@johananvogelenzang
@johananvogelenzang
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@johananvogelenzang
EXTREMELY EXCITED FOR THIS COURSE! Thanks a lot Proko and Marshal! Here are a few images of where i wanne be at with perspective in the future. I am a painter and want to be able to make paintings with this level of complexity. First 3 images is what i want to achieve, last 3 images is where im currently at. 👀🌞 problems to be solved: drawing intuitively without reference multi dimensional vanishing points like 4 point 3 point and fish eye without reference perspective grid establishment and being able to see shapes and forms based of that grid being able to imagine things from different angles and rotating scenes and 3D objects in my head
@johananvogelenzang
EXTREMELY EXCITED FOR THIS COURSE! Thanks a lot Proko and Marshal! Here are a few images of where i wanne be at with perspective in the future. I am a painter and want to be able to make paintings with this level of complexity. First 3 images is what i want to achieve, last 3 images is where im currently at. 👀🌞
@johananvogelenzang
lessons have been released! LETS FUCKING GOOOOO
Patrick Jones
Good luck!
Eddy Le
1mo
it's time!!
@johananvogelenzang
Hi Patrick, I just bought this course and im very excited! i was wondering if its necessary or advised to have some preliminary knowledge about human anatomy to get the most out of this course? Or will all the aspects needed to master fantasy figure drawing be explained in this course? just want to make sure i can get everything i can out of this course because it looks super awesome and complex. Thanks in advance for the reply :)
@johananvogelenzang
And if so, if you have some good resources for practicing anatomy id love to hear it. All suggestions are very welcome
@johananvogelenzang
oh no! Just realized that the deadline was the 6th not the 10th!! Arggg. Wanted these reviewed so bad. Some critique on this would be really helpful.
Hanna Looye
I am no Stan, but maybe my tips can be useful. Overall they look pretty great. Love stance nr. 14 and your last one. You got great lines. What maybe is something you can look at is the dominant movement in the stance. For instance stance nr. 3 it helps me if I first draw the line that goes from the nek to the heel of the back leg and then the line from the nek to the fingers of the front arm. If I got those lines and the look good (I like to exaggerate the lines, make her even more bendy.) then I build the body around them. Hopes this helps
@johananvogelenzang
Here some of my seals. I know I’m a little late but some critique would be very appreciated
Martha Muniz
I would say the seals show a tendency towards more uniformity rather than a variety in size and shape, most present in #11, 12, 15, 19, and 20. Try finding places where you can push one side towards more asymmetry, creating contrast against the other side. I hope this drawover helps :)
@johananvogelenzang
Sorry I’m a little late with posting my seals but here they are. Feedback would be very much appreciated :)
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