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Elijah R
•
12d
added comment inProject - Line Master Studies
Asked for help
This was another line study I did, I saw this sketch from Oleg Yurkov and I really liked the lines when I dug into it. I didn’t do the background cause that felt like a lot but the entire piece is interesting.
Line hierarchy - making the lines thicker or making them darker to separate certain forms while making the inner lines lighter and thinner, generally speaking
Light&shadow - the light seems to be coming from the upper left
Diminution - the background is fainter, blurrier and lighter.
Really like this piece and I think this is a good artwork to do a master study of.
Michael Longhurst
•
1mo
Asked for help
I really liked the way Yusuke Murata used line thickness and spacing in his rendering on the so decided to do a study of it. As always I need to keep working on steady straight lines, but I was happy with how it came out.
How long did this take you? It looks like a lot of work since you did the entire drawing.
Elijah R
•
1mo
Asked for help
Not gonna lie, this was very difficult for me as a beginner. The lines were extra loose and flowy while mines were stiff as I wanted to not only execute the right type of line but sometimes the proportions were off. Definitely can do better, though I appreciate the challenge and gained a respect for Frank Frazetta work.
(Also not sure if cross hatching counts as lines so I went half in half out with lighter half tones to suggest there is meant to be a shadow there)
Elijah R
•
2mo
Asked for help
1. Light and shadow
2. Hierarchy of importance
light and shadow was definitely a bit longer then the Hierarchy of importance one since I really did have to vary the line and had to squint really hard for the wrinkles. Hope it reads well :)
Elijah R
•
2mo
Asked for help
Pretty self explanatory, nice warm ups, I really enjoyed the page skating it felt so freeing and I also liked the straight taper and the connect the dots exercise, it’s the swift movement.
@if_room
•
2mo
Mixed success here I guess. I can see some insecure scratchy lines, and some nicer strokes. Did a few outside the prescribed exercises to get some more practice in.
I think my biggest problem (ignoring proportion stuff) here is line weight perhaps? My line weight is very inconsistent, due to lack of control rather than strange decisions being made. I see there's a line weight exercise coming up, so looking forward to that one!
I think Stan’s demo, about rhythms can really help here. Simple shapes are a lot easier to keep track of. He also talks about how to avoid contouring using these simple shapes.
Elijah R
•
2mo
Asked for help
This might be a bit above me, but I already started so I finished. Looking back I definitely should have exaggerated the drawing, but I think I was way too focused on getting it to look like a raven. (I am a beginner but I wanted to try doing something more advanced just to see how it ends up.)
edit: clarification the second image with that full page raven is my rendition done from imagination, all other drawings were done using a reference image.
Elijah R
•
2mo
Asked for help
Finally finished the exercise, for the last one I tried to really loosen my grip since it was really fatigued from the hand sketch, I may be missing a few details and I’m pretty sure the proportions for the hand is wrong, but I’m going to leave it for now cause otherwise I’d be tweaking that thing forever.
I really like your sketches! I also found it hard sometimes to loosen up but I found it easier when the sketches are bigger so I can draw with the whole arm. :D
Then you automatically draw longer and bigger lines, which maked your whole sketch look cleaner. :)
Elijah R
•
2mo
Asked for help
I’m going to do all of the level one stuff, but I did this wolf drawing that I did through observation that I wanted to share. In the second photo I realized the head was too small due to negative space. The stuff on the side was just me practicing tapered lines.
Elijah R
•
2mo
Genuinely am proud, laces made were difficult but they really ‘tied’ things together.