Head Drawing and Construction
Introduction to the Skull and Abstraction
Head Construction and Invention
Perspective Forms of the Face and Features
Facial Features
Bonus Lessons
In this critique, I’ll be going over some of the common issues like the jawline curving too much, feature placement, and keeping the jawline parallel to the head's tilt to avoid distortion.
Newest
Darren Jeffrey
5mo
Cheers for the helpful suggestions and critique, I really appreciate the feedback and will definitely focus on pushing those curves.
@lucastoonz86
5mo
Thanks for the feed back. I will keep practicing my eyes and proportion's
@purpleart
5mo
Great feedback. Thank you.
@meeho
5mo
Thank you for feedback!
Amelia T.
5mo
Thank you for the critique, It's very helpful!
MSD
5mo
I have a question for Mr Hampton. When it comes to the proportional relationship of the features, divide in half between brow and chin to find nose. The hlalf again for sockets etc... How would this be effected in very deep perspective poses? Extreme tilts so far back or forward that features start to overlap?
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5mo
It's not. I find it to be just as useful in extreme poses.
@michaelkopa007
5mo
Thank you for the feedback, appreciate it
Martin Vrkljan
5mo
Thank you for the critique, and being picky about the subtleties - it really helps!
I'll definitely pay more attention not to elongate the sphere early on.
Course by Michael Hampton
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About instructor
Educator, painter, writer, and art historian. Author of Figure Drawing: Design and Invention.
