Mike Mattesi is back to conclude his lessons on shape. This time he shows us the difference between “dead” and “live” shapes and how it relates to The FORCE Method of drawing.
Newest
Patrick Alexander Büchi
2mo
Wow, first time seeing this demo was absolutely mind blowing, so much great advice and knowledge compacted into a 12 minute video, thanks!
Lane Campbell
5mo
My study notes on shape language and active shapes. I still don't fully know how to put these straight to curve shapes in my drawings, but I'll try to put it into my figure drawings in the next lesson. Thanks!
Josh Fiddler
6mo
@Mike Mattesi @Proko so, now I wanna know, the seals exercise… was that inspired by this or are seals a well known tool for teaching shape and gesture?
Sita Rabeling
1yr
Copying drawings from the book as an exercise. Just trying to get the feeling of the movement and to apply or see some anatomy.
Chris Padilla
1yr
Great introduction! Very excited to take a look more into the force approach through the books. Really amazing to see how quickly such energetic poses are captured!
Pedro Branco
1yr
Thank you Mike for the video. I decided to use some of these concepts last Friday in my figure drawing course but I'm not nailing the same dynamism you bring to the canvas. I'll post these 5 minute sketches, can anyone tell me what I'm missing?
Was still warming up in the left one so I ended up not darkening some lines, my bad. Hope it reads well in zoom.
Peter Bajzek
1yr
Hello, @Mike Mattesi , I've been a huge fan of your first book for a long time, and I'm very glad to see your contribution to this course. There's one idea I've struggled with a bit, in regards to the "straight-to-curve" concept (or the related "CSI" line formations): It seems often a "straight" can actually be a slight curve, or perhaps a few small curves might be treated together as a larger straight. Am I being too literal or is it possible to view a particular line differently depending on context or what we're comparing it against?
Lin
1yr
I have no idea if you read these @Mike Mattesi but you speak to my soul!!! The moment I saw your work, it was like...coming home somehow. I've always wanted to draw flesh with force, I just didn't know how to express it, or how to find resources that fully encapsulated what I had in my mind, that mix of graceful gestural fluidity combined with the solidity of flesh, of meat. Thank you for your invaluable work, I got your book from our library and if I do ok with it I will for sure purchase your courses. <3
Tuija Kuismin
1yr
Mike Mattesi, thank you. These lessons on shapes are packed with information that comes at me fast - at first I thought I wouldn't comprehend it or be able to process it at one sitting - but the examples are fantastic and made me realize so many things. I'm itching to go practise now, this is awesome :D.
Zach Pipher
1yr
I have a pretty philosophical question. I've been keeping up with the assignments. And i know proko has spoken on length about how the lessons are not so we can draw a good (pear, seal, apple, etc) but we're practicing the fundamental of the subject, But how do we get from here, drawing seals etc, to there, drawing our figure, or face, or masterpiece. I want to be able to draw really good action poses, or beautiful scenes with people smiling looking at each other. But at times i feel insecure that me drilling the practice doesn't get me closer to my goal. I assume it comes with applying the principle to other things. But then when i draw something for me, I don't accomplish anything near what i want to do. Sorry, this message just comes from a place of discouragement as I am not trying to not compare my self to other artists that started at the same time as me, but appear to be making tons more progress then me, but without this amazing course. As an artist my greatest weakness my whole life is fighting the feelings of insecurity that come along with feeling i'm not good enough or that I will never be good enough to be a masterful artist. Unlike something like a physical sport like baseball, i have a hard time seeing the ball being hit by the bat as progress when it comes to art.
Abdul Bari Abbasi
1yr
Sorry for the bad picture quality
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About instructors
Founder of Proko, artist and teacher of drawing, painting, and anatomy. I try to make my lessons fun and ultra packed with information.
Author of Force drawing books. My focus is teaching how you can express yourself purely with line and gesture.