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@sknight
@sknight
Earth
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@sknight
Kitchen is before demo and living room is after. The couch was so frustrating, felt like it looked pretty good only to find the lines didn't go to the vanishing point. Tried to fix it the best I could and think it turned out pretty well. Will also definitely keep up those straight line warmups!
@sjm0418
4mo
I think the couch looks great
@sknight
Practicing 3/4 and front view. Found that chopping the sides off the circle for the front view and then retroactively going a little past those lines when drawing the ovals to show the taper of the skull made it easier to not accidentally make the head too narrow.
@sknight
Have really been enjoying these! Is there any sort of "rule" for where the line from the center of the oval to the chin should stop on the front plane? It seems like everything else is slotted into place but that line lends it self more to placing it where it feels right, as opposed to using a more math-y approach.
Joseph Osley
These look great! I'm having a bit of trouble parsing the phrasing, "center of oval to the chin," in your question. If you're referring to(and here's where I have a hard time translating the visual to the verbal) the curved line from above the ear to the chin, I think that is like you said, more intuitive and less math-y. It's just a guideline to help you envision where the plane change happens from side to front(I think? I am not an expert). I think you've got a good sense of it. The heads on page two are especially well done. All the best!
@sknight
@sknight
Asked for help
Some of my favorites from the past couple months of practice! Definitely getting more of a feel for focusing on rhythms and then adding the structure where needed. Been using charcoal as well as graphite for these.
@sknight
Asked for help
This was far more difficult than I thought it would be. Balancing thinking about the rhythms and flow along with proportions was kind of intense. The third image I attached I think is the best. It is from after I watched the demos and critiques and slowed down more. I had a hard time having peoples torsos come out too thick, or their limbs too long. I attempted to use overhand grip for most of these. The first few are drawn with an old charcoal pencil I found. It always seemed to come out super dark and didn't have the value variety that I would've liked. Any critiques are welcome! (As well as charcoal recommendations.)
Martha Muniz
Something that can help is trying out a simplified, long rhythm line for one side of the section you are drawing (for example, an arm, leg, or torso). Afterwards, you can place in the other side, using more complex lines to solidify the placement of proportions. This can help get a sense of balance between the long and fluid, and the proportionate and more complex. Also, I see this already improving throughout your drawings, but to develop more control with a new medium, I recommend going back to more basic exercises to ease the transition Warmups to Improve Line Quality, Warmup - Mushrooms. And my go-to charcoal pencil is the Conté a Paris 1710 B :)
@sknight
This was the first time I really understood what the point of gesture drawings were! Very helpful to use seals. I have done some with humans in the past but didn't have any understanding of dynamic shapes and ended up with many a noodle person. I find it a little difficult to balance the interesting shapes, lack of symmetry, etc. while still keeping them dynamic and making them flow nicely. Hopefully mileage will solve some of these problems.
Rachel Dawn Owens
Flour sacs are also good to draw for this. Gesture is about feeling the weight and flow of the forms. Nice seals. You’re getting better. Keep it up!
@sknight
I knew the eyes were off when I drew them but laziness took over and I didn't feel like fixing them. Overall pretty happy with my eyeballing skills.
@sknight
This was quite difficult. Definitely an exercise in patience. Pretty pleased with how it turned out though!
Melanie Scearce
It turned out great! Keep up the good work :)
@sknight
This was very fun, tried to push it into many different shapes and sizes.
Rachel Dawn Owens
The frogs are really fun!
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