Activity Feed
Melodie Wynne
•
3mo
added comment inThe Primary Action Line
Hey Brent; are you going to cover “skeletal gesture drawings” as in your book (done on black paper)? Thanks, Melodie
Melodie Wynne
•
3mo
How long does the presale price last, and when does the course start? Thanks! Melodie
Melodie Wynne
•
11mo
I did a bit of smudging to give some 3-D effect after watching your Dec 7th Eliza Ivanova post; more messy for sure!
Melodie
Melodie Wynne
•
1yr
Asked for help
I’m working on shapes but still have trouble with line quality and proportions.
I’d love to have suggestions on how to take photos of drawings on iPhone - lighting? Where to prop them up? Anything else?
Thanks, Melodie
Melodie Wynne
•
2yr
After watching Stans demo of the inker Roberto DeLa Torre, I saw how he used pencil to simulate inking. I tried doing the same with graphite of two images: a series of inked profile heads from Framed Ink volume 1 and also a Rembrandt pen sketch. I could really see how both artists used line quality. Loved this exercise, thanks Stan! I also “inked” part of a graphite block-in from the Rembrandt pen sketch.
My confidence with these materials went way up.
Melodie
Melodie Wynne
•
2yr
I was away so only had time to do 2 “masters”, which I copied in graphite. One was an oil sketch/painting by Richard Schmidt and the other was a chalk drawing by Peter Paul Rubens.
I learned so much just doing the two!
I may try a Watts image as I bought the book “Watts on Bridgman”. May also try the Watts skull after I watch Stan’s Demo.
Andrea Böhm
•
2yr
Thank you for this demo, Stan. I definitely missed some of the concepts you showed here like contrast and showing shadows in shadows with thick and light soft lines. I only used the thickness of the lines.
@Proko Support Is it possible to add LESSON NOTES to this demo? They are quite usefully for a quick recap.
@cujovic
•
2yr
After doing the first attemt way too detailed and probably missing the point of the exercise I set the timer to 10 minutes to finish the second attemt in order to shift the focus away from details to more confident lines.