2B: Minor Assignment 2
2B: Minor Assignment 2
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52:27

Ideacraft: How To Draw Pictures That Speak Louder Than Words

Newest
@treekin
10d
Here is mine. I did watch The Third Man before starting and it was a great lesson on values. Especially the opening. Values is a subject I am always wrestling with lately. But after a bit of trepidation I gave it a shot.
Pedro Branco
Took a 3 weeks leave from drawing and man was this rough as a first assignment. Cold turkey like that I was having so much trouble just simplifying things and I won't comment on keeping the values consistent. Will maybe do this again at a later date, want to get on with the course since I just can't seem to get on with my personal projects.
kai schoneweis
hopefully not reposting this but it doesn't look like me first one went through. i found this project really useful and thought provoking as someone who tends to struggle with having clear value distinctions in their work.
@atklegend
3mo
While consistently hearing about the importance of value studies and playing with lights and shadows this was an aha moment for me. although I feel that I didn't commit to the inversion of the tones.
@jrhali
3mo
Just removed some things here, thought it'd read better this way!
@treekin
10d
I find these really interesting.
@winona
3mo
I find it very interesting what colors and values do for an image. I also would like to learn to work with limited colors, because there is often something powerful and graphic about it. It feels unnatural to make trees red or skin yellow (or grey as with this assignment), but the result can still work or be interesting.
Bayo Eduardoflores
I've never done an exercise like this before, and I have to admit it can be quite confusing at times, but here's my attempt.
Kamellia
4mo
Hello, here is my submission for this assignment. I did the first one while following along with the lecture and then tried again with the second one, referencing ever so often, while with the last one I tried my best to finish it first before looking back at what I did before. I did have difficulties figuring out where to place what value to make the picture read better while also trying to keep the shapes simple and clean, avoiding rendering. Since abstraction is something I struggle with, I will definitely keep trying. This exercise was challenging for me, but I enjoyed it.
Roberto Vespa
Unfortunately I struggle with finding the time, but it was a lot of fun
sara keyes
5mo
adam burke
6mo
A really fun exercise ! Im definitely going to keep doing this as practice
Aden Watson
Here are some variations I did of one of the frames that was provided. I wish I had been able to flesh them out in more detail but I got distracted from the course by some life events. But I am recommitting to doing these lessons every day before working on my own projects.
Sterling Hundley
Hey @Aden Watson - that's the story of my life, haha. Just when I'm ready to dive in, life interjects. No worries, as I hope to continue to check in on everyone's progress. Honestly, these came out great and I'm not convinced that more information would have made them better. One of the most important things is to simplify and to take ownership of an image through designed, intentional choices.
Gannon Beck
One of the reasons I took this course was the recognition that I need to do more preliminary work when I tackle a project. To that end, I'm trying to incorporate what we're learning here into some of the projects on my to-do list. Here is the progress on a Superman cover that I'm working on. The first image is the original thumbnail followed by the value study options.
@treekin
10d
So rad looking!
Sterling Hundley
@Gannon Beck I get so excited looking at these! Comics were my first love and your approach is such a welcome homage to classic Superman. I'm not saying this is correct, but just a point- the higher you bring Supe's feet and the lower his head, the more untethered and out of control he feels. The Same is true of keeping his feet (or foot) off of the edge of the composition. I love these. In particular No.4 and No. 5 if reading these top to bottom, left to right.
Sofy
7mo
Gave it another try:
Sterling Hundley
@Sofia Johansson All of these work- the argument to be made for this particular version is that you've really been able to push the Z axis to achieve even greater depth through the use of scale and overlap. Two of my favorite tools to use! If we're going there, you can push it even further with a bit of Gaussian blur. Just be careful that the light bugs against the dark house become the focal point. You can even knock those down in value a bit to make them less important.
Sofy
7mo
I tried putting the bugs and the field higher up in the hierarchy because I think they are important to the story, but I might’ve made it confusing and now I’ve looked at it for too long to be able to tell if it’s successful or not. Feedback appreciated :)
Sterling Hundley
@Sofia Johansson See the post above:)
Gwynn
7mo
I noticed when I was done with this and checked out the video one more time that I have only use three values, instead of four. I guess I made the challenge even more difficult in some ways. The first version was the hardest. It really goes against intuition to do white cast shadows, and that I guess is what is great with these kind of exercises.
Rachel Dawn Owens
This is cool
Gannon Beck
This is definitely a habit I need get into my workflow. Too often I develop one solution and do with it rather than slowing down a little and exploring options.
@treekin
10d
I like that the moods are so drastically different with the changing of values here.
Sterling Hundley
Such a simple way to dramatically change the mood. If the drawing is already in place, swapping the values out becomes very fast and effective.
Melanie Scearce
So good!
Mandy Valin
Watercolors (using up a tube of gray I don’t use much so no blacks here). I do think the mood and messaging changes. To me, the first one (based on original image) has a lot of tension and sense of something bad about to happen. The other two I think that sense is downplayed or even disappears when the figure in the doorway is portrayed in white, I can read a sense of anticipation, or even hope in the figure in the foreground
Sterling Hundley
It's wild how that changes the psychology of the scene. That first watercolor paintings- chef's kiss. Wonderful edges and control @Mandy Valin
@ahood
7mo
I had a great time tackling this puzzle. Definitely need to do this more!
Sterling Hundley
@ahood They are visual puzzles, aren't they?! It's always interesting to me to see that once decision almost forces your hand in the adjacent shapes. Well done:)
@edel82
7mo
Tried to keep them with in 3 values, it was difficult not trying to add too much and keep them simple. Squinted my eyes a lot to make some of the details blur and focus on the big shapes. I probably spent more time on these then I should have especially trying to chip away at the white areas with my eraser.
Sterling Hundley
Well, these came out VERY nice @edel82 It is hard to simplify, especially when so much feedback focuses on our ability to bring dynamic and details into our drawings. The most important things, though live in concept and composition.
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From rocket ships to rock stars, NASA to Rolling Stone; I draw pictures that speak louder than words. Artist & Professor
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