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Lin
•
6h
added comment inCritique - Orthos to Invented Form
Didn’t think much of the interconnectedness of things initially but orthos are helping me make sense of light/cast shadows in Dorian’s course, which is a happy little surprise. :3
Caitlin
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2d
Asked for help
I used a brush from Marc Brunet’s free brush set as I found it was the easiest for me to work with. I will say, I think I’m not using my full value scale enough, and there were definitely areas where I could’ve pushed the light and shadow. On top of that, I’m still kind of shy with letting go of hard-edged line art, but I’m hoping as I continue this course I will break that habit.
If anyone has any thoughts I would love to hear them! Thanks
Lin
•
1d
Asked for help
Here is my assignment. I tried drawing through forms and did some perpendicularity practice but I think a lot more book stacking is on the horizon. Hopefully it will help with intuiting right angles because I’m not happy with those from imagination. :3
Lin
•
3d
Asked for help
I have a bit of an odd question. I do okay with references and I love foreshortening. But after a lot of practice/observation I still cannot draw right angles correctly from imagination and intuition. Is it normal at this point in the course even after tonnes of practice and observation? When I don’t have a box in memory, my boxes slant terribly. It’s the z axes perpendicularities I mess up the most grievously, even though I have many boxes from observation under my belt. With wonky boxes come unstable scaffoldings. Am I expecting too much of myself this early in? As we keep going I imagine stuff will clarify with mileage but this is nagging at me still. I attached some examples.
He hasn't teach us (yet) the tricks to figure out the vanishing lines. We are just experimenting and getting loose, comfortable. At this stage we are allowed to make those mistakes, get frustrated, and create 'core memories'...lol. When we fail we appreciate the solution more, so it will stick in our brains. No pain, no gain. On the other hand these arrows look fantastic, and they are free hand! Give yourself some credit. You are doing exactly what we should be doing at this stage.
Asked for help
Oh dear... I'm kind of intimidated by this one and have not done a whole lot of drawing. Can anyone explain how these are being set up? Or should I not worry about it at my level and just sketch and label... despite them being an abomination to accuracy and proportion?
For the hexagon, I kinda deconstructed what Marshall did and drew a box around the form using the edges of the hexagon to discover the 3 axes which give you the box. Then I divided the planes of the box with diagonals to find the halfway point for the hexagon, and finally just connected them. I found the other side by using the parallel axis lines along a particular axis. I hope this makes some sense, I tried but it’s a lot of lines so I apologize if it’s confusing. It’s simpler than it looks to try, much harder to get perfect (intuiting the VPs), but not a hard system in itself, just lots of lines. Basically sussing out the 3 axes and diagonals then a lot of connect the dots. So you were right to look for VPs, we just don’t need to find them for the slanted xz lines because discovering the centre point with the diagonals method give us the result quicker. The diagonal method is a reliable way to get halves or thirds or more in perspective where halves for example get smaller further back and don’t look like exact halves. I use the same methods for the shape that shall not be named, I try to find the axes in common with a box, and start there.
For the second image in your post, that will come up when we begin to do accurate proportions I think so I wouldn’t worry about that yet. Rn I’m just estimating some parts from the diagonals and axes method above.
Lin
•
16d
Asked for help
Here is my most recent stuff, as well as the assignment work I posted in the previous video which is a few days old, more carefully done, yet perhaps less confident as I am noticing mistakes. If anyone else is having trouble with intuiting perpendicular angles from all sort of viewer positions like I am, the transparent forms found on Amazon are a lifesaver - you can look through them to see the way axes progress in any type of rotation or tilt.
Lovely work on the assignement and thanks a lot for sharing about the transparent forms, wasn't aware these existed. They will definitely help ! x))