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Anthony Hernandez
Anthony Hernandez
Earth
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Aurora
Week 3, first practice!
Anthony Hernandez
Really good! Super expressive, I love the shapes.
Anthony Hernandez
My submission for the Gesture Drawing Challenge: 1. Week 1 - Dynamic Movement 16 1-minute poses 10 5-minute poses 2. Week 2 - Static Poses 12 5-minute poses 3. Week 3 - Hands and Feet 12 5-minute poses 4. Bonus - Expressions 17 5-minute poses Great challenge! Thanks for the sample reference images and for considering my submission.
@mcminnjesse
Your hands and feet look incredible. It's also really impressive that you can capture those expressions in such a short amount of time. It doesn't look like you do any construction!?
Anthony Hernandez
Used pencil for the isometric grid, Micron pens for the outlines, and copics for the shading.
Michael Giff
ooooh. aaaaah. So that's what it's suppose to look like.
Anthony Hernandez
For the assignment I used 4 types of lighting and I tried to use some of the ideas from the previous lessons on color: 1. Warm monochromatic with sunset light from the right. I used 2 references for this one: Reference 1: Blade Runner 2049 (2017), the very orange / yellow scenes in Vegas. Reference 2: Gerry (2002), sunset shot, similar colors to the Blade Runner reference. 2A. Cool monochromatic night with soft moonlight from the left. Reference: Mad Max: Fury Road (2015), the scene with the weird walker things. 2B. Cool monochromatic night w/ NOMAD. Reference: The Creator (2023), the lighting / color reminded me of the night shot in the movie with the NOMAD laser beam thing, so added it for fun. 2C. Cool monochromatic night w/ fog. 3. Complementary palette with afternoon light from the left. Reference: Furiosa: A Mad Max Saga (2024) 4. Double split complementary palette with evening light from the right. Reference: Brother Bear (2003). Here's a link to the PSD file in case it will make it easier for the critique: https://drive.google.com/file/d/1HGm1aGF6ewKN0SmMn0UbYX8rtjkuRnv2/view?usp=sharing Great lessons! Thanks Jeremy!
Anthony Hernandez
BONUS: I put the NOMAD laser layer over the first painting and I thought it was a cool effect!
@pokey_art2
Question how long would each lesson take to come out, is it going to be 1 every week?
Anthony Hernandez
From the FAQ in the course overview: "How often do you add new lessons? This course will be adding content for a while and you can expect at least one new video every week."
Anthony Hernandez
Sean Ramsey
Haha, I love this. Thank you for making it!
Ishaan Kumar
Great use of perspective already I guess!
Dermot
2mo
Love it........and the queue went back centuries! :)
Rob Lewis
2mo
This is awesome 👏
Macario Lopez
Brilliant 😁
Anthony Hernandez
For part 1 of the assignment I did the following (in upload order): 1. Red monochromatic sphere, I followed along with the monochromatic lesson step-by-step. 2. Green monochromatic sphere, I had the lesson playing in the background which I refered to if I wasn't sure what to do next. 3. Teal monochromatic sphere, I did this one from memory. For part 2 I used a painting of She-Hulk by Jeehyung Lee (https://www.artstation.com/jeehyunglee): 4. The reference art (has the Marvel / She-Hulk logo). 5. My line drawing. 6. Complementary Palette, using red and blue. 7. Split Complementary Palette, using orange for warm, blue and purple for the cool. 8. Double Split Complementary Palette, using green and orange for warm, purple and blue for cool. Note: I ignored the rim light that was in the reference. Thanks for the lessons Marco!
@altumvidetur
If I buy the course, will I have access to the full course at launch, or will it be released piece by piece? Hopefully it won't take another 10 years to fully release?
Anthony Hernandez
From the overview: " First lesson launches October 1st." "How often do you add new lessons? This course will be adding content for a while and you can expect at least one new video every week." From the video: "I hope you will join me for a year of perspective... *or more*"
Anthony Hernandez
My goal is to learn how to create backgrounds for my drawings and make sure the characters feel like they are connected to those spaces. I also want to get better with more dynamic perspectives to add more energy to my drawings. Here are some artists and examples of what I would like to achieve: 1. Simone Dimeo (Batman & Robin #1 Cover, Poison Ivy #24 Cover) 2. Joe Mad (Onslaught Reborn #2 Variant Cover) 3. Masashi Kishimoto (Naruto Artbook 10th Anniversary) 4. Matteo Scalera (Ambassadors #6) 5. Sungmoo Heo ("Jibaro", "Doodles")
Shayan Shahbazi
Absolutely, this rank of work definitely worth to take the road of suffering and practicing for mastering art. I wish you the best.
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