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Rynhardt van Vuuren
I headed off after this video and found my set of animals to try out. Chicken - I could easily identify the shapes and manipulate them to create different characters that felt different. Hippo - I enjoyed the shapes around this, squaring off around the jaw or snout, or rounding off the eyes. But I struggled to get to sharper more serious or thin form. Buffalo - I had good fun with this and could produce various shaped. I specially enjoyed creating the longer shape from the buffalo. Raccoon and Moose. This is where I started to struggle a lot, The raccoon feeling stuck in this diamond shape and triangles. I felt I couldn't add well enough to it without loosing the look of the animal. Wolver - Here I could create somewhat of a squared off stronger look and then the more angular and rounded faces. Even though still quite tough to approach. The BEAR - By far my favourite animal and left to last. I loved recreating and forming these images, felt like a real gran-pappy bear and I wanted loose looking skin and big bushy eyebrows. All in all, I constantly tried to focus on creation various shapes in each different image. Still some ways to go, fingers crossed it will sink in more once I watch the demo and self evaluate my drawings here.
Melanie Scearce
You've done some really great explorations here @Rynhardt van Vuuren. I especially like the bear! I think in terms of this exercise, you should try to use more closed shapes like you did with the buffalo and the chicken, but I enjoy your creativity in that set of images. Keep up the enthusiasm!!
Rynhardt van Vuuren
I did my line master study on a piece drawn by Josh Tallman in the Book of Adria: A Diablo Bestiary. This is Mephisto, one of the three prime evils of the burning hells. I chose to focus on the head. It took me a while to get the hang of it and start to see how the artist was using their lines, line weight and line values. The more time I took on it I saw more of the depth being created by the artist. It was a long process of shaping the image and then finding the form of it. My main focus of it was to create depth around the horns and face. I also wanted to display some light from the top of the horns and display shadow on the lower ends of the shapes. Overall the image was very messy but I felt I got to a place where I started understanding lines in a more intuitive way. Thank you Stan!
Rachel Dawn Owens
Really cool study!
Rynhardt van Vuuren
I completed mine digitally, First did the trace then focused on the important shapes, then the direction of light.
Rynhardt van Vuuren
I really enjoyed doing the boots, I did it some time ago and only did the snail today. I sometimes wonder if I need to keep in mind the form I want or visualise the shape. I am focusing on slowing down and visualising where my line needs to go, watching the destination, It's still quite tricky. I keep coming back to "Simplify simplify"
Rynhardt van Vuuren
Hello, beginner here. My first pear I drew some months ago on the free lessons from YouTube, and last week I decided to purchase the course and go over the basics properly. So here is my pear from the beginning of the year and redone pears in CS Paint, completed today. I realised my first time drawing the pear I hadn't adhered to using straight lines nor making edges, I assume of values, sharp. I enjoyed this exercise and could start seeing the smaller shapes and have been able to reflect back on what I did. Feels good! I am open to and welcome any input ^_^.
Martha Muniz
Beautiful improvement! Don't be afraid to push the darkness of values on the pear itself -- sometimes shadow areas can go all the way to Value 2 and even 1 (darkest to lightest). I also think you did a great job simplifying and creating sharp edges, and while it's great that you are training your eye to see the difference in value at a smaller scale, try keeping to the larger shape simplification like in the bottom left two pear drawings. Starting out with larger shapes first is great practice for the overall art process -- blocking in with large shapes and only afterwards breaking it down to small details. Hope this helps, and welcome to the course! :)
Nokk Wombat
My two attempts. I did two since I got frustrated with my inability to shade within lines, practiced that and came back to try again.
Rynhardt van Vuuren
I found accepting our failures and frustration is paramount on our Artistic Journey (any journey for that matter) You are doing great, keep going even if you think there are mistakes. Well done. ^_^
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