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comments 16
Okay, I think I’ve got the method down and it’s time move on to the features, how they sit on the face, refining proportions and perspective as I go along. Tested myself from imagination a bit (though they’re much wonkier than the couple referenced ones for now). One really cool thing about this system is that when trying Asaro heads (or anything referenced) they’re no longer proportionally wildly off like before, when I had to correct and correct.
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![Michael Hampton]()
In this critique, I’ll be going over some of the common issues like the jawline curving too much, feature placement, and keeping the jawline parallel to the head's tilt to avoid distortion.