The thing is how you can know till where you can move it to it to feel natural, does it has a circle to monitor movements? Like you can move in that space but if you go out that circle it becomes bad.

When I saw the hand I fell in love with its lines and then I discovered that they actually belong to Proko. However, I find it difficult to know what purpose each line has beyond being a tapered stroke. Lane Brown has a very interesting line and I have chosen him because he is one of the few that I have been able to analyze and understand more or less why he decides to do what he does. With others it is really difficult for me to guess why they make those decisions, if they are conscious or totally arbitrary.

The first photo is sketch from observation, the second one the first is from observation and the kung fu one is from imagination as well as the two last chicken drawings.

While doing and watching this exercise, a doubt arose in me. When you go over a line several times, do you press only in one direction or in both? For example, if you made a horizontal line and you passed the pencil from left to right, do you draw only when the pencil goes in that direction or also when it goes back from right to left.

Sometimes it's a little difficult to see if they are shadows or halftones. It doesn't look much like him but well, you know it's him.

An interesting exercise where with simple strokes you can get a curious drawing. We did what we could with what we had. Any constructive criticism is welcome,ty and for you that are reading this; have a nice day. ( I took the liberty of prohibiting the use of rubber to myself, because I realized that otherwise I would still be making corrections by today.)

why In this case there’s no terminator line?