Painting With Color Part Four
Painting With Color Part Four
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20:54

Portrait Painting in Oil Without a Brain

Painting with Color

Painting With Color Part Four

147

This is part four of a long demonstration breaking down adding color and subtle shapes.

The assignment will be to follow along and post your work here.

Reference in the "Grid drawing" lesson of this course.

Newest
@mnk
8h
Unfortunately, I couldn't get a better picture of my painting, a lot of the color changes in the lights got lost. I did tickle the painting to death a little bit in certain areas (especially the cheeks) and there are some issues but I started getting to a point where trying to fix things messed it up more than it would help so I called it. Any feedback is appreciated. Great course so far. Now that i am familiar with the method, I could probably get a much better result once I come back and redo this painting.
Christopher Georg
Finished this one up after Christmas and I had the most fun with this portrait in a while. I’m really happy with the result since I’m still new to oil painting and I’m excited what you have to say Morgan!
Morgan Weistling
Great job ! You kept the sculptural quality of the light and didn’t mess it up with reflective lights. Edges could be a little softer in big spots like cheek to offset the firmer edges.
Tanya Valkanova
I'm sorry about the reflecting light but , I can painting only at night while the kids are asleep... I lerned a lot from this lesson, although I can see there's much to be desired. It's my 1st portrait using oil, it's on a cardbord with gesso as base. Did it at 2 sitting, roughly 4-5h. Thank you!
Morgan Weistling
your first photo shows how you did a good job of separating light from shadow with two obvious patterns. You kind of lost some of that separation with too much lightening of the shadows. but overall it's a good effort.
Shelly England
It’s not what I’d hoped for, but I’ve reached to point of diminishing returns….fixing one thing only to mess up something else. His poor ear. Time to move on and try again.
Morgan Weistling
put the photo reference next to your painting and use rapid eye movement back and forth to see where you are off.
@mahatsu
16d
Wishing everyone A Happy New Year! This painting was difficult than painting an old man. Particularly transition from shadow to light. Need more painting practice. Thank you for the good teaching though. Because the area where it was not dried did not show well in photo, I attached an angled shot as well. If you see any areas where I should be careful of, I would appreciate it if you could let me know. Thank you.
Morgan Weistling
Good job! just try to keep your values simple in the shadow family and keep them together in a tighter group of values. I quickly pulled them together here in the attachment. I also worked the edges a little more.
@lemonmerchant
Hi Morgan, apologies for being a bad student, I skipped all the assignments and 2x speeded most videos. My nan passed away last month and she left me a little bit of money that I put towards my art education here. This is a photo of my grandad that my wife took at the funeral and I wanted to get the portrait done before Christmas to give to him as a present. I’ve taught myself everything I know about painting up till now and I’m very grateful I'm able to start learning for real. This portrait wouldn’t have been possible without your lessons and I'm incredibly thankful you took the time to share your knowledge with us. I hope to take things a little slower in the new year and go back over everything at a much more reasonable pace. Happy holidays!
Morgan Weistling
You too! not bad for fast forward.
Michèle Girard
Forgot to post the stages, wonderful class. Thank you.
Rachel Dawn Owens
I love seeing the process!
Michèle Girard
Learning to work with oils, especially the brushwork and how to handle the multiple brushes has been a big challenge. I do enjoy mixing the colors. This is my first oil portrait. It's not really painterly, I am struggling to make little brushmarks and leaving the marks alone. I'm really enjoying the class and learning a lot.
Morgan Weistling
I think you are doing really great. You should feel very proud that this is your first oil.
@aboulabs
1mo
Morgan Weistling
@stewedveg
1mo
Thanks Morgan, I think I learned a lot, especially about edges and also about the warm and cool tones which were applied towards the end of the process. The paint colours are more vibrant in real life. Struggled to get a good photo on an overcast winters day in Britain!
Morgan Weistling
Riku H
1mo
I'll post this again because I think it got lost in the replies of my last post. Here is the finished one. The color notes started to mess me up because at first they didnt match the underlying value. That started to create muddy colors everywhere because I tried to wipe/blend my mistakes. Also started to blend all around way too much and lost the mosaic feel it had before. Overlayed this with the reference photo and saw that the eyes are indeed one of the things that kills the likeness. But I will call this ready and will pay more attention to the drawing on the next one!
Morgan Weistling
I still think you did great
@szokebarnabas
Painting With Color Finish
Morgan Weistling
It's good but your highlight values are too light and making him look sweaty. Tone down the value on them.Notice on my demo how I then try to incorporate a little smoother transition on a highlight, like the forehead. It needs to not attract to much attention.
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Award winning fine artist represented by @legacygalleryart in Scottsdale AZ
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