Finishing a Complex Painting

Lesson by

Morgan Weistling

inPortrait Painting in Oil Without a Brain

141

Assignments 10

Downloads 1

Finishing a Complex Painting

Lesson by

Morgan Weistling

in Portrait Painting in Oil Without a Brain

141

Assignments 10

Downloads 1

There is no assignment for this lesson other than to post your progress here.

Again, this is a complex version of the painting process outlined in the first demo. If you're starting here, you're making a mistake. Please go back and watch through the previous lesson before starting here.

The goal of this section is to show a workflow closer to how I actually paint. I'm still using all of the same concept covered in the course, just at a more advanced level.

Keep practicing, and you'll get there!

@szokebarnabas

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14d

Finishing a Complex Painting I have to finish this painting. I have to go to work. I will not be able to paint for a week, and the paint will probably be dry by then. Maybe next time I will put some clove oil in it. The things I still see wrong with the drawing are that the eyebrows are too thick and a bit high, and her left eye is too wide open. The shape of the nose is not quite right, and I need to move the whole mouth area down a bit, because the philtrum is too short, and the ear is too big. As for the value, I see that the eyebrows are too dark and the value at the top of the nose could be a little lighter. I can't tell you how much your course and feedback helped me to improve. Thank you, sir, I really appreciate how you set an example for us to follow.

Morgan Weistling

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13d

you are going to succeed. Great analysis. You know what you need to do. Great job!

tina boroviak

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19d

I’ll continue to work on this, but would appreciate some feedback at this stage. Children are quite a challenge with so many soft edges.

Morgan Weistling

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15d

everything is there to make this reach the next level. You just need to take a photo of it with your phone and then convert to black and white. Then look at the reference and treat it like a charcoal drawing and correct the drawing in color. Your brush needs to be thought of as a charcoal pencil and it's just about getting the drawing more accurate. All the paint on the canvas is fine. Just needs more accuracy.

@stewedveg

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21d

Wow that was tricky! One thing I notice when I look at your painting is the difference in brush stroke the 'calligraphy'. What's your thought process to your wonderful mark making?

Morgan Weistling

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21d

Good! you need a little more accuracy on the drawing but you are in the ballpark. as for calligraphy of the brush, it requires taking beat between each stroke, stop, observe with a squint, see the path in your mind of what you going to place on the canvas, and make the stroke with as little fuss as possible. Each time. Use enough paint. Fall in love with a more choppy look. It's easy to blend. Anyone can do that.