Head Drawing and Construction
Introduction to the Skull and Abstraction
Head Construction and Invention
Perspective Forms of the Face and Features
Facial Features
Bonus Lessons
Congrats on completing the head construction course! This was a tough one, so be kind to yourself and celebrate your progress. Remember, developing these skills takes time and practice. Consider diving deeper into anatomy, exploring different head construction methods, or experimenting with light and shadow to enhance your understanding of tone and structure. Best of luck!
Newest
Tim Rodis
23h
Thank you so much for sharing your experience and wisdom in this. It has helped me tremendously.
S Klein
2mo
Thank you very much, also for those encouraging words.
Melanie
2mo
Thank you very much Michael! I love how you've structured the course and explained the individual steps, the course is very enriching!
John Daniels
2mo
Thanks @Michael Hampton! After going around in circles with Portrait drawings for the last couple of year I think your course finally click enough for me not to just learn a rote process, but to actually start developing my own process. I'm sure there are many who feel the same way, so thank you for that!
My only parting questions is about the final step is any drawing process, a finished piece. While you give guidance on where to take this from a next step, I assume most of us are taking course like this to create better final pieces. Is it your opinion that after, say, we put down shading, that now a piece would be in final Rendering and Detailing phase? If that is the case, is it just a matter of final steps are fairly universal and\or medium specific (graphite, oil, digital, etc...) so mentioning them here is beyond the scope?
Before year's I'm going to start trying to actually do monthly completed pieces in Graphite and I'm kind of look at how to bridge the last part of this process with a final product, so all advice is welcome.
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2mo
Sure. For me, the basis of a rendering or finished piece, is the development of light vs. shadow shapes (graphic pattern). This course attempts to describe all of the potential surface variation that would produce that light vs. shadow read. For this reason, the course ends with the design of light and dark as shape/edges on top of the construction. Though every artist might proceed differently from here, my next step(s) would then be to continue adding halftones and smaller details. At no point though does a rendering ever depart from describing form as any rendering or detailing is the progressive explanation of smaller and smaller surface variations.
This would be the underlying theory for the course and next steps. What would probably be useful for you now is to find a portrait artist you like and study/copy their "finish" with the above in mind or test out one of the portrait courses through Proko.
Hope some of this is helpful.
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Course by Morgan Weistling
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About instructor
Educator, painter, writer, and art historian. Author of Figure Drawing: Design and Invention.
