@peterh111
@peterh111
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@peterh111
I tried the simplified grid on my first attempt but it didn't work as well as the square grid in placing all the elemtents accurately so i just did a trace and transfer to block it in for my second attempt. The vine charcoal on my first attempt got too messy to erase cleanly. I also just used a black charcoal pencil on the second for cleaner lines. I'll probably paint that one so I'm not reworking proportions with paint.
@peterh111
Went back and did a few grey scale paintings for practice. Used reference for the first and third. The second was made up
Morgan Weistling
I appreciate that you have been very careful to not let your half tones get too dark here. Good job.
@peterh111
Photo on the left and a scan on the right taken at the same time, I did some more modeling on the face and tried to soften the outer edges of the lips as you suggested, Thanks for pointing it out. Let me know if there are any other ways to improve it.
Morgan Weistling
@peterh111
More blending and refining of the face and additional shirt detail. One more pass to go on the background.
Morgan Weistling
this is real good. the area to concentrate on is the lips. everyone seems to have trouble with them. They can't look cut out or pasted on. Soften those lips
@peterh111
Asked for help
Gannon Beck
Yowza!
Morgan Weistling
great job!
@peterh111
Asked for help
I softened and blended the paint with my finger while it was still workable. It's dry now but I want to refine it more with the paint mixtures that are still not fully dried. Maybe make the background a little more interesting as well.
@peterh111
more developed half tones
Morgan Weistling
the big test is next with edges.
@peterh111
first pass of half tones
Morgan Weistling
this is a good set up.
@peterh111
First egg drawn from imagination on grey paper with white pencil highlight, and second drawn form life on white paper.
@peterh111
Asked for help
average light values added to the head.
Morgan Weistling
your shapes are on the money. keep going
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