2B: Minor Assignment 2
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I was a little hesitant about posting at first, but once i decided to go for it, i realized it was the best choice. It put me in a mindset of accountability and allowed me to complete the assignment to the end.
One thing that helped me was establishing the color for each tone and literally creating a legend for each of them. Whenever i had doubts or felt confused, i would look at the tones and then at the drawing to figure out the best way to communicate the form of the subject i was trying to draw.
It wasn’t easy at all, but it allowed me to create a thumbnail in a way i most likely wouldn't have thought of otherwise.
I’m looking forward to your feedback.
Definitely challenging to group areas together and resist the natural inclination add details. Really interesting to simplify a whole scene into just three values. Loving the course so far. Really excited for the journey ahead!
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6d
It’s natural to get pulled into the details.
What you have here are really nice simplifications of the reference image.
A couple of tips that might help you out moving forward-
Try using fewer shapes, and constrain the values.
- the clouds in the background could be pushed away from the figure in the foreground if you made them less interesting. You may not need both values for all of the clouds.
You’re off to a great start. I’m happy to hear you’re enjoying the course so far. I’m excited to see more!
Here is my value study. This was an interesting and challenging assignment. I enjoyed it, even though I got caught up a bit in the details and had to make myself stop adding more information that wasn’t relevant.
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9d
@lilianalaeis We ALL get caught up in the details. I think it's one of the first things many of us try to do when we are learning. Simplifying becomes an intention stylization away from all of those things that we could interject in the image. This came out very nicely.
Here is mine. I did watch The Third Man before starting and it was a great lesson on values. Especially the opening. Values is a subject I am always wrestling with lately. But after a bit of trepidation I gave it a shot.
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8d
@treekin You did a fine job with it. In particular, it's good to see that you are limiting the values in the highlights and simplifying the overall value structure from a 0-10 on the value scale to more of a 4-5. Very good.
Took a 3 weeks leave from drawing and man was this rough as a first assignment. Cold turkey like that I was having so much trouble just simplifying things and I won't comment on keeping the values consistent.
Will maybe do this again at a later date, want to get on with the course since I just can't seem to get on with my personal projects.
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8d
@Pedro Branco It's good to have breaks and sometimes, just being able to have a very direct assignment without too much creative ideation can be a great kickstart.
hopefully not reposting this but it doesn't look like me first one went through. i found this project really useful and thought provoking as someone who tends to struggle with having clear value distinctions in their work.
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2d
@kai schoneweis I didn't see the first one come through- all is good! Nice division of values here and simplification. Your shapes are quite nice in their design and the subtle, controlled secondary tones are exactly what you should be doing.
While consistently hearing about the importance of value studies and playing with lights and shadows this was an aha moment for me. although I feel that I didn't commit to the inversion of the tones.
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8d
@atklegend I LOVE hearing about aha moments. Having something click in your mind as you are working doesn't happen that often, but hopefully you have something now that you can begin applying to other projects. That first sketch at the top is exactly what it's about. The inversion of values is secondary to that. Nice work and happy for you!
I find it very interesting what colors and values do for an image. I also would like to learn to work with limited colors, because there is often something powerful and graphic about it.
It feels unnatural to make trees red or skin yellow (or grey as with this assignment), but the result can still work or be interesting.
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9d
Color is relative to the iligh source in the image. Imagine a bright red light shining on a spotlight outside- everything would appear red and we would not see the local color the same way. Nice work here @winona
I've never done an exercise like this before, and I have to admit it can be quite confusing at times, but here's my attempt.
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9d
It's most important to remember that through this process, you are taking ownership of your image. Nice work @Bayo Eduardoflores .
Hello, here is my submission for this assignment.
I did the first one while following along with the lecture and then tried again with the second one, referencing ever so often, while with the last one I tried my best to finish it first before looking back at what I did before. I did have difficulties figuring out where to place what value to make the picture read better while also trying to keep the shapes simple and clean, avoiding rendering. Since abstraction is something I struggle with, I will definitely keep trying. This exercise was challenging for me, but I enjoyed it.
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9d
Understood and relatable @Roberto Vespa . I like how these came together. The third one on the right in the middle really stands out.
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9d
Hey @sara keyes ! I love that you worked through several of the sill images. Just remember to try to frame dark things agains light things and light things against dark things! This should help in your readability and simplification.
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9d
Yeah, I love to watch some of these cinematic masterpieces and take it even further. You can get a lot of information in the images from just a large, single marker. So glad you enjoyed it and nice work @adam burke !
Here are some variations I did of one of the frames that was provided. I wish I had been able to flesh them out in more detail but I got distracted from the course by some life events. But I am recommitting to doing these lessons every day before working on my own projects.
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7mo
Hey @Aden Watson - that's the story of my life, haha. Just when I'm ready to dive in, life interjects. No worries, as I hope to continue to check in on everyone's progress. Honestly, these came out great and I'm not convinced that more information would have made them better. One of the most important things is to simplify and to take ownership of an image through designed, intentional choices.
One of the reasons I took this course was the recognition that I need to do more preliminary work when I tackle a project. To that end, I'm trying to incorporate what we're learning here into some of the projects on my to-do list.
Here is the progress on a Superman cover that I'm working on. The first image is the original thumbnail followed by the value study options.
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7mo
@Gannon Beck I get so excited looking at these! Comics were my first love and your approach is such a welcome homage to classic Superman. I'm not saying this is correct, but just a point- the higher you bring Supe's feet and the lower his head, the more untethered and out of control he feels. The Same is true of keeping his feet (or foot) off of the edge of the composition. I love these. In particular No.4 and No. 5 if reading these top to bottom, left to right.
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7mo
@Sofia Johansson All of these work- the argument to be made for this particular version is that you've really been able to push the Z axis to achieve even greater depth through the use of scale and overlap. Two of my favorite tools to use! If we're going there, you can push it even further with a bit of Gaussian blur. Just be careful that the light bugs against the dark house become the focal point. You can even knock those down in value a bit to make them less important.
I tried putting the bugs and the field higher up in the hierarchy because I think they are important to the story, but I might’ve made it confusing and now I’ve looked at it for too long to be able to tell if it’s successful or not. Feedback appreciated :)
I noticed when I was done with this and checked out the video one more time that I have only use three values, instead of four. I guess I made the challenge even more difficult in some ways. The first version was the hardest. It really goes against intuition to do white cast shadows, and that I guess is what is great with these kind of exercises.
This is definitely a habit I need get into my workflow. Too often I develop one solution and do with it rather than slowing down a little and exploring options.
