I appreciate the people who spent the bulk of their lives figuring this stuff out for us so we could learn it in a fraction of the time later, I feel a little spoiled.

"Looking up? lines go down. Looking down? lines go up" Will forever live in my head after this course

Huge! I had just asked another student about something like this too.

I know that since i put the VPs within the boxed borders, that the perspective would get super distorted, i was ready for that! Whats confusing me is why I'm having trouble with the lower angles in particular, applying the same logic as the higher angles just winds up putting the viewer under the room in space instead of giving them the view an ant would. Is it the small workspace? Is my logic flawed? What am i doing wrong here? ("open original image" with the 3 dots enlarges the image quite a bit if you're having trouble seeing) More rooms in the making-

Funhouse proportions executed perfectly. My order for iso paper, also executed perfectly.

Is there a reason that looking up is less intuitive than other angles? I did a couple rooms and tried to experiment with some basic skull constructions. It helps to draw through but I need to slow down as well.

I strive for the line quality some of you have in your sketches, beautiful stuff as usual, and only marginally intimidating!

I'm a glutton for punishment

Oh man I forgot all about my wonky plane, that thing is going to haunt me!

The whisper voice is very Bob Ross