Anatomy Critiques – The Breasts
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Anatomy Critiques – The Breasts
courseAnatomy of the Human BodySelected 3 parts (371 lessons)
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assignments 15 submissions
Văn Hiếu Võ
Here's my breast submission.
LESSON NOTES

As we saw in the common mistakes of the breasts video, there are a lot of misconceptions about the female chest.

View the episodes on the breasts below if you need a refresher or want to do the assignment.

Common Mistakes of Drawing Breasts
How to Draw the Breasts - Form and Motion

For the full 48 minute critique session, check out the Premium Anatomy Course!

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ASSIGNMENTS
Jack
17h
Here's my submission, @Melanie Scearce (I hope you don't mind me @ing you, but you seem active here) My line quality has really been hindering my process and the presentation of my work. I have recently forayed into using the overhand grip and have really struggled to control the pencil. I cant escape making very heavy and/or flat lines and often feel like I am locked in to certain motions because I don't have the confidence in my hand. Any advice/practices for improving line quality? how can I free up my hand? (It might be worth noting that I'm drawing flat on a table so maybe I can improve on setup here). Any general critique is also very welcome. Thanks a lot.
Melanie Scearce
Hey Jack, absolutely, that's what I'm here for! These are great studies. As far as your anatomy goes, you're definitely on the right track and I don't have any notes for you there. João made some really good suggestions regarding exercises to get you used to the overhand grip, give those a try! It makes sense that you're experiencing some resistance. It takes a bit of time under pressure to adjust to the overhand grip, but when you get there, you open the door to so much variety in your line quality. I think variety is something that could help your lines in these drawings. Your lines are mostly uniform -- same thickness, same darkness. Something I like to do is get a scrap of paper and try to make as many different kinds of marks I can possibly think of. Some thin, some thick, light, dark, lines that transition from thin to thick to dark to light. Try to make marks you've never seen before! I also like to practice transitions, because when I'm drawing at brisk pace I want to have the muscle memory to be able to make the lines I want without having to stop and think too hard about them. Practicing gradients: gradually applying more pressure and then removing pressure, continuously along the same line. Practicing line thickness variations: experimenting with how much of the pencil comes in contact with it paper, from the side to the tip. Practicing both at the same time, etc. Line variation doesn't make a drawing, but I think it really helps liven it up and give it good rhythm. I have attached one of my drawings below to show how I like to use line variation. I hope this gives you some ideas!
João Bogo
13h
Hey Jack Let's talk about line quality first and then we'll talk about your assignment. First. I don't think you're doing that bad in the line quality department. It's not like professional level yet but think like this: you're learning another language, you may not be able to use all verbal structure but you're communicating with what you have. As long as you keep talking, studying you'll be fluent one day. About getting better there's a few exercises: _ Draw two points in a page. Try connecting them with one line. The farther the points are one from another the more effective this exercise is. _ Draw ellipses, CSI lines freehand. Ellipses are specially difficult to draw the lower the angle (the flatter the angles) but is good practice This is from my own conclusions practicing so take with a pinch of salt. I think that the grip doesn't matter that much but it's imperative that you use your elbow and your shoulder to draw. It's really difficult get good line quality in longer lines using just your wrist. Another thing you can do is make it a habit of drawing big. The bigger you draw the more often you'll use your elbow and shoulder and more often you'll practice good line quality. But with all things in life have patience. Good line quality doesn't happen over night and it take some suffering. It's the same for everyone. Believe me. About your assignment. I think you've done well. Apart from the line quality you're showing the form of the breast, proportion is there, I don't think the boobs are too high on the pecs. You're making a few mistakes in the gesture drawing but I think it's the type of thing that if you draw more you'll get better. So be patient, keep drawing and best regards
@gbae
2d
My submission
João Bogo
14h
Very good submission. The lines are clean, you're using line weight very effectively and even though you're not using cross contours the drawings seem tridimensional. I just have one thing to say that I think you can improve and it's something that I repeat a lot to people drawing breasts (probably because everyone has similar difficulties). Ok. Be aware of the distance where the boob starts and the clavicle. Sometimes I feel you're drawing the breast too high. In your case is very subtle but it's enough to give a feeling that something is not right. Remember that the fat gonna start to grow around the nipple so small to medium breast gonna have most of their volume in the bottom outer part of the pecs. Apart from that you're doing awesomely Keep drawing and best regards
Sebrighted
8mo
