What You Need to Know About Blending Modes
What You Need to Know About Blending Modes
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Digital Painting Fundamentals

Digital Painting Fundamentals(61 Lessons )
Blending Modes

What You Need to Know About Blending Modes

718
Course In Progress

What You Need to Know About Blending Modes

718
Course In Progress

Try experimenting with some of the blending modes I showed you in this lesson and see what they can do!

 You could colorize a grayscale painting from the previous assignment, or start a new painting and use blending modes to speed up your process. This is a good time to experiment and get a feel for the blending modes that work best for you.

Newest
Julie Bille
First try playing around colorising with blending modes in Procreate
Karen Walter
I had some bad luck with this one. I had one idea of what i wanted to do but it wasnt coming together so I scrapped that. which was about a weeks worth work. Then i switched to a different idea since i thought i could do better with it, which is what i posted. But after working on it for a almost a month the file got corrupted when I got a random power surge. So I had to completely restart. so another few weeks worth of work I got it done finally. I know there are issues with it but I think its time to move on and work on the other assignments before i fall too behind. Maybe I'll come back to it and fix it up. But I did get plenty of time to play around with layer modes :p
@myccal
2yr
So this is my second piece for the assignment. This is a spell caster image I created for the assignment. I worked in layers and used the different blending modes for the highlights, shadows, magic, etc… I love how quickly you can change colors and tweak things when the layers all work together. I used the hue and saturation on the color layers and pretty quickly came up with a few different looks.
Ale Miranda
Here's my attempt at the assignment! I used a grayscale study that I had done before as a base to work with.
@myccal
2yr
I’m working in procreate so some things are slightly different. Some of the names are changed, but the concepts are the same. I decided to try coloring one of my grayscale paintings using multiple layers and different blending modes. This is a screenshot of some of the layers. I need to get better at labeling and organizing as I go. But this is cool stuff.
Tsotne Shonia
This assignment popped up while I was working on a painting trying to sum up everything I learned about art in the past 3 years, so I decided to "merge" both. I did a new painting in greyscale, and using blending modes to color it. I also used blending modes for painting, adjustments, adding a few textures and the effects on the blade. - Textures were added (on the bridge and trees) using overlay - Colors were added with gradient maps with the color blending mode - The effects on the blade were added using the technique Jon showed with Linear Dodge (layer + brush in the mode) - Some details were added using either overlay, multiply or screen (mostly where they had to be used on top of something that had already some shading) This took me 4 weeks and was draining but I'm proud of the result. Altough a lot of the time was "lost" on trying to understand the details of the character, Sekiro. (a lot of small details overlap each other). I also learned a lot by making "bad" decisions during the process and understanding their consequences, which I hope will speed me up for the next paintings. I am posting the finished painting, the "refined" sketch, and the WIP right before I started coloring.
Tsotne Shonia
I wanted to also include the reference that I used for the pose and lighting so here it is. It is an amazing photo from Sachith Ravishka Kodikara, found on Pexels. I also used a lot more references for the design of the character (and centipede and bridge) to stay accurate, but I don't think it's relevent to post them and don't even know if I have the rights to do it anyways. Should anyone want to check it out, it's (as I mentioned) Sekiro.
Holly Laing
Here’s what I came up with for my blending modes assignment. I had to paint a futuristic bar scene for a comic page I’m working on, so I figured it would be a good opportunity to test out some of the techniques from the lesson. I tried to use the same blending modes as the assignment demo in a similar order. (multiply, overlay, lighten, screen and linear dodge). I also used a metal texture (set to color dodge) to highlight the bar counter which will be the focal point of the panel once the characters/objects are added in.  Im still having a bit of a hard time with my painting looking a bit too digital vs more painterly, but I found that the lighten and screen modes really helped give the image more depth and realism. Thank you for another great lesson! :)
Nicole Drews
I've been doing Still Life studies of random things on my desk in-between assignments so this is one I was working on when this assignment came out. I ended up just setting my brush to Saturation mode for the chapstick after painting it cause it was looking kinda muddy due to it being too desaturated. And I also set my brush to Colour mode at the end of the painting for the hand sanny to add some yellow for the light-source that was hitting it For the actual attempt I ended up colourising my Greyscale Layers Assignment of the Shaman, or whatever you wanna call it. I grouped my greyscale painting layers and then made another group above that using layers set to Overlay to colour it. I ended up not liking this technique, it didn't feel very intuitive and was kinda messy so I'm gonna try doing it a different way next. I do like the method of going from greyscale to colour though since I'm using to pencil drawings and have very little experience with colour. I just need to find a way to make it look less like a colourised greyscale painting though
Nicole Drews
Alright, here's technique #2. This method went a lot smoother, I just duplicated the greyscale painting group with all it's layers and set my brush mode to 'Colour' and locked the transparency for each layer which made it a lot easier and quicker, and then I just painted normally to add a few more details once the colours were established I'll try out some of the more complicated blending modes in future paintings. For now I just kept it simple so I wouldn't get overwhelmed with learning too much at once
onigi *pronunce [on-ie-gee]*
I used Overlay to put colors, and chose Darken and Multiply to adjust the darkness and the reflected light of shadows. I also tried to draw patterns around bumps on the skin with the Dissolve mode, but I didn't get the result I originally expected. I've been enjoying the course so far. It helps me a lot!
Anna Hagen
2yr
I’m so excited to start hearing about color!
Matthew K
2yr
Dissolve can be really useful to make quick 5 o'clock shadow. Use a textured brush in a blue to lay down the pattern of hair and then blur the layer to make it blend into the skin.
Alexander Works
This really seems like it is more aimed at being a photoshop course honestly. Which is fine, but I don't think it's for me.
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