Grayscale Assignment Example 3
Grayscale Assignment Example 3
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Digital Painting Fundamentals

Digital Painting Fundamentals(61 Lessons )
The Greyscale Painting Process

Grayscale Assignment Example 3

769
Course In Progress

Grayscale Assignment Example 3

769
Course In Progress
Proko
In this demo, you'll see how I approach painting a costumed portrait in grayscale.
Newest
Sokolowski Clément
A lot of different elements in this picture! Using the different brushes to give textures was challenging. I'm not completely happy with the face
david ball
27d
I tried not to muddy up the tone values by keeping tighter control over them. I feel like I could have kept going on this piece but I don't want to over do it like I typically do.
Jason Hald
3mo
Kassjan Smyczek
Here is my painting. I like to see the progression compared to my earlier submissions. I also repeatedly watch the videos and always find new insights by watching the videos after I tried the assignments. I recommend to do that! Can't wait to get to the colors part, but first I have to create a strong foundation and to bite through the wire.
@arthurln
5mo
There was a lot of decisions in this one. I think the eyes are too sharp, didn't know how to correct it, especially the highlights. Deciding where to add details is one of my biggest problem, I tend to add details everywhere so I tried to restrain myself here. Also deciding where to have sharp or soft edges is something I need to work on.
Martha Muniz
Looking great! As to both details and soft/sharp edges, it usually comes down to where you want to lead the viewer's eye. Areas that should be the center of attention benefit from higher contrast, details, and sharper edges, whereas areas further away from that help balance out the painting by having softer rendering and less details. In this example, the face (eyes & nose, more precisely) would be the highest point of focus overall, whereas areas further away get less defined. Another thing to look for is the transition area between light and dark as a point of detail. For example, the feather's texture could mostly be described at its light half-tone & terminator sections, while the shadow section could be simplified into less detail. This helps organize it into being less overwhelming with texture while still giving it the necessary definition.
Petar Hristov
Jon is such a good teacher!
Anska
6mo
Here is mine. I did stuck to one brush though.
Nick Dahlquist
My study attempt for this assignment. I'm pretty happy with it overall although the collar and fabric is a bit sloppy, could have spent more time there.
Jordan Bodenhamer
Here's my attempt at the assignment! Any feedback would be appreciated
Martha Muniz
Hey there! You've got good progress--defined structure, clear values, and a variety of hard and soft edges. I think something that can push your painting is continuing to build the light source, layering light values as it lands on his hat, forehead, nose, eyelid, and even some faint light bouncing into his eyes. It also helps continue the illusion of 3D form to use your brushstrokes in the direction of the plane you are describing, so for example, the light on his cheek could be painted in the diagonal, curving direction of the cheek itself. I think the combination of these two can really help describe the form of your subject matter with clarity and unity.
@lesgantsnoirs
This is my version, I realised too late that the head was straight in my drawing and not in the reference, struggle a lot with the collar. I learned a lot on this one, and I see my progression on every exercise.
Martha Muniz
This looks really nice! Despite drawing a different angle as you pointed out, it still looks very believable and realistic--so props to you! Something I think can help you in your progress as you continue studying would be to pay attention to how you use edges. Often times, it's most helpful composition-wise to have a variety of soft and hard edges, with a conscious placement to lead the viewer's eye. Hard edges are often placed at areas of focus, with edges becomes more soft and less defined the less important they are in the drawing. This also correlates to the simplification of detail--as seen in the demo, less important areas like the shadows for the feather or the inside of the hat would be kept simple, while areas in light would have more detail. Hope this helps, keep up the good work :)
@jasonj33
2yr
Julie Bille
I followed closely every step Jon took to get the most out of it. Final result is this guy.
@jasonj33
2yr
So Pristine, I'm Jealous. Great work. You've been doing this a little longer than myself.
Ieva Paleja
Lore
2yr
@reesa
2yr
I enjoyed this one. Found that is was easier to look at a b/w version of source photo. If I were to self evaluate, I'd say that I need to check the perspective of the head/face. Also I might soften the brush strokes on the collar next time around. Open to any feedback. Thank you.
@jacobhartley
I tries using a pretty gritty brush for the face at first, but it definitely turned out looking a little off and I ended up revising it with the bristle brush, and the folds are always a struggle for me so i nearly had an aneurysm working on the collar but, here we are! The likeness also faded pretty quickly but im alright with that for the most part.
Craig Werkheiser
I had fun with a more painterly brush for the skin. Never tried it before. I think my piece has way more contrast. Kind of harsh.
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