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About instructors
Founder of Proko, artist and teacher of drawing, painting, and anatomy. I try to make my lessons fun and ultra packed with information.
Author of Force drawing books. My focus is teaching how you can express yourself purely with line and gesture.
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Mike Mattesi is back with another lesson on shapes!
This time he shows us how the shapes we choose to use in our composition will effect how our audience feels.
He gives us his reasoning behind why shape composition is so powerful and gives examples of how it’s used in major Hollywood movies.
I love to see examples of how shapes can apply in real life scenes like composition. Would love to explore and learn more of this in the future :)
I have a feeling I’m going to do many many studies like this in the future they really help me understand the simple idea behind all the detail
oh! About the dances with wolves shot, I would add that the gentle angle of the long horizontal value and colour shapes adds to an overall sense of gentle, sweet passage of time! no matter how short lived.
I’m one of Mike’s mentees and I’ve done this with him, although at the time, and I think he’ll agree, I wasn’t quite getting it lol. Fast forward to now and a lot of progress made in seeing and thinking, I’m sure that Mike will be happy with the new one’s I’ll be submitting lol.
The concept of making the viewer feel things really crystallized with the analysis of the second frame from Silence of the Lambs and all of the social cues that can be teased out by “connecting the dots” with shape.
It makes even more sense that by combining shapes in ways that either leverage some collective psychology we can create images that people connect with and get curious about.
it would be super helpful to have an assignment for this like mike mentioned his students doing, is there anywhere we can find that?
I'm sure you could do as following if you want :
- Take one of your favourite movies, or photographies, and pick a few scenes you like.
- Look into shapes you could make, and what they convey the composition towards.
- Try to find at least one of each of the three shapes we talked about (square/rectangle, circles/ellipses, triangles).
A great reading about those topics is actually the book “picture this” by the Molly Bang which I am reading again triggered by this section of the course
If there are more detailed courses on improving shape design and composition, I will definitely sign up.
The Death Star is pretty interesting.
It's a base so a "friendly" place to the empire's troops, while at the same time looking grey and lifeless. It's clearly a military contraption being effective in design and having no unnecessary artistic flair. It's also indestructible unless you hit a very specific spot, so it's about as stable a construction as it can be. The circular shape fits very well in this case.
When it fires its laser. The beams converge into a point creating multiple triangles or, when looking at the general shape, a neon green tip that protrudes from the grey circular shape. Since it destroys planets, it's as aggressive as it can be.
Funny how simple old Star Wars is in its designs.
and don’t forget the equator for the docking bays n so forth. It creates a sense of visual stability, letting viewer and pilots which way is up, as it were.
