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Peter N
•
1yr
added comment inProject - Rhythms
Asked for help
Did some more and it seems I need to push the motion more. Hopefully the demo will have some good pointers for that
Peter N
•
1yr
Asked for help
I forgot to keep the time limit, so my line economy suffered, but some turned out okay.
All critiques welcome!
@artfeedback
•
1yr
Asked for help
I asked proko this but not sure if he will answer.
When he says a thin piece of the side plane can be seen from the front, does that mean the side plane isn't totally flat, but curves a bit toward the front?
Or does that mean when seen from the top, it is tilted kinda like the first image?
In that case, in a profile view, wouldn't the side plane be slightly to the front of the head instead of right in the middle? Or am I misunderstanding something?
Peter N
•
1yr
Asked for help
Here are some that felt like they turned out better. Hopefully at least one hit the mark.
Peter N
•
2yr
Seeing you miss some proportions and grumble over it makes the demo rather comforting.
It really hammers home the idea that everyone is allowed to make mistakes regardless of skill level
Peter N
•
2yr
Asked for help
For my first attempt I choose the mangaka Ryoko Kui, whose character designs I have been in love with for years.
I did cheat a bit by first doing a fixed weight trace of the image and turning it into an exercise similar to the rhino one, but it made it much easier to focus on the linework.
Even though I ahve many artist I appreciate, I never paid much attention to their linework specifically. This exercise really opened my eyes to their nuances. Excited to do similar studies for others as well.
Peter N
•
2yr
Surprised how much harder this turned out to be compared to basing the line weight on hierarchy
Peter N
•
2yr
This is easily my favourite assignment yet.
I always struggled to understand what makes one line art feel better than another, even though I read up on it in many places.
Doing this exercise really pulled those pieces together for me.
Thank you!
Peter N
•
2yr
Asked for help
Hey @Stan Prokopenko
Is there any chance you could do a short intro to setting up digital brushes for sketching?
General opinions are mixed on what kind of brush beginners should use when learning digital art and I'm having a hard time finding one that feels right.
I know the brush itself doesn't matter in the big picture, but I am just a bit afraid of getting bad habits from using the wrong one.
A few tips on things like what should be pressure controlled, what size/opacity should a brush be, etc., would help a lot.
I randomly realized just now, that even though we got a great introduction to traditional tools, you didn't talk about digital ones much.
Peter N
•
2yr
Super grateful you don't overedit these demo videos.
Hearing all your small ramblings actually add a lot of context to some of your thoughts which might not come fully across in the "proper" lecture videos.
Especially since you elaborate on things right when you run into them.