a simple one-point bedroom

Another problem with one-point perspective is that the vanishing point must always be at the center of your field of vision, because it's physically impossible otherwise. Any photo where the vanishing point is not at the exact center was likely cropped. Of course you can still choose to frame your drawing however you like, kinda like cropping a photo to place the vanishing point wherever you like to get a more desirable composition.

The overhand grip was soooo taxing to do, and so difficult to be precise with.

The girl was so much more difficult to draw because her face doesn't have as many sharp angles and straight lines, and I also drew her bigger. Not brave enough to draw her hair. I found the nose hardest to get right because in both drawings I got it wrong. I think because it kind of "floats" in the middle of the face. I had to double-check once with the guy's nose and twice with the girl's in Photoshop to figure out what went wrong.

This was loads of fun. Basically a character design brainstorm session.

The biggest takeaway for me from this exercise is how often artists use broken edges, and intuitive hatching. Credit goes to Shirahama Kamome, Dave Malan and Giovanni Civardi.

I thought to use a tablet but mine's a small model so I just drew the whole thing on larger paper instead.

Samurai Cat!

That was a lot of fun. Gotta love raccoons. I draw a blank when it came to a good concept for the final sketch (first image on the left). I think it could have a much stronger personality.

I couldn't help but lightly "ghost" some underdrawing lines first. They really helped me find a reasonable proportion and feature placement without measuring.