Head Drawing and Construction
Introduction to the Skull and Abstraction
Head Construction and Invention
Perspective Forms of the Face and Features
Facial Features
Bonus Lessons
In this final critique, Michael gives feedback on your facial features project submissions, focusing on feature placement, perspective, and form.
Newest
@marije
2mo
maybe a stupid question but I don't really know how to start with the ball. Is it under the ears? under the nose? or under the cheekbones? I just can't figure it out. Can anyone help me
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2mo
Hey Marije! Starting with the ball is Step 1 in this process. I would re-watch "4 Steps to Draw the Head from Any Angle" earlier on in this course. The "ball" is the cranial mass.
@lightsdesu
2mo
Thank you, Michael Hampton! I was excited when proko announced your classes about construction. Im enthralled with your style ever since I picked up your book 4 years ago. There is a lot of beauty to the construction, and learning your process while hearing your mindset was highly beneficial! thank you for your time, Ill implement your feedback!
@joshhrnnd
2mo
Unfortunately, I missed the deadline to submit my work for critique, but hopefully I can get some feedback still? Thank you so much Mr. Hampton for these detailed courses! They are one of the best head drawing lessons I've seen on this site. Looking forward to more courses you'll hopefully be teaching in the future!
Amelia T.
2mo
Hey @Michael Hampton! Thank you so much for this course! I have a question regarding likeness and I'd really appreciate your input on it:
When trying to "transfer" likeness, as in, studying a face but then trying to redraw that same model's face in a new pose, what are the most critical things to pay attention to? Obviously it's best to keep in mind everything but, are there specific areas or proportions that make or break likeness?
•
2mo
Hard question. I would pay attention to the overall shape of the face/jawline and then focus on the spacing between the eyes (distance) as well as more specific distance measurements between the features. What your describing is actually not a practice I've ever done so take this with a grain of salt. Sorry to not be more helpful.
Nicholas P
2mo
Congrats to those who have finished the course. Can't wait to finish it myself once I complete my university assessments.
Jane Monroe
2mo
same
@lucastoonz86
2mo
This was great! Especially that first demonstration, that pose was tough to figure out
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Lesson by Michael Hampton
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About instructor
Educator, painter, writer, and art historian. Author of Figure Drawing: Design and Invention.
