Today May 21st, 12:00pm PDT, I'll be answering your questions about Proko 2.0, art, and whatever else gets put into the discussions! I'll also be showcasing some of this week's top users on the platform and announce who is this week's winner for Proko prizes. I might even draw a little bit.
Make sure your question has been answered here:
- In our Getting Started Page. https://www.proko.com/getting-started
- In our Roadmap Page, showing you what we have planned for the future of Proko 2.0 https://www.proko.com/roadmap
Post your questions below!
Newest

@abbasovs
3yr
Hi
Hope your are well. First of all thank you for your youtube videos and support. Me and my daughters watched all your videos. I start self study of anatomy drawing but have some financial problems. Could you please make me discount for your courses on proko.com. my e-mail: abbasovsanan@gmail.com
Toto
4yr
It was a pleasure to draw along ! And I really appreciate this new Proko platform. It is easy to go around to find lessons, videos and community all in one place.
Sandy L
4yr
Fun stream and glad it was recorded, can't always grab them when they air and it's fun to get the option to watch later. I had some trouble hearing what Kristian said most times, missing what the question was, just hearing Stans answer :)

Logan
4yr
To jump off from the question below, in regard to the transcripts, is that something the team needs help with in creating as more classes are being made? I noticed one of the older classes I purchased had them, but I was curious if the newer ones had them as well. If not, would you be open to others helping you to transcribe lessons if you're not just using an automated transcription software? I've had experience proofreading and editing and I'm about to undergo further training for transcribing legal documents, so I was curious if that's a skill that may be needed here. Sorry this question is a lil longer!

Lamar Heckstall
4yr
The one thing I miss about the old Proko site is the transcripts for the course videos that were available to print. Are they still available and I’m just overlooking them or are they not an option anymore?
Melanie Keck
4yr
It was almost bedtime yesterday but I still had to do it so I did it today
•
4yr
Hey Melanie! Great job on this! I really thought these were really awesome. I've been showing all of these to my friends and family.
In terms of a critique, I'd start with simplifying your drawing a bit. Right now there's a decent impression of it being a person, but it doesn't feel like there's much going on in terms of form and structure. A good place to start would be adding some gesture to your drawing, and simplifying your lines. Right now it feel like you're drawing your anatomy as you see it, not as you understand it.
At this stage in the drawing, you shouldn't be thinking about anatomy at all. The result is a bunch of independent pieces of the body that give the impression of what they're supposed to be, but don't fit together in the grand scheme of things. You should be thinking about rhythm and how the forms fit together as a whole. For example, if you take the lines you included for the rib cage, peck, and abdomen, you can simplify those into a single line.
In the draw overs I've done below I tried to show how your drawing can be simplified into just a few lines. I've also done a side by side example on how I might exaggerate this pose to make it feel more dynamic.
I'd recommend checking out @Stan Prokopenko's video Q&A – Gesture vs Contour and Scribbly Lines. In it he explains how gesture is all about simplifying what you're trying to draw into it's most basic form.
Hope this helps! and thanks again for doing this drawing!
M0GAKU
4yr
Just looked it up and proko is on steam wtf had no idea lol
Adam Wiebner
4yr
So awesome to get a shout out from @Stan Prokopenko and win a prize! Thanks for making my day!!!

Juan Rodriguez
4yr
Any advice on how to charge properly for my artwork? :D D:
Roldine RIchard
4yr
Considering the pandemic, opportunities to draw from life are hard to come by; I've heard some artist say they can always tell when someone hasn't had much practice with working from observation...in an effort to make the most out of my photo references what should I be mindful of that would be different when working from life? Besides, of course, that some design decisions are done for you. (I've noted artist mentioning discrepancies with color and proportion?)
Kadin Lane
4yr
•
4yr
Hey Kadin! Really nice one lol. I've been telling everyone who did one of these this, but I've been showing my friends and family these. They're all getting a kick out of them. I really liked yours! Really funny to look at, and you did a decent job with the anatomy and proportions.
What I would say is think about simplification more. Right now it feels like you're missing a lot of the gesture of the pose, and structure. It also feels like you're focusing a bit too much on the shading/ anatomy before having the fundamentals down. If you look at my example draw overs, you can see how I might simplify this drawing then use the simplification to find where to put in the shadows.
If I were you, I'd check out @Stan Prokopenko's video, Structure Basics – Making Things Look 3D. In it he goes through how to use these simple concepts to create three dimensional drawings.
Great job and I hope this helps

