Dark Values
Dark Values
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25:55

Portrait Painting in Oil Without a Brain

Separating Lights and Shadows

Step one of the painting process, separating shadows from light. 

Please follow along with me and post your progress here. 

Reference provided in "Grid Drawing" lesson in the course.

Newest
Christopher Georg
Hello, here’s my take. I almost finished the painting but i will upload my process steps here. Thanks Morgan for this great class, I was excited every morning to do the next lesson!
Morgan Weistling
a good start
@andreat
26d
I used a combo of the average shadow and the darkest dark. Does this look ok? Thank you and Merry Christmas!!
Morgan Weistling
yes,. good shapes.
Rachel Lee
27d
coming to this course from more of a figure background where faces scare me! This is an excellent course and feeling way better about approaching portraiture.
Morgan Weistling
you have a good start.
Debra Rank
28d
Resubmitting to the correct spot. (I guess).
Morgan Weistling
good start.
Leon Calvert
This is literally the first time I have ever touched oils and I may have touched acrylics once in the passed. Quite daunting at first, but enjoying the process. i may have made my shadow tone a little lighter than I would of liked. I added a little ivory black as I was going for the hair. Hope that’s ok? Intuitive as I was going. shapes, squint, average, simple runs through my head. thanks
Morgan Weistling
excellent so far!
@peterh111
1mo
Started blocking it in with the saturated average shadow colour, but then decided to go with the desaturated average shadow colour so I can use more saturated tones in the light side. Darker accent mix used for the the inner ear, under nose and jaw.
Morgan Weistling
love your drawing and patterns so far. Keep it up.
@jjlehmann
1mo
I had lots of trouble trying to separate the shadows inside the ear the way you did, but otherwise I think it went okay.
Morgan Weistling
the ear is not important since it's in the shadow. This is real good.
Susan Pennington
Ethan with the darks applied; I already know I messed up the ear and will have to redo it...both from a shape perspective as well as using the correct dark value in the deeper shadows. I might have some drawing. areas in the shirt area as well. Why don't you use the average shadow color on the mustache area? BTW, I admire the fact that your clothes have no oil paint on them....a bit tricky keeping my work area and myself clean LOL
Morgan Weistling
As you will continue to watch the other demos, you will see I get more of the paint on my face than my clothes
Susan Pennington
I should also mention that I'm not quite use to how thick the paint needs to be..and how far it can go without using it up, so I have some places where its a bit transparent which I assume can be corrected in subsequent layers.
@charliewoodley
Hard to get a good photo of the colours, weird lighting. I hope this is alright, my study is in gouache.
Morgan Weistling
looks good so far. you have more work since you are not using oils. Hope it goes well.
Michèle Girard
I think I did it wrong, I used my average shadow mixture but it seems to be a lot warmer than your example. Do I have to cool it down? Make it darker?
Morgan Weistling
I don;t see the problem. I think the average is correct in warmth.
@szokebarnabas
Dark Values
Morgan Weistling
excellent
Florian Villoing
Given my little experience with oil pain I’m pretty happy with how it looks so far. Let’s keep pushing play!
@rdj8564
1mo
My grid reference is just a little bit darker than yours. It does look pretty good though when I squint at the darks that I’ve painted.
Morgan Weistling
His right eye is out of drawing. Give it a little more observation. When you put in darks it’s a time to get it even more accurate. Take your time
Yuli Levy
2mo
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Award winning fine artist represented by @legacygalleryart in Scottsdale AZ
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