How to Use Knowledge
How to Use Knowledge
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34:24

Portrait Painting in Oil Without a Brain

Drawing

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Newest
@stewedveg
way off in places! I think I need lots more practice…
Morgan Weistling
need to compare more and go slower
Ron Kempke
I think it's interesting (and frustrating) to see how far off most of us are on our first attempt. Beside your rapid eye suggestion, are there any other exercises you can recommend that will help develop a hypersensitivity to minute differences, because most of us seem to lack that ability?
Ron Kempke
Thank you so much for making this method crystal clear. I believe it's the same method that Harley Brown uses to produce his images.
Morgan Weistling
I love Harley Brown and I could only hope that this is similar to the way he works
Riku H
10d
Zainul
21d
Moving away from the Loomis method, this is my first effort at observational drawing.
Morgan Weistling
So with observational drawing, as opposed to anything else, what would be the only thing you really need to use to know if you are being accurate with your drawing? answer- Measure and compare to what you are looking at. As a teacher, I am simply a new pair of eyes for you but the best thing I can do for you is to give you little tools for creating some kind of objective source of critique for yourself. So, try this: Rapid eye movement back and forth between the reference and your drawing. Look at one feature at a time. Or one area at a time. quickly back and forth. Look for the differences. Train your eye to see what's off. When you see the differences yourself, you will be unstoppable.
Chris Benavides
In the inside/out approach what kind of adjustments would you make when you’re working from life, where the model might not return to the exact same place after a break, rather than working from photos?
Morgan Weistling
You just need to find the spot in front of the model where the tip of the nose exactly meets the cheek in 3/4 angle. Put tape on floor and after each break you just repose the model so the nose always touches the same spot on cheek. This is how we always did it in school.
Gaye Sekula
This was so helpful! Thank you!
tina boroviak
The approach is outside of my comfort zone, but compared to my usual approach, which is more overall structural I think I got the likeness sooner. Concentrating on shapes and truly seeing them is exhausting … but a good exhausting ;)
Morgan Weistling
Glad you are willing to try it. If you were exhausted you were doing it right.
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Award winning fine artist represented by @legacygalleryart in Scottsdale AZ
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