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Tess Enarsson
Tess Enarsson
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Tess Enarsson
Tess Enarsson
I did the two first in 4B to 2H, on the one the muddle I jused a 2B in nr 4 or 5 because my 4B ended. I think probably nr 4 has to me a little darker. The third one I did in charcoal, much challenging.
Tess Enarsson
Here is two of three. What about the side of the cylinder? AO or not, and if, where and why?
Tess Enarsson
I have now seen the instructions and made my best of it. Took a peek at the final correct monkey-shart. Questions: I wonder what kind of dark shading is it in the eyes, under the eyelid? Is the penumpra always only located to the cast shadow on the surface/like utside the figure?
Tess Enarsson
Fun but also challenging. May find it difficult to decide where to draw the line. Question: is it an estimate or more definitive? Or to put it this way - how many level differences of shadow can be accommodated within the boundary? In my opinion, I prefer to mark only the darkest parts that are almost completely dark. How should I think? The pictures may not match exactly where I stood/sat. If someone can answer me I would be grateful! Thanks!
Suvi Järvinen
There are lighter parts in the shadow area where there's reflective light, but it's still in the shadow - i.e., the light source does not directly cast light on it. This whole shadow area is what we're looking for here :)
Val Vlahovic
These were really fun! The garlic one was done on tracing paper over my original sketch, which I accidentally ruined with some spilled tea. I did not stop to establish proportions on any of these because I was hubristic and impatient, and some pretty egregious proportional errors resulted, especially on the skull. Oh, well. Critique would be greatly appreciated and is badly needed, as I don't feel confident that I understand what I'm doing.
Tess Enarsson
Hi Val, I think this is looking really good! Nice cuts of the terminator edge.
Tess Enarsson
Hi everyone! Starting up now at Proko for the first time! Feels so good to develope my skills with this courses. Looking forward to!
Alexis Riviere
To me, this course has always been about drawing the body from imagination, in the end. So I tried drawing 'muscleman' on paper quickly, without looking at any reference. It's not quite visible, but there are construction lines showing the skeleton underneath. I added the muscles on top of that. I'm sure there are mistakes everywhere (I'm especially not convinced of the shoulders and crotch section) but I'm happy to be able to do this after rushing through this course so quickly and only once. I'm sure to review all the lessons one more in a second pass to fix what I didn't get at first, and hopefully, it will allow me to grow one step further. Anyway, I have to say : this course was wild. It's a huge, awesome work that deserves to be applauded, and I certainly don't regret the money and time I spent on this. Big thanks to everyone involved.
Tess Enarsson
I agree with the guys before my comment1 Great job! Looking forward to the course!
Tess Enarsson
So simple but in the same time hard to know how the shadows are falling and if the terminator always follows the widest edge. ?
Tess Enarsson
Trying differens background and indirect light aside.
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