Activity Feed
Michèle Girard
I can only work on this on weekends so it is taking me a while. It's very challenging. The face is coming along but the shirt looks very messy, I scraped off the background because I didn't like what I did. I can't get the color of the blue/green ribbons for the medals unless I add the cobalt blue to my palette? I can see a spot on the neck that I need to fix. By now all the mixes are dried in the little cups so I will have to mix everything again. Any pointers for next weekend's session?
Rachel Dawn Owens
Wow! This is beautiful!!
Michèle Girard
It's a bit off, I will look at it with fresh eyes.
Rachel Dawn Owens
Lovely
Michèle Girard
Forgot to post the stages, wonderful class. Thank you.
Rachel Dawn Owens
I love seeing the process!
Michèle Girard
Learning to work with oils, especially the brushwork and how to handle the multiple brushes has been a big challenge. I do enjoy mixing the colors. This is my first oil portrait. It's not really painterly, I am struggling to make little brushmarks and leaving the marks alone. I'm really enjoying the class and learning a lot.
Morgan Weistling
I think you are doing really great. You should feel very proud that this is your first oil.
Michèle Girard
That's where I am right now. I have to do it in stages over many days. My problem is that part of it is dry, and part of it is sticky. Some parts look dull, while others are shiny. I have no experience with oils. Is that normal and if not, what can I do about it? Thanks for your guidance.
Michèle Girard
Asked for help
I think I did it wrong, I used my average shadow mixture but it seems to be a lot warmer than your example. Do I have to cool it down? Make it darker?
Morgan Weistling
I don;t see the problem. I think the average is correct in warmth.
Michèle Girard
Asked for help
I have no idea if that is ok or not. Is there a way to position my glass palette so I don't have reflection in it, I have a hard time seeing the values on my palette because it reflects everything. I tried slanting it but that didn't help much.
Morgan Weistling
you got it rigft.
Michèle Girard
This class is quite amazing and I never expected feedback from you Morgan. I do really appreciate the time and effort you put in to make newbies like me new portrait painters. I am so intimidated by oil paint but I feel this course is what I need to tame the beast. This is my drawing without a grid. I used plum lines and angles and my proportional divider to compare measurements. It turned out quite different from my gridded drawing. It's much easier with the grid, but I enjoy challenging myself. I find that I can't visualize the shapes without filling them with tone. Is there anything out of whack I need to fix before putting a fixative on it?
Morgan Weistling
nothing out of whack. It's a good placement. and your statement"I find that I can't visualize the shapes without filling them with tone." is true to us all who see the light as means to find our away around the complexities painting from observation. As you go forward, please make sure to establish the shadow pattern along the check to the chin and into the hair mass. SQUINT. it's your best friend.
Michèle Girard
What a great exercise. I found out that I have trouble keeping things leveled and evaluating size. I used lines to mark the main direction changes on the vase and turned the sheet sideways and upside down to help me draw the curves. I used a grid plus a proportional divider to keep me honest with shape size for the head exercise. I had trouble with the different shapes in the hair and the ear.
Morgan Weistling
Another great job! I am impressed.
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