When we draw from imagination without reference, it's important to plan and visualize our subject. In this lesson, Peter Han gives us a demo showing us how to use our hands to map out where elements will go on the page, considering placement and scale. He starts with simple shapes and landmarks, building the structure, then layering details. He explains how muscle memory and observation helps him draw confidently across different subjects and how knowing how long a drawing takes allows him to manage his time.
Newest
Christian Schlierkamp
3h
Amazing. I learned a ton. - also about steam engines. It is absolutely inspiring. Thanks Peter and Marshall for sharing this incredebly insightfull lesson.
Andreas Kra
5h
Here, I applied the same approach to a different complex object: a Formula 1 car. I began by researching older models to better understand their design. Using orthogonal views, I studied the car’s proportions, using the wheel as my measuring unit. I then explored a 3D model on Sketchfab, rotating and analyzing it to deepen my understanding of its form. For the final sketch, I started with preliminary pencil lines and refined them with ink pens.
I still notice some errors that aren’t quite right, but this study was a lot of fun to work on, and I’m happy with the final result.
(F1 2024 BMW M24 3D Model)
https://sketchfab.com/3d-models/f1-2024-bmw-m24-concept-74a9fe9bce284cbf9249e8e79e43f566
Kelly Keuneke-Marts
19h
Consider me inspired AND extremely intimidated. (Definitely not intimated by the speed at which he drew that train 👀)
Michael Giff
21h
"This is not meant to intimidate but to inspire".... I feel strangely threatened.... granted an image of a train barreling towards us has been programed into our subconscious as threatening and is typically not meant with warm and fuzzy feelings... maybe you should of drawn something like a Volkswagen Beetle... or better yet a Matchbox Volkswagen Beetle. No one's been intimidated by one of those.
All joking aside thanks for posting the video I do enjoy watching people work, especially ones that are not sped up so we can see what is happening.
Ralph
21h
Amazing. We need a Peter Han class on Proko
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About instructors
I Write, I Draw, I Teach
Entertainment designer, instructor, and illustrator. He graduated from Art Center, and has had a successful career working in games, film and TV