Digital Painting in Grayscale

Digital Painting Fundamentals

Digital Painting Fundamentals(61 Lessons )
The Greyscale Painting Process

Digital Painting in Grayscale

123K
Mark as Completed
Course In Progress

Digital Painting in Grayscale

123K
Mark as Completed
Course In Progress

Now that you've seen me do it, it's your turn to practice working from a reference to understand how shapes and values work in real life! 

Start with a clean drawing, do a value block-in, and then build up your painting working from general to specific details.

You're more than welcome to find your own reference, but I've also provided three references that can be found in the downloads tab for this lesson. There is an easy reference, an intermediate reference for those who'd like to try clothing a figure and painting fabric, and a hard reference with lots of costume details and fun material challenges. 

Newest
Maiken Rudser
Okay. I did this quite a while ago , but seems i have a fear of sharing work im not sure of. Any advice and critique would be great!
Martha Muniz
Hey there! This looks amazing already, really nice work! I think a point to look at would be how contrast is created throughout the piece, especially through value and edges. There's already a great blending and use of softer edges as things get further from the focal point of the face, but reinforcing the contrast at the face, especially the eyes, could help make the final pop. This could be through more defined edges and a use of darker value for the eyelashes/irises, for example. I would also caution watching out for unintended areas of high contrast, for example the shadow area near the elbows or the decorative hem by her legs, as the high value contrast and sharp edges could lead the eye there more than needed. This is a great piece nonetheless, so these smaller points could help push it just a bit further -- hope this helps and keep up the great work! :D
Sokolowski Clément
My take on the first assignement. I would love some feedbacks. I feel like the values on the faces don't attract the eye enough, maybe it needs more contrast?
Melanie Scearce
I agree, I'm seeing the lightest lights in the legs and on the back. Decreasing the value range in those areas can help draw the eye to the areas that you want to be the focal point. I love the shapes in this, great work!
@lior
9d
First assignment completed. Spent about 4 hours on it. I struggled with the metal textures on the belt buckle, I need to do some metal texture studies. Also the small stippling on the clothing like his cap.
@wilfred
28d
Competed the First Exercise. Would love some feedback on how to improve this more.
Melanie Scearce
Great job here @wilfred. I like your choice to keep the lower body mainly in shadow. I think overall it's a bit dark, and I would add more light value to areas of interest like the face. My eye immediately goes to the ear area because it's the area of highest contrast -- adding more light value next to the dark side of the face I think would lessen the competition between those two areas.
Lindsey
1mo
First exercise complete. Dunno, how long I was supposed to spend on it, but I think I put about 4.5 hours to it. I used the square brush from the downloaded brush set and a textured blender in places.
Rachel Dawn Owens
This is really good! Nice range of values! You could add more depth if you constrained your darkest shadows for only certain areas of interest. Keep it up!
Walker
2mo
An exercise as i work through it!
Rachel Dawn Owens
Looks really nice! I like the subtlety of the value changes. I made a couple of adjustments to ground the figure to the environment more. I think that dark area of the chair draws too much attention, so I made it a bit lighter. Overall, this is a nice drawing. Keep it up!
Kalp Bhavsar
Done with a mouse so already working with one hand tied behind my back. still would appreciate any and all thoughts...
Le Parisien
Difficult exercise. I'll do better next time.
Kalp Bhavsar
Kalp Bhavsar
Chose my own reference and was working with a mouse did my best... Feedback??
Martha Muniz
Good value blocking! I do notice that your light half-tones tend to lean a bit darker, so brightening the area of light would help capture the setting and also bring in more value contrast to your painting.
Jonnathan Avelino
Really fun and interesting exercise, it helped me to make conscious decisions about what I could highlight with contrasts, and the small details that didn't need to be detailed.
Joseph Cicero
Here is my attempt at grayscale painting. I used a Gouache brush in Clip Studio for everything (except the for the line art). This one took quite a while for me to render, probably about 7 hours over 3 days, but I'm pretty happy with it. I've been spending a lot of time experimenting with brushes and blending. I plan on rendering this same image a couple more times with different brushes to see how they work. Critiques are always welcome!
Vincent Yu
5mo
I think the range of grayscale in my drawing is too narrow? Keep practicing~
Melanie Scearce
I agree, You can definitely go darker with your values. Especially compared to the dark background, the figure looks a bit washed out. Good luck!
Kassjan Smyczek
Wanted to nail it and I wasnt happy with the first result. My opinion was that it already has to feel vivid after the figure drawing phase. So I did it again. I think the second version already is better. But the oil brushes really make it hard to control the strokes. Lastly to keep control of the middletones is challenging! And greyscale should already make it simpler. I will continue doing my best. And I don't know why, but my pen rotation doesn't do anything. So I had to adjust pen rotation manually - which was time consuming. Going to google that one....
Kassjan Smyczek
And this is my third attempt. Foudn out that my pen doesn't do rotation - so I put it on the turning wheel of my display. I think it got better, but I am still thinking too complicated and am losing myself in details.
Jesper Axelsson
Hi @Kassjan Smyczek, nice painting! Yes I agree that the second attempt is an improvement! I've been taught that a figure drawing needs proportion, balance and rhythm. It needs all three. Part of the improvement in the second attempt, was made by improving the proportion; by raising the navel, the relationship of legs and torso got more realistic. I did a paintover were I went through your drawing and pointed out how you can improve it by improving the aspects proportion, balance and rhythm. It might be beneficial to work on the drawing in steps, to make sure that you get proportion, balance and rhythm. I did a paintover showing that in this reply https://www.proko.com/s/2WFA I hope this helps :) Let me know if you have any questions!
@arthurln
6mo
Really hard but that's the point I guess. What was the average time this needed ? I know it's not that important but I am struggling knowing when to move forward from sketch, to block in, to rendering. Also should it have been done in one layer ? Last annoying question : what was the brush Jon Neimeister was using ? Was it in the brushes downloadable and I just didn't find it ? I quite wanted to test it.
Anska
6mo
Here is mine, I feel it maybe ended up being a bit too dark overall.
Patrick Bosworth
Hey @Anska there are a lot of good things happening in this, but I think your self-critique is on point, it feels like someone turned the lights off! Take a look at this shading video from Dorien Iten, I think it will help! Keep up the good work! https://www.proko.com/lesson/mind-blowing-realistic-shading-tricks/assignments
Simran
6mo
Martha Muniz
Nice rendering, and great job getting down the essence of the portrait. I would just recommend brightening up the area of his face that falls into the light, as not only does it add clarity, but it reinforces the composition of lights vs shadow from the original image. It helps to squint at an image to notice the shapes of light vs dark, as these are key guides when approaching a painting. Keeping the same strength and direction of light on his face also supports the believability of the lighting set-up, as it falls from above and hits his surrounding costume in the same manner. Hope this helps! :)
@barfu
6mo
I am extremely frustrated and confused. Is this really the first assignment for this course, or am I missing a few sections of instructions? I feel like I haven't been given any instruction. The first section was like learning what numbers are, and this is like asking me to do precalculus. I don't even know where to start.
Turtle
9mo
This was a great test and moving forward I'm going to focus more on shapes and blending. I tend to get so focused on details first. Hopefully by the end Ill be more balanced.
Rachel Dawn Owens
”Simple to complex”, or “Big to small”. Is a good mantra to have in your head when working. I like how you painted the lighting around the head. Good work!
Rhubarb
9mo
A couple of attempts. It was also interesting to follow along with the underpainting technique for ref #2, but I struggled with that one since I was testing out new brushes and it ended up a mess, so not including that here, lol.
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