Head Drawing and Construction
Introduction to the Skull and Abstraction
Head Construction and Invention
Perspective Forms of the Face and Features
Facial Features
Bonus Lessons
In this critique, I’ll be going over some of the common issues like the jawline curving too much, feature placement, and keeping the jawline parallel to the head's tilt to avoid distortion.
Newest
@dbx
2d
I feel really confident on my 3/4's, profile and front view, but anything with Upward or Downward perspective and my composition falls apart due to not knowing where exactly to place my porportion markers
Darren Jeffrey
6mo
Cheers for the helpful suggestions and critique, I really appreciate the feedback and will definitely focus on pushing those curves.
@lucastoonz86
6mo
Thanks for the feed back. I will keep practicing my eyes and proportion's
@purpleart
6mo
Great feedback. Thank you.
@meeho
6mo
Thank you for feedback!
Amelia T.
6mo
Thank you for the critique, It's very helpful!
MSD
6mo
I have a question for Mr Hampton. When it comes to the proportional relationship of the features, divide in half between brow and chin to find nose. The hlalf again for sockets etc... How would this be effected in very deep perspective poses? Extreme tilts so far back or forward that features start to overlap?
•
6mo
It's not. I find it to be just as useful in extreme poses.
@michaelkopa007
6mo
Thank you for the feedback, appreciate it
Martin Vrkljan
6mo
Thank you for the critique, and being picky about the subtleties - it really helps!
I'll definitely pay more attention not to elongate the sphere early on.
Course by Michael Hampton
Give a gift
Give a gift card for art students to use on anything in the Proko store.
Or gift this course:
About instructor
Educator, painter, writer, and art historian. Author of Figure Drawing: Design and Invention.