First pass and redos! Crit welcome as always Something about the first pose just really breaks my brain….lol
@jasonpl4
2yr
Really difficult task. Almost gave up on this assignment, but glad I finished. Any feedback is welcome
Rachel Dawn Owens
Very nice! The hardest part about drawing breasts can be just not overthinking it. Learning to make them look natural takes some practice. This is good. I think you got it.
@minniephan
Steve Lenze
Hey minniephan, Your drawings are pretty nice, your proportions and lines look good. I did have some notes on the breast part of the drawings, so I did some quick sketches to show you some things I hope will help :)
Auzul Vox
2yr
My breast assignments. I hope I can get some feedbacks or critiques.
@ehioe
2yr
Jesper Axelsson
Hi @ehioe, really nice drawings!! - The lines are really nice, but it would be great if you did one more, where you showed the forms more clearly. Comparing your drawings to the reference, I get the feeling that your drawings might be lacking some mass of the pecs, beneath the breasts. - Also while you're at it, try drawing one from imagination, this is a great way to test your knowledge. I hope this helps :)
Peter Tinkler
Ok, I've been chipping away at this exercise over a few sittings. It was good to draw the full torso and head with this, it made it easier having that context. I'm looking forward to covering the muscles of the armpit and that general area, as I'm still unsure of it.
Jesper Axelsson
Nice work! - I think you could bring more gesture and form into your work. Before adding details, you might want to start with a lay-in as simple as an animator's drawing, capturing the gesture and making sure the major volumes are in place (I'm currently working on this myself, which I think is why I noticed). - Study how the breast interlocks with the pectoralis muscle. It hooks behind (see eBook: The Breasts, page 1) Hope this helps :)
@wygdbb
3yr
mameko
4yr
Feels like I totally miss the point. Did 2 mins drawings. Didn't pay attention to the pecs.
Vince
4yr
Hello, In this post I am seeking two pieces of advice. Any critique for the quick sketches focusing on breasts is greatly appreciated. I have included two versions of five different poses from the unit. The first is my attempt prior to the video. The second is my attempt while following Stan. Secondly, I am wondering what the best process is for taking photos or scans of my drawings. I find my charcoal drawings are often too faint, so I cannot use a black&white option on a scanner. I also know Stan often discourages poor lighting but anytime I am taking a photo I struggle with a shadow of my hand or the camera. How do you share your traditional drawings and sketches cleanly on a digital platform? Any and all help is appreciated. Thanks, Vince
Steve Lenze
Hey Vince, I did a couple of sketches to show you how to think about the breast while drawing them. Just remember that they are 3 dimensional objects sitting on the 3 dimensional shape of the rib cage. You will see I used cross sections to show there mass, this is something you can do to help you think 3 dimensionally. Hope this helps :)
CHARLES DEIGHAN
Hi here's The Breast Assignment. Mine is on the left and Stan is on the right at a smaller size.
CHARLES DEIGHAN
Thanks!
Gabriel Benatar
Very nice gesture!
Văn Hiếu Võ
Here's my breast submission.
Bradwynn Jones
These look really good! The breast are drawn far enough from the clavicle for the pecs to show and that looks great. I like how they feel like apart of the round form of the rib cage and change shape according to the position of body and gravity. Great work!
Jason Winter
#proko Here is my attempt. Comments welcome.
Marco Sordi
2021/5/22. Good morning everybody. Here's the second part of my assignment for the breast. Have a good day.
Bradwynn Jones
good work. I would try to push the core shadows more on the breasts to show a soft form. Also think about making cast shadows harder edged the closer they are to the form casting the shadow.
Marco Sordi
2021/5/22. Good morning everybody. Here's the first part of my assignment for this section. Thanks for any critique, advice or suggestion.
Audrey Giovanni
Hello this is my assignment submission for breast, any input will be appreciated! :D
Jesper Axelsson
Hi Audrey!   Great job! I don´t have much to say about the breasts other than a quick note:   In #9 it doesn´t feel like her left breast sits on the ribcage. Usually a contour line represents the end of a form. The breast ends as it attaches to the ribcage, therefore it's wise to place the line where the breast intersects with the ribcage. In your drawing it´s a little high up.  It also helps to draw the contour in a way so that it looks wrapped around the ribcage.   FIGURE DRAWING The figure drawings themselves are good too, they have gesture and form. Though both gesture and form could be even better. I know Liandro pointed it out before, but I want to point it out again, because your drawings and anatomy studies have so many great qualities that I´d like to see come into full bloom :) I think the key to make that happen is to, on the side as you continue with the anatomy course, revisit parts of the figure drawing course. If you´re up to it, would you mind doing a few gesture quick sketches, as assigned in this lesson? https://prokolab.com/course-lesson/how-to-draw-gesture/notes Then tag me as you post them and I´ll take a look at them. Hope this helps and I´m looking forward to help you reach even greater heights :)
Ash Chung
6yr
Hello, any comments would be much appreciated.
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