@erutz
4yr
Are there currently any courses on drapery on proko 2.0?
Crystal Wall
4yr
Any career courses/lessons in the works?
•
4yr
Hey Crystal! Nice drawing, and thanks for doing it. These have been getting chuckles out of my friends and family.
A couple things about your drawing. The first thing I noticed is that it's long. If you take a measurement to the top of the head, to the mid point you can find the half way point. If you double that you can find the bottom of the drawing. On yours, it seems like the feet go well beyond where the bottom would be. If you do that, you'll be able to get a closer approximation on where the drawing will end.
The next thing is gesture. I can tell you've been watching your structure lessons, because you're doing a good job following the planes on the body with those lines I see wrapping forms. The next step is to add some gesture to it. If you look at the center line on my draw over, you can see you can describe the body on a C curve. Same with the legs, arms, head, neck, and head. It's sort of hard to understand, I know it took me awhile.
I'd recommend watching @Stan Prokopenko video Q&A – Gesture vs Contour and Scribbly Lines. In it he describes the difference between contour lines, and gesture. For me his video was very useful in understanding that concept.
I've also included some images that might inspire you.
A diagram of the Reilly method, the drawings of one of my teachers @Erik Gist and the drawings of an artist I admire, @Steve Huston.
Hope this helps!
Gabriel Kahn
4yr
Is it bad if I genuinely like my art?
I always see that pretty much everyone hates their own art, and they are usually very hard on themselves, but I never really experienced it. I get these small impostor-syndrome vibes so I'm worried :'D
Roberto C
4yr
I think that the fact that you are asking yourself that, is enough to encourage you to seek more knowledge. I don’t think an artist has to suffer for their art at all.
Mouaz Sedky
4yr
What is in your opinion the difference between the teaching at a traditional atelier like watts and smth like CGMA academy?
Wei Jin
4yr
Are there going to be courses more directed towards concept art, illustrations, character design?
And any plans to do some subscription based courses?
Robert KoX
4yr
Is being a night owl a bad thing for beginners or artists
Kia Patel
4yr
Why does Proko's drawing of Kristian look like Frankenstein?
•
4yr
lol
Roberto C
4yr
Why is it so hard to be an intermediate artist? And how can you make sure you keep your morale up before you reach that industry standard quality?
Casey Holtz
4yr
In my personal experience, it's because our artistic eye often grows faster than our skills - but that's natural, recognition is far easier than creation! As a beginner you don't even know what you don't know, but as an intermediate artist you've learned the ability to critique yourself and start seeing the vast amount of knowledge left that you could feasibly acquire. As to keeping up morale, I have fewer answers 😅 But key for me is that if I'm not enjoying something in art, I ask myself if it's because I'm uninterested, or just frustrated with the difficulty due to lack of knowledge/practice. If it's the first I change course, whether that be medium, style, subject, etc. If it's the second, I break down what my next step should be (sometimes it's simply asking for critique, if I don't know myself what I'm missing) and work on that skill before returning to what frustrated me.
Hope that helps, would love to hear others' input also!
@choucador
4yr
Dear Kristian. I had to stop myself or I could keep tweaking this all day... Proko has helped me learn a lot!
•
4yr
Hey choucader! Nice drawing! I've been showing all my friends and family these.
What I'd say is to simplify your shadows and add more gesture to your drawing.
Right now it feels like you put shadows where you thought they should go vs where they should go to help the forms read.
I don't have time to do a draw over right this second, so I'll add some I did of others. If you want one, let me know and I'll do one.
In the examples, you can see how simple the gesture is, and how much it pushes the energy of the pose. Once you have the gesture in, it's also a lot easier to find how the structure works and in turn how the shadows will go on the body.
What I'd recommend is doing a draw over of your drawing. If you do, I'll go over and show you how I would do it.
Hope this helps!