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Kadin Lane
•
3yr
added comment inHow to Draw Hands – Muscle Anatomy of the Hand
I drew a bunch of hands, and I got a bunch more to go, but in the meantime if anyone wants to give me some helpful critique, I welcome it.
Gabriel Benatar
3yr
Your drawings are great. The fourth bunch looks very nice grabbing things.
Kadin Lane
•
3yr
Hey Marco Bucci! Love your videos! I think you have a gift for structuring and presenting information in an easily digestible way. Anyhoo—
Question 1) Where can I get an Asaro head like yours? I want one on my desk, too. Please and thanks.
Question 2) When painting really tight shapes—let's say armor—I will use a sketch and paint underneath it, but I struggle with getting to a point to where I can turn off the sketch and the painting still holds together. Can you give me some advice, process, tips to help with that?
Kadin Lane
•
3yr
Not really happy with the outcome of these. I think my "tempo" was all wrong, to reference Sinix. I'll come back and do more. A lot more. I plan to draw a lot of arms, lol.
Kadin Lane
•
3yr
I had no idea how offset the biceps really sit on the humerus, so the 3D models were very helpful for this assignment.
Kadin Lane
•
3yr
I plan to spend a lot of time in these hand lessons. I don't want to be one of those artists that dread the hand.
Kadin Lane
•
3yr
I think I finally figured out "sketching" in Clip Studio, so that's an additional lesson this ab assignment taught me.
It looks like you had fun with these.
Ok. What I see in this assignments it's that you understand the origins and the insertions of the pecs, but you're still struggling with it's form and movement. Let's review picture by picture:
1. The pec has most of its mass on the bottom. you're drawing too flat and you're not considering the volume of the sections. Use the fibers to show the clavicular portion wrapping around the external one. and pay more attention to the overlap near the armpit.
You drew it too close. It will retain a lot of its mass but you can clearly see the tail of the clavicular portion. Also the clavicular portion on his right pec is wrong. From this angle you'd see just a bit of it. If you're in doubt, try redrawing his left pec reverting the curves you used. I think you'll understand the form better.
2. Again form. There's too much mass up, and the clavicular and the external portions are flat. It should be the contrary. You won't see this much external portion either. Again study more the overlap near the armpit
3. This is a very difficult pose. The abdominal portion would stretch and from this angle it would cover the other ones. The shape would change also. it became more elongated toward the arm and its mass shifts up and to the certer. (It's hard to explain, try to feel your on pec when you lift the arm, it should become clear.
4. Same problems that the other ones.
Watch the assignment example video for this lesson and try again. Proko explain his thought process on this one and it should be very helpful to you.
Best regards
XD
The only thing I have to criticize is that the muscles appear flat in the second picture. I think the roundness of the ribcage would influence their form a bit more on this angle.
