2: The Anatomy of an Idea
180
2: The Anatomy of an Idea
180
Newest

M C
16d
on two of the thumbs the differences are minimal but i thought they meant a lot so I included them (skin and rim light).
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2d
Nice work here @M C ! I feel the house without the window holds up on it's own. Perhaps with some white windows?
Alberto González
19d
I did the assignment and I was disatisfied with the results so I decided to do it again with a different image, it did better,
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18d
Very nice @Alberto González ! I agree that the second composition lent itself a bit better to three strong solutions. Nice work!

@ferfighter
24d
Knowing what I know now, I would have chosen a different image. The challenge was deciding what to keep in the center where the silhouette is located as there were many gradual tones.
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18d
Curious @ferfighter - what would have made you choose a different image? Nice drawing and interpretation in this. I'm quite drawn to the first image.

Danny Smith
29d
Did a quick version in pencil & sharpie.
Basak
25d
this looks really good- simple and clear
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28d
Nice work here, Danny! Working this way forces you to simplify and to be decisive in your shapes.
@shayy02
29d
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28d
Well done @shayy02 This piece of reference presents a challenge in the gradients as the figures transition into the ground plane. As we begin to introduce a second value into the shapes in future lessons, it gets easier to transition those shapes with shadow patterns. I'd be interested in seeing a version of one of these could treat the figures and the ground plane as the same value.
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About instructor
From rocket ships to rock stars, NASA to Rolling Stone; I draw pictures that speak louder than words. Artist & Professor