John Harper
Indiana
Database Professional with great love of art. I use my art sessions as mediation time away from the terminal.
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Vue Thao
•
11mo
added comment inProject - Rhythms
Asked for help
Here's mine.
Hi there! I am not the best artist in the world, but I've done a lot of gesture drawing work, and it seems to me that you're putting a lot of effort into getting accurate forms of the body and your gestures are suffering a little bit because of it. I would suggest doing some VERY quick timed gesture drawings, around 15 seconds, to force yourself to really focus in on the FEELING of movement in the pose. When you only have time to do a stick figure, all you are able to do is focus on the feeling!
Once you start to exaggerate what you see and forego 'accuracy', you'll really be on the way to getting some great gestures done. I also recommend reading 'FORCE' by Mike Mattesi, if you can get your hands on it. His (and his students') gesture drawings are amazing, and he does a wonderful job of explaining the thought process behind them.
Good start. I've lost count of mine because I keep going back to gesture. I can say that each time I do, I get better at it. I think my gestures, if I kept them all, would range in the tens of thousands.
Samuel Sanjaya
•
1yr
Asked for help
Neck muscles is really too complicated for me. My eyes having a hard time seeing anything other than the sterno. Any feedbacks are welcome
Marco Sordi
•
1yr
Asked for help
2023/7/30. Good Morning everybody. Here's a quick preparatory sketch for my next portrait. I didn't practice panneggio for a while so I'd like to put together a portrait and a fabric in the same composition. The reference will be a detail from a figure photo and the size will be an A3. The study below is in realized with conte and charcoal but the real work will be in graphite. I'm not sure if I'll put in a background too. If you have any idea or suggestion feel free to leave a message. Thanks.
@nathan_the_phaneuf
•
1yr
Day 14: it is not the last time I'm praticising like this, but to celebrate the last day of the challenge, I did a 14th drawing and redid all the 13 previous sketches. Went to each spot I've been to, redid every composition I once did. Only things are the bench that weren't the same, but was the same model, and the squirrel that was another one. For the 14th drawing, it's a theatre near my home. A nice and quiet place for a nice session.
Darron Field
•
1yr
Recognizing this is way past the "deadline" but I did just start the course.
Perspective clearly needs work. But I chose a Picasso self-portrait for my first study. This is the first attempt.
Samuel Sanjaya
•
1yr
Asked for help
My landmark assignment. Still have trouble with proportions, I think i focused too much on the angle that i neglecting the form. Any feedback/critiques will be appreaciated
Mike Karcz
•
1yr
Would love some insight. In the red circle, those two bulges: Am I looking at the Teres Major being split in two by the Lat, or is that the Teres Major and the Serratus?