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Javi Lozano
Javi Lozano
Marketing degree and Master, searching for reinventing himself and become an illustrator
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Javi Lozano
Hi everyone! I wanted to do a small update and share my latest exercises. Hopefully getting some critiques and advices as in previous occasions. First of all, I am attaching few gesture, rhythm and mannequin exercises. There are a lot of things to improve and they take more time than I wish, but also I am starting to feel confortable with these exercises and to like the practice. They are becoming part of my daily routine. Second, another study of Jose Garcia style. Very simplified, but aiming for his clean approach to illustration. I can see here how I am a bit lost when it comes to shading and hatching. Finally, my first (unfinished) attempt to digital protrait following the fantastic course of @Jon Neimeister . Again, I am struggling a bit with the digital shading process (even more than the previous one, as the piece is more complex) and it’s taking too long, reaching a point where I am a bit blocked. Bu I am determinate to finish it. I completed the courses Drawing Basics and Figure Drawing Fundamentals (they were great, thanks @Stan Prokopenko ), and I am getting ready (and excited) to start with Anatomy and Portraits soon. Thanks a lot in advance for your help and inputs :)
Javi Lozano
Asked for help
Here are some of my practices. I am trying to get looser with my lines and feel like this exercise is helping to do so. Would love a critique to know if I am going in the right direction
Samantha Maggard
I really like the first one...felt like you captured the movement.
Javi Lozano
Hi everyone, These past days I have been practicing body landmarks and the mannequin structures. Personally, these have been my favourite exercises so far! @Steve Lenze I have been paying extra attention to my movements with the arm, as you suggested in previous posts. Still, I lack a lot of precision and I need to correct my lines from to time, but I believe I can see some improvements when sketching and definetely it’s cool to challenge myself. As always, I would appreciate some feedback. Thanks and I wish you a nice weekend!
Steve Lenze
Learning to draw with your whole arm takes some practice, and you will sacrifice a little control at first. As you continue to practice, you'll be throwing lines, and creating nice smooth arching gestures. These are nice by the way, I especially like the third one :)
Javi Lozano
Hi @Stan Prokopenko! This was a great lesson, thanks a lot for taking the extra time to explain the topic properly. I found it very insightful! I have a question though, which is: how rhythms complement gestures drawing? I mean, I can see the differences from a visual perspective, but I wonder how do they work together, or are they just different approaches to a posture with different goals?
Stan Prokopenko
That's a great question. I planned on touching on it in the project announcement this week, but since you asked, here's the gist. Rhythms are a tool to show gesture (actually rhythms can show structure too). We can use rhythms to show gesture, but we don't have to. There are many ways to show gesture. Contour, chaotic squiggly lines, paint strokes indicating planes of color or value.. In fact, we are always indicating some sort of gesture whether deliberately or not. But we are not always using rhythms. Rhythms are more strictly - lines based on Visual connections between things. Gesture is more broadly the story or pose. It's more about the feeling. Does this make sense?
Javi Lozano
Hi everyone 👋 Here is a small update and hopefully I get some useful feedback as in the previous round. Over the last days I was introduced to the concept of Gesture drawing and The Bean. And to be honest I found them both, very interesting practice, and also very tough to do properly and make the draws look good. I am struggling with a lot of aspects of the exercise, but mainly to have quality lines and being able to capture the motion. I think I focus too much in the contour and the results are quite still. I will keep practicing till I get better, but in the meantime here are my first attempts. I would appreciate some comments 🙏🙏 One more question. I am also starting to use Procreate since two weeks ago. Do you have any brush recommendation for this kind of exercise? I found the sketching brushes too thin for this purpose, but perhaps it’s just I am quite new and I need to get more practice. Thank you! 🤗 Javi
Steve Lenze
Hey Javier, What I'm seeing in your bean drawings is that you are drawing these too carefully and you are using your fingers. I suggest you loosen up and draw with your whole arm, it will help keep these from being stiff. Then when you move from the bean to the whole figure, it will have a nice gesture. Then think about how the bean informs the figure when you build your structural drawing on top. I did a sketch to show you what I mean :)
MeanMachineRex
You did a good job on the first two but you could darken the value to make them pop, however, you did a great job on Jinx, that's the value you should aim for. John Snow's anatomy can be improved to better structure his face and his hair can be simplified.
Javi Lozano
Thanks a lot for the feedback! I really appreciate it. i have one question though - what if I want to go for a lighter style? I agree that the first two could pop more, but I also like the light feeling that they have. I guess all will come down to the shading techniques (subject I haven't studied yet), right? Just wondering if there is a way to make them feel more complete and interesting without going as dark as I did with Jinx.
Steve Lenze
Hey Javier, I like your drawings, you are able to draw from reference pretty well. I know that these are mostly taken from other artists, and they are probably stylized quite a bit, but I wanted to point a couple of things out. In the 5th drawing I noticed some things that I hope will help you in the future. I know this face is stylized, but I think you should understand proper proportions so that you can create your own style from that. I did some notes and a sketch to show you what I mean, I hope you find it helpful :)
Javi Lozano
Hi Steve, this is awesome! The kind of feedback I am searching for to keep improving. For sure I will take into consideration in the next projects. Thanks a lot for taking the time to correct my drawing, really appreciate it.
Kimberly Lee-Lewis Adams
Woah! Your progress is inspiring. Keep it up @Javier Lozano !
Javi Lozano
Thank you Kimberly!
Javi Lozano
added a new topic
Progression and Feedback
Hi everyone! Here are a few illustrations that I would like to get critique, please.  First, there is a couple of studies of the illustrator Jose Garcia’s work (plus his work own illustrations for reference). I simplified a lot my versions but still I was trying to capture the essence of his style. In addition, there is an own interpretation of the character Jinx based on a digital artwork I found online. With this one I have been a little less careful with my lines, once I got the proportions close to the artwork. For reference, I attach also my first portrait (John Snow) that I did few months ago when I resumed drawing, to compare.  In general I am happy with the evolution and I am integrating a lot of the concepts I am learning here. But still I find my work messy and chaotic. I would appreciate a lot some feedback about line quality, hatching, etc, please. What can I improve and focus on the next projects? Thanks a lot in advance!!
Javi Lozano
In this case, I am studying the art of Jose Garcia, one of my favorite contemporary illustrators. I chose him because I am very attracted by his use of lines, which I think is perfect for this exercise. I tried to be as clean as possible while keeping everything learned in the rest of this course. PS - I struggle with taking pictures of my sketchbook. I usually take it under my desk lamp, and I find it challenging to get the correct illumination (sometimes too bright when the light hits directly, or in shadow cast by the phone, etc.) Do you have any advice?
@drawingdodo
Great artist to follow for this exercise, his line work is awesome! For advice regarding the drawing itself, I think you should have maybe a bit of a darker range, for example near the upper neck, that helps make the face pop out a bit more in the original, which might be a bit lacking in your piece. Still a great looking piece, hope you had fun! As for taking pictures, I think you should try to find an angle that gives the biggest amount of even light. Maybe, having a lamp and pointing it upwards to not create too many cast shadows. Then, when you have the photo on the PC, you should give it a pass in an image editing software, and calibrate the curves to increase the contrast to where you feel it should be. You can see Stan actually doing it several times for some of the photos he grabs from here! You don't need Photoshop for this, there are a lot of free options to do this (Krita is a full blown drawing software, but you can also do a great deal of image adjustments there, for example). Keep it up!
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