Practice: Value Scale
Practice: Value Scale
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43:58

The Shading Course

Module 3 - How to Control Values

Practice: Value Scale

35

Practice: Value Scale

35

Instructions

Consider all the drawings you are going to make in the future. Values are essential for most, if not all, of them. By completing a Value Scale, you develop confidence and skill, which is not only going to save you countless hours of work but also improve your drawings.

Materials

  • A soft pencil for dark tones. I like a 2B. If you want to go darker, you can use a 3B or 4B. But be mindful that softer pencils produce more sheen. To avoid this, you might try a Staedtler Mars Lumograph pencil or a Faber Castell Pitt Graphite Matt.
  • A hard pencil for light tones. I like a 2H. If you only have an HB or H, they will work as well.
  • A kneadable eraser and/or a mechanical eraser. 
  • A ruler. You can also use the edge of a book.
  • A piece of paper. You need a proper drawing paper, around 160 gsm (98 lb). Canson Mi-Teintes, Fabriano Roma, or Arches work well.

Duration

This project should take 2–9 hours to complete. The time depends a lot on your experience level with your medium. Do not rush through the value gradient and value scale assignments. If you are pressed for time, do a 5-step scale instead of a 9-step scale.

Things to keep in mind

  • If you work carefully, and with clean hands, you will finish much quicker than if you try to rush.
  • Keep the tones very smooth (free of texture/noise) so you can see the value identity of each step.
  • Keep the tonal contrast between all steps evenly distributed.
  • This will take time. Expect to invest at least 2 hours, maybe up to 6 or 9 hours. Really push the level of finish on this drawing.

Steps

1) Draw the scale

Use light lines. Make 9 steps. If this is your very first Value Scale, you can do one with 5 steps.

2) Begin with the extremes

The most common mistake I see is students trying to make a Value Scale “from left to right”.You will get much better results by starting with the extremes of the spectrum: 1 and 9.Go as dark as your pencil allows on 1 and leave 9 empty (just the paper).

3) Find the center

Add the missing tone in the middle: 5. It won’t be perfect, but get as close as you can. Keep the tone even!

4) Find the center again

Add the missing tones in the middle: 3 and 7. Adjust 5 if you need to.

5) Add the final tones

Add 2, 4, 6, 8 to complete the scale.

6) Rebalance

Finish the scale by evening it out where necessary. A very effective strategy is to identify the biggest “jump” between two tones. Here that was between 6 and 7. I darkened 7 slightly, lightened 4 a bit, and made 5 more even. Done!



Common Mistakes

1) Noise

❌ Do not rush and create a messy tone. In a noisy drawing, you won’t be able to tell what value each swatch is.✅ Do create smooth tones.

2) Outlines

❌ Do not draw dark or thick outlines between each value step.✅ Do draw a subtle outline around the contour of the scale. This helps separate the light tones from the paper.

3) Blurred Boundaries

❌ Do not create soft edges or blurry transitions between value steps.✅ Do create razor-sharp transitions. This is one of the main points of this exercise. If you cannot make two tones meet with a sharp edge on a value scale, you won’t be able to do it in a representational drawing. For example, around the eyes in a portrait. Again, you’ll need sharp pencils for this.

Good Examples

Newest
@tonyhcf
1mo
Naomi
6mo
Im absolutely disproportionately proud of this 😂😂😂
@maletu
8mo
Here are 3 scales in oil paints--the bottom one is from a mixed chromatic black, the first two are with ivory black. With each one, I thought "Oh, that's fine." but with each NEXT one, the value changes became more even--mostly, expansion in the upper-mid value range. (Please excuse tiny dots at bottom of rectangles, they were from testing the next scale's values.)
@rfrimpong3
@maletu
9mo
Some photoshop experiments—not because I'm most comfortable with Pshop, but because I am learning. (Also traveling, some other media coming soon...)
Vin
10mo
hmm, not easy, the gradientionin my value scale looks not good...
Kyle Adam
1yr
This assignment kicked my butt lol. This is an exercise that I see myself repeating many times.
Derek Adams
Samuel Sanjaya
2b and 2h value scale. any feedbacks will be greatly appreciated.
Martha Muniz
Hi there! You've got a nice consistency between steps, which is rather difficult, so good job! I would say it's rather on the light side, so I think it would benefit from darkening overall. You can start with the darkest value and layering with the 2B until it's as close to black as possible, then using that as a reference to darken the rest of the steps evenly between 1 and 9. I think bringing in this more expanded range of value will create greater divides between each value step, so it won't be necessary to have outlines between the lightest values. Also, when adjusting, careful around steps 6-7, as this seems to be steering towards a higher jump in value than the rest of the steps. Good luck :)
Sita Rabeling
Graphite 2B and 2H.
@cindygs
2yr
Graphite 2B/2H
Romain Decotte
Here’s my value scale done with 2B/2H graphite pencils.
Karlo H.
2yr
Graphite: 2B and 2H
Tess Enarsson
I did the two first in 4B to 2H, on the one the muddle I jused a 2B in nr 4 or 5 because my 4B ended. I think probably nr 4 has to me a little darker. The third one I did in charcoal, much challenging.
Kwame Alexander
4B and 2H. Took just under an hour. Lots of adjusting!
Bradley Forbush
Here's my value gradient and value scale assignment. Fabriano paper, 2B & 2H pencils. I found the values 3, 4, & 5 the most challenging to discern, overall. I adjusted the image by de-saturating it in photoshop. I'm enjoying all these exercises.
Chris Bodary
Value scales. Graphite pencils 2H and 2B. Oil paint titanium white and ivory black
@ivat
2yr
Sharntel Davey
Chris Bodary
👍🏼👍🏼
@flugmodus1
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Former program director at Barcelona Academy of Art. Passionate about teaching craft and exploring the inner game of art.
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