weistling
Sorry I didn’t see this soon enough you should’ve left the hair like this. It’s much better than where it ended up. You got some nice shapes going on there.
@iyanuoluwa
Painting with color
Morgan Weistling
Not exactly as I was recommending but you are proving that if you get your darks in the right place it will hold it together.
@agiryus
•
4mo
Hi morgan this is mu First oil painting attemt. I had a problem with color mixing i guess. Looking forward for your critique.
Morgan Weistling
You are halfway there. I see a good attempt to get light and dark shapes separated. You are a little heavy handed on the halftones. Try not putting in what looks like a line along the side of the nose.
Eric Johnson
Hi Morgan, after much redo after redo I needed to call it quits. I will need to go to therapy to loosen up, use more paint on my bush not dive into details. I do feel happy with the end result just a painful process to get there. Thanks for the help along the way, great course so far.
Morgan Weistling
good job! one thing I would suggest is being careful not to get your head too close to the painting. Keep an arm's distance from it. This has the feeling like you were right up close so the features got a bit too hard edged. Keep yourself a little further away from it.
@lauralana
•
6mo
@dukal
•
6mo
Wow, you did an amazing painting
Bryan Krauss
My stages here. I had a lot of fun doing the painting. I tried to do it as I watched each video, however it took me 5 days. By the time I got to blending the paint was getting way too dry. My skin tones were going pretty yellow and I probably added too much black, making my colours muddy. Lots of things to work on but pretty happy with my first portrait.
Vivian Samour
Hey Morgan, thank you for the great Course! What do you think about this one? Greetings from Vienna :)
Angel Kritikos
Finished. Critique with no mercy.
Cindy B
•
8mo
I got a lot of practice on this because I kept painting over it! I probably painted it four times. It’s hard for me to call anything done. I like it now, but I didn’t get it as loose and fluid as I was trying to. Maybe with the next one. I would welcome any suggestions.
Patrick Bosworth
This has a wonderful sense of light, great work!
Angelina Del Buey
Finished! I can’t believe I painted this, this was my first portrait. I think he is too pale, I don’t know if it’s the average or the half tone that is too light, or maybe both. So much to learn and improve, but enjoyed it a lot. Thank you Morgan, I’m learning so much from you.
Levi Lusk
•
10mo
I'm calling this one finished. I completed the charcoal drawing over 6 months ago and put off actually putting paint on it until last week. This was my first attempt at a color portrait in oils and it was incredibly intimidating to me. However, Morgan does such a fantastic job of explaining the process and "dumbing it down" for folks like me. Overall, I am very happy with this portrait - it's definitely not perfect and I would welcome all criticism and opinions on what could be better, but I'm considering this attempt to be a win. Thank you very much, Morgan! Can't wait to try the others!
Morgan Weistling
Amazing ! One of the best I’ve seen come from the course so far!
Pamela D
•
10mo
Fabulous work Levi, and will look even better hanging on your wall.
Cindy B
•
10mo
I think your painting is amazing! If this was your first I can’t imagine how good your future attempts will be! I agree, Morgan’s course is perfect.
@sparlin
•
10mo
I remade the grid mid stream and went from the new grid then on. Quite a learning experience! I know I have much more to learn, just in squinting!! LOL!! I am glad I purchased the class. Now onto the next lesson!
Morgan Weistling
Good start! You have a good handle on the basic values and color. Only thing you need to do is slow down and really get the drawing more accurate. It always comes down to that. Pick an eye, remeasure and check everything radiating out from there. Every time you fix the drawing the whole painting gets better
Dan Chisum
•
11mo
Morgan Weistling
Dan, try to separate your shadows from light shapes more. Your shadows have too much going on in them. bring them together in value and simplify them so the viewers eye will go to the light areas more.
@maximorod
•
11mo
Hello again Mr. Weistling, I hope you are doing well. Here is my attempt, I think I went a little crazy with the highlights on the forehead. Also, idk how everyone else can center their portrait, I find I'm always a little off. I finally got one of the brushes you use and it feels so much better. It really does make it feel like I'm just drawing, I just wish they weren't so expensive. Anyways, later on in this course you give advice along the lines of - if you're going to study from anyone, study from the best and make sure that you study from their best works. I'm just not really sure how to determine someone's best work. For example when I look at your painting you have so many great ones, there are definitely some that stand out more to me than others, but there are still so many that stand out to me as "the best". I actually don't know which ones are the best. I wouldn't be able to pick your 5 best paintings. Do you have any advice on picking the best to study from?
Morgan Weistling
The good news is that you really did great following my directions.Great job! We could always do better with edges but you really set this up for success. As for best of mine, pick a better artist. Study Sargent or Zorn or Fechin.
Madhu Girish
Hello Sir, This is my final submission with steps. My previous attempt failed when I was adding color vibrations. This time I was more careful. It's not as loose as I wanted but looseness will come with confidence and confidence will come with practice. Thanks again for this wonderful course.
Morgan Weistling
your values and edges are really good. I think you should be really happy with this. His likeness isn't dead on but pretty close. That just comes down to being even more specific with every little measurement. But this is really great.
@micahgj
•
1yr
I tried a couple of times to follow along and failed on both counts, so switched to a fresh reference while trying to adhere closely to the same procedure. Have watched this demo three times now and learned new things each time. As always, I really appreciate your feedback, and have posted the reference to make it easier to see where I’m going astray. One big mistake I made was to dive right in without first toning the canvas, and now it’s a real struggle to know what to do with the huge white area below the shirt. I actually struggle with what to do with that space on a toned surface too though. Would you have any design insights for finishing this area without painting the shirt all the way down to the bottom of the page?
@itzkj
•
1yr
Here is my final portrait. I've been working on it for a while, and it has gone through several iterations. By trusting the process, I feel that I have finally finished my first portrait! I wanted to say thank you, Morgan, for all the knowledge given in these videos. I feel that I have learned a great deal from watching your videos, and can't wait to watch more! As always, I would appreciate any critique you could offer to help me improve. I had a couple of questions I was hoping you could answer. How often do you empty and refill your walnut oil for cleaning brushes and changing out your medium? I've noticed that after a while, my Gamsol and Alkaline Walnut Oil medium started to solidify, and I was wondering the best way to dispose of it. Also, is it bad to use some dried oil paint from a previous session when painting? I noticed that after a few days, some of my paint would dry up. Even when I mixed it all together into one pile, the pile would still have some clumps of dried paint in it. Finally, I've been wanting to take proper pictures of my artwork to add to my portfolio, but have run into some issues capturing photographs of my work. I was wondering if you had any tips for documenting your artwork.
Morgan Weistling
Excellent job! I think overall you followed the lesson well and I can tell you put a lot of effort into this. If I were to be helpful to you, I’d say the number one thing to watch out for are your half tones. You were a little heavy handed and got a bit too dark with a few of them. That breaks up the light areas a little more than I wish you would have. Go back and look at your reference and see if perhaps you could lighten certain have tones to make the whole overall light family hold together in a tighter way. For instance, a half tone under the eyes if you were to lighten them just a bit they would become part of the light family, and then overall the head would actually have more sculptural form turning. Remember what I say in the videos that my teacher always said probably five times a day “make your half tones lighter then they appear“
